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NANCY
Petite et grande histoire du Musée de l'École de Nancy
Dates:20.9.2014-4.1.2015

À l’occasion des 50 ans de l’installation du Musée de l’École de Nancy dans la propriété de la famille Corbin, cette exposition-dossier évoquera les principales étapes de son l’histoire : la création du musée des arts décoratifs en 1900, la donation Corbin de 1935, l’installation du musée dans la propriété Corbin dans les années 1960, l’Année de l’École de Nancy en 1999.
Des documents et photographies témoigneront de la constitution des collections de ce musée unique en France.

 

London
Courses: From Rococo to Art Nouveau: 1720-1900
Dates:25.9.2014-9.7.2015

YEAR COURSE: Gain a unique perspective on one of the most dynamic periods in the history of European art. Consider the relationship between the visual arts and the wider political and cultural context of the period and explore themes such as taste, patronage and the art market. This course encompasses Rococo, Romanticism, Impressionism and Art Nouveau. It not only covers the fine arts, such as painting and sculpture, but also design, architecture and popular visual culture.

The programme of lectures, together with close examination of important objects in the V&A’s collections, demonstrate the complex changes taking place in various branches of the visual arts over a 200-year period.

Course Director: Dr Kathy McLauchlan

Seminar Room Three

£1,750 per year, £1,400 concessions £730 per term, £550 concessions £60 per day, £45 concessions

Full year and term tickets are available via the bookings office +44 (0)20 7942 2211, 9.00-17.30, Monday - Friday (closed Bank Holidays)

One day tickets are available online and via the bookings office.

Alesund
The Norwegian Japonism
Dates:26.9.2014-7.4.2015

“The movement that is now spreading from Japan across Europe”

This quote from the Norwegian artist Gerhard Munthe (1849–1929) refers to one of the main trends in European art from the mid-19th century through the early decades of the 20th century.

In 1853, Japan opened its borders to the outside world after 200 years of isolation. This lead to a cult of all things Japanese among European artists – a movement labelled as Japonism from the 1860s–70s onward. This Japanese-inspired art did not constitute a style as such, but greatly influenced a number of styles in European art. In the 1880s and 1890s, Japonism became a major ingredient of the Art Nouveau style. In Norway, Art Nouveau peaked in popularity in the years between 1890 and 1910.

This exhibition looks at the connections between the Art Nouveau style, the nation-building project in Norway, and the Japonism movement as expressed in Norwegian Art Nouveau. Starting with Gerhard Munthe, considered the leading proponent of Japonism in Norway, the exhibition highlights connections between Japonism and the distinct national character of Norwegian Art Nouveau in terms of technique, range of motifs, format, and choice of materials.

Paris
Hokusai
Dates:1.10.2014-18.1.2015

Katsushika Hokusai (1760-1849) est aujourd’hui l’artiste japonais le plus célèbre à travers le monde. Son oeuvre peint, dessiné et gravé incarne la spiritualité et l’âme de son pays, particulièrement ses estampes de paysages, synthèse remarquable entre les principes traditionnels de l’art japonais et les influences occidentales.

Conçue en deux volets, l’exposition présente 500 oeuvres exceptionnelles, dont une grande partie ne quittera plus le Japon à compter de l’ouverture du musée Hokusai, à Tokyo en 2016. Exposition organisée par la Réunion des musées nationaux – Grand Palais.

Relâche du 21 au 30 novembre 2014 

Glasgow
3rd Creative Mackintosh Festival
Dates:1.10.2014-31.10.2014

Throughout October 2014, the third annual Creative Mackintosh festival celebrates the creative achievements of Charles Rennie Mackintosh, Glasgow’s most famous architect, designer and artist.

October becomes ‘Mackintosh month’ as visitors and locals alike are invited to enjoy a programme of events with a focus on architecture, design, visual arts and crafts in the city where he lived and worked.

From Wednesday 1st to Friday 31st of October, over 30 different events and exhibitions will take place across the main Mackintosh attractions, buildings and collections in and around Glasgow.

From walks, workshops and exhibitions to performances and talks, events are designed for all ages, to appeal to those who know nothing about Mackintosh, as well as established aficionados.

