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Exposicions, visites i altres esdeveniments en curs o pròxims

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Jugendstil, Secession, Art nouveau: Meisterwerke des Himmlischen Jerusalem, 7
Dates:01/01/2050-01/01/2999

The art of the early 1900's was characterized by innovations and experiments. The era that includes movements such as Art Nouveau, Secession, Art Deco and Art Nouveau, has some of the most beautiful works of art produced with the design of the Heavenly Jerusalem, perhaps most notably in the field of religious art in the form of stained-glass windows, frescoes and carvings. These works are almost never in the major centers of the Art Nouveau - ie Brussels, Vienna, Prague or Paris - emerged, but aloof, often in small towns or in the countryside. Only a small number of works of art is documented or recorded scientifically, and so it was necessary to do research for this work to a much greater extent than usual for artists, history and material condition.

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Die Kunst der Zeit um 1900 war geprägt von Innovationen und Experimenten. Die Epoche, die Strömungen wie den Jugendstil, die Secession, Art deco und Art nouveau umfasst, hat einige der schönsten Kunstwerke mit dem Motiv des Himmlischen Jerusalem hervorgebracht, vor allem wohl auf dem Gebiet der Sakralkunst in Form von Kirchenfenstern, Fresken und Steinmetzarbeiten. Diese Arbeiten sind so gut wie nie in den großen Zentren des Jugendstils - also Brüssel, Wien, Prag oder Paris - entstanden, sondern abseits, oft in Kleinstädten oder auf dem Lande. Nur eine geringe Zahl der Kunstwerke ist dokumentiert oder wissenschaftlich erfasst, und so war es notwendig, für dieses Arbeiten in weitaus größerem Umfang als sonst üblich nach Künstlern, Entstehungsgeschichte und Materialzustand zu recherchieren.

Hakone, Japan
L'histoire du verre
Dates:15/03/2015-15/03/2015

De sa découverte au Moyen-Orient aux multiples usages actuels, l’histoire du verre vous est racontée par Véronique Brumm, historienne et directeur du musée Lalique, en mettant l’accent sur les grands foyers de production et les évolutions stylistiques.

10€ par personne - gratuit pour les personnes participant à l’atelier du 14 mars et pour les personnes ayant un pass annuel adulte

Ljubljana
Art Nouveau in Europe: visions and revisions
Dates:20/03/2015-20/03/2015

The Réseau Art Nouveau Network, as a network of cities aiming to preserve, study and promote Art Nouveau at a European scale, organizes the final symposium of its European project Art Nouveau & Ecology supported by the Culture programme 2007-2013 of the European Commission.

This one-day symposium Art Nouveau in Europe: visions and revisions will take place on 20 March 2015 at the Museum of Architecture and Design in Ljubljana.

Three international keynote speakers will talk on the past, present and future of Art Nouveau.
They will then exchange experience, knowledge and visions with Art Nouveau experts and professionals from the Network as well as with the audience during a round table.

The morning session will be followed by the presentation of results of the European project Art Nouveau & Ecology and the future challenges of the Network.
To conclude the final event, Penelope Denu, official representative of the European Institute of Cultural Routes, will officially award the RANN with the certification of the Cultural Route of the Council of Europe.

Free entrance/compulsory registration

Saint-Gilles - Bruxelles
Papa, Maman, Horta et moi !
Dates:07/04/2015-17/04/2015

Durant les vacances scolaires, le musée Horta ouvrira ses portes chaque matinée aux enfants et parents pour une visite adaptée à chaque âge. L’espace des domestiques de la maison sera exceptionnellement ouvert pour l’occasion.
La visite prend la forme d’un jeu de rôles pour les plus grands et d’une chasse au trésor pour les plus petits et permet de découvrir de manière pro-active l’extraordinaire maison et l’univers merveilleux de Victor Horta.
Après la visite, un atelier créatif sera proposé afin de permettre à tous de créer une œuvre inspirée par la nature, en rapport avec l’Art Nouveau – atelier différent chaque semaine (vitrail, mosaïque, peinture murale, maison Art Nouveau en papier, animaux en papier).

Infos pratiques
Vacances de printemps : du 7 au 17 avril 2015
Tarif par matinée : 8,00 € / adulte et 5,00€ / enfant
Inscription par téléphone: 02 543 04 90
ou par mail : info@hortamuseum.be
Attention : les groupes sont limités à 10 personnes maximum par matinée et réservés aux adultes accompagnés par des enfants âgés de six à douze ans.