The programme will feature a range of formats with free exhibitions and workshops, ticketed tours and sociable evenings with food and drink.

More information

Maisons-Alfort
De l'Art nouveau à l'Art déco
Dates:2.10.2014-2.10.2014

Le début du 20e siècle est marqué par le renouvellement des modèles et des sources d’inspiration pour les artistes et les architectes : l’Art Nouveau lance contre l’académisme un assaut qui dépasse la simple querelle décorative. On retrouve, dans le Val-de-Marne, des exemples de villas qui représentent une large part de la production destinée à la bourgeoisie. Sous une ornementation exubérante, ce sont en fait les volumes qui prennent leur autonomie, annonçant les préoccupations de l’architecture moderne …

Cette conférence introductive du cycle "Art nouveau, art déco" est proposée par le CAUE 94. Elle sera animée par Anne-Marie MONIER et Richard WISSLER, architectes au CAUE du Val-de-Marne.

Venice
The Divine Marchesa - Art and life of Luisa Casati from the Belle Époque to the roaring twenties
Dates:3.10.2014-8.3.2015

Venice evokes the figure of the woman and the myth that fascinated d'Annunzio and his follies became the muse of the greatest artists of the time as Boldini, Bakst, by Marinetti in Balla, from Man Ray to Alberto Martini, Van Dongen Romain and Brooks.

Palazzo Fortuny in Venice, one of the "places" most loved by the Divine Marchesa, will be the site of the first extraordinary exhibition dedicated to Luisa Casati Stampa, the woman who in the early twentieth century, with the exaggerated makeup, the transgressive and eccentric performance and life over the top, he was able to transform itself into a work of art, a living legend, disturbing and surprising representation of modernity and avant-garde.

The exhibition, conceived by Daniela Ferretti, edited by Fabio Benzi and Gioia Mori, is co-produced by the Civic Museums Foundation of Venice and 24 ORE Cultura - Gruppo 24 Ore, has over one hundred works, including paintings, drawings, jewelry, sculptures, photographs and clothes from private collections and international museums.

The extraordinary collection of art works and portraits that were devoted to her or commissioned pieces will be on display in the exhibition come from private collections, such as the head of polychrome ceramic work of Renato Bertelli, The Marchesa Casati Romain and Brooks and sculpture by Paolo Troubetzkoy portrait of the Marchesa Casati with a greyhound. He subsequently joined by masterpieces from museums around the world such as Portrait of the Marchesa Casati by Giovanni Boldini GNAM of Rome, Marchesa Casati by Augustus Edwin John the Art Gallery of Ontario, the many portraits which he dedicated Alberto Martini, Lines of force landscape maiolicato of Giacomo Balla and jewelry by Cartier inspired her.

To note is the many photographs of Luisa Casati Stampa: from the shots of Gayne Adolphe de Meyer, Man Ray and Mariano Fortuny, to those stolen, when he lived in poverty in London, Cecil Beaton.

The exhibition, through constant references, reconstructs the social and artistic life of the crossed Luisa Casati Stampa: the gilded cage of high society encounter with Gabriele d'Annunzio - that forever changed and became a bond of love and friendship that lasted a lifetime - from the extravagant costumes, the practice of the occult period to arrive at the "futurist" Filippo Tommaso Marinetti in which he meets and marries the cause of the artistic movement, promoting artists and collecting their works , ending with economic ruin and exile in the British capital where he died in July 1957.

Three floors of Palazzo Fortuny "immerse" the visitor into the atmosphere in which he lived the Divine Marchesa that, for half a century, he was a living legend, a dark lady, a major art collector and patron, muse of the Symbolists, the Fauves, Futurists and surrealists: a myth that still inspires artists today and the great house of haute couture.

Bruxelles
Max Hallet House - Voir et Dire Bruxelles
Dates:4.10.2014-4.10.2014
A masterpiece by Victor Horta built between 1902 and 1905, this house ombines living accommodation with huge, light-filled reception spaces where curves and counter-curves reflect each other harmoniously in splendid stained-glass skylights and windows.
Bruxelles
Hôtel Max Hallet - Voir et Dire Bruxelles
Dates:4.10.2014-4.10.2014
Chef-d’oeuvre de Victor Horta (1902-1905), ce bâtiment combinant pièces d’habitation et de réception offre des espaces lumineux où courbes et contre-courbes se reflètent harmonieusement dans de splendides verrières et vitraux.
Bruxelles
Solvay House - Voir et Dire Bruxelles
Dates:4.10.2014-4.10.2014
This was Victor Horta’s largest private house, commissioned by the industrial magnate Armand Solvay. Construction began in 1894, and the architect expressed the principle of a “total work of art” by successfully combining top-quality materials with innovative techniques. UNESCO World Heritage.
Bruxelles
Hôtel Solvay - Voir et Dire Bruxelles
Dates:4.10.2014-4.10.2014
Œuvre majeure de l’architecte Victor Horta, il fut édifié dès 1894 à la demande de l’industriel Armand Solvay. Exprimant le principe d’Art Total, l’architecte y combine avec succès matériaux d’exception et techniques de pointe. Patrimoine mondial de l’UNESCO.
Walthamstow, London
Rossetti's Obsession Images of Jane Morris
Dates:4.10.2014-4.1.2015
Jane Morris (née Burden) was the wife of William Morris, and the favoured model of Pre-Raphaelite painter Dante Gabriel Rossetti. In his maturity Rossetti drew and painted Jane with an obsessional intensity and she was cast in many literary and mythological roles, including Dante's Beatrice, Pandora, Proserpine and Astarte. Whether in direct or symbolic guise, Jane's features are depicted with a sombre intensity that offer a glimpse into Rossetti's troubled soul. The exhibition, marking the centenary of Jane's death, brings together compelling and rarely seen drawings and pastel studies of Jane by Rossetti. The exhibition also features images of Jane as herself and explores her life and interests beyond modelling. Jane Morris (1839-1914) was a talented embroiderer, linguist and musician and played a role in the family business Morris & Co. The recent publication of her letters (The Collected Letters of Jane Morris, edited by Jan Marsh and Frank C. Sharp, 2012), gives an unparalleled insight into her interests and personality, balancing the sullen and silent impression that Rossetti's paintings have immortalised. Dante Gabriel Rossetti (1828-1882) was the leading member of the Pre-Raphaelite Brotherhood. His depictions of Jane ensured that her face became the iconic image of Pre-Raphaelite womanhood. A touring exhibition in partnership with Bradford Museums and Galleries. The exhibition is kindly supported by Farrow & Ball, Islington. Open Wednesday to Sunday, 10am - 5pm; free
Barcelona
Modernisme on foot - Route to discover the Modernist Barcelona
Dates:4.10.2014-25.10.2014

Every Saturday of October from 10 to 12 am, will take place at different stages of the Eixample in Barcelona, a walk that will allow us to approach more details of Modernisme.

The activity revolves around four themes for each day: the beauty and virtuosity of colour windows of buildings; sgraffito with their striking designs decorating the façades of iconic houses; the singular world of iconic animal in an era rich in symbolism; and delicacy and craftsmanship presents in the Masriera’s elegant jewelry.

Bruxelles
Ciamberlani House - Voir et Dire Bruxelles
Dates:4.10.2014-4.10.2014
Completed in 1897 by the architect Paul Hankar, the Ciamberlani house and its spectacular facade sgraffiti have undergone an exemplary restoration. Hankar’s geometric Art Nouveau is expressed in the reception areas as much as in the design of the unusual windows which flood the interior with daylight.
Bruxelles
Hôtel Ciamberlani - Voir et Dire Bruxelles
Dates:4.10.2014-4.10.2014
Édifié en 1897 par l’architecte Paul Hankar, l’hôtel Ciamberlani, avec son spectaculaire sgraffite, a bénéficié d’une restauration exemplaire. Le déploiement du style géométrique s’exprime tant dans les espaces de réception que dans l’originalité des fenêtres inondant l’intérieur de lumière.

 

With the support of the Culture Programme of the European Union