Schaerbeek- Bruxelles
Fermeture temporaire de la Maison Autrique à Bruxelles – du 16 février au 31 décembre 2015
Dates:16/02/2015-31/12/2015

En raison de travaux de restauration portant sur les façades et d’une actualisation de la scénographie, l’ouverture au public sera réduite dès le lundi 16 février 2015 et jusqu’à la fin de l’année. Durant cette période seuls seront possibles des événements ponctuels et visites sur rendez-vous, en fonction du calendrier du chantier.

Depuis dix ans, la Maison Autrique est ouverte au public grâce à la détermination conjointe de plusieurs amis et à l’intervention de la Commune de Schaerbeek qui s’est portée acquéreur du bien. François Schuiten et Benoît Peeters sont à l’origine du projet de réhabilitation de cette œuvre de jeunesse du célèbre Victor Horta. Ils en ont fait une « maison des maisons», une habitation poétique suspendue dans le temps.

Wilmington - Delaware
Oscar Wilde's Salomé: Illustrating death and desire
Dates:07/02/2015-10/05/2015

Oscar Wilde (1854–1900) was an Irish writer and poet who became one of London’s most popular playwrights in the early 1890s. Wilde’s retelling of the beheading of John the Baptist became the controversial play, Salomé, and was banned on the London stage in 1893. Illustrators have been attracted to its rhythmic prose and subject matter ever since. Oscar Wilde’s Salomé: Illustrating Death and Desire presents the complete sets of the first and the most recent illustrations inspired by tragedy, including lithographs by symbolist artis Aubrey Vincent Beardsley (1872–1898) and engravings by Barry Moser (b. 1940). Books and periodicals featuring illustrations by Louis Jou, André Derain, and Valenti Angelo, among others, will also be on view.

Talence
L'Art nouveau
Dates:10/03/2015-10/03/2015

Premier mouvement d’avantgarde au tournant du XIXe et du XXe siècle, l’Art Nouveau a cherché à battre en brèche l’académisme et l’éclectisme. Il ambitionnait de réformer le cadre bâti en recourant à un nouveau vocabulaire, libre de toute référence au passé. Sans règle, dynamique et instinctif, il était basé sur une empathie avec la nature. Son exubérance s’est incarnée, à différents degrés, dans les réalisations d’Hector Guimard, Antonio Gaudi ou encore Louis Majorelle. Mais au-delà de son aspect ornemental, ce style a apporté un profond renouveau dans la manière de concevoir l’espace domestique.

Entrée: 3 euros

Glasgow
Mosaic Floors & Why Architectural Ornament Matters
Dates:04/03/2015-04/03/2015

Darren McLean from Timber & Lime Conservation, will discuss restoration and repair to mosaic floors. The lecture will give a brief overview of mosaics and their Victorian resurgence with some examples of the materials used and the people who made them.
 

Niall Murphy’s lecture, Why Architectural Ornament Matters, in essence, is a primer about Ornament and the key role architectural ornament plays in creating good, conducive and healthy urban environments. Why are people attracted to ornament on buildings? Does it fulfil a need? Is the need to ornament our environment actually an intrinsic part of what makes us human?

Lectures are free to GCHT Friends or £5 donation for non-friends.

Please note, booking is essential for the lectures.

Salamanca

Dates:22/01/2015-29/03/2015

Salamanca, 1900 is the first monographic exhibition on the city in the Casa Lis Museum The exhibition is an extension of the Cinémathèque de Castilla y León and the Museum of Automotive History of Salamanca
A sculpture that Lis family had in the early twentieth century returns home for this exhibition.

The Art Nouveau and Art Deco Museum hosts the exhibition 'Salamanca, 1900 from today until March 29, 2015. The exhibition, which showcases more than 80 pieces, offers visitors a journey time through photographs of the city early from the Film Archive of Castilla y León and the Gonzalez family Huebra twentieth century. They can admire five reproductions of colored Venancio autochrome Gombau never exposed before. To this telegraph the González family Huebra add several costumes and jewelry collection Ethnographic Museum of Castilla y León, toys, lamps, audiovisual and a sculpture that Lis family had at home early XX century by temporarily ceded by Villar and Macías Public School. The exhibition, the first devoted solely to Salamanca in the Art Nouveau and Art Deco Museum is complemented with the exhibition of twenty other photographs in the Film Library of Castile and León and several vintage cars at the Museum of Motoring Salamanca.

Flensburg
Hans Christiansen - The retrospective
Dates:11/10/2015-17/01/2016

Retrospective on the complete works of the artist colony member of the first hour: With Hans Christiansen (1866-1945) is an as versatile as exemplary Jugendstil artists to rediscover, who found his vocation in Mathildenhöhe Darmstadt.

Hans Christiansen is one of the most important representatives of Jugendstil, especially with his drafts in the field of arts and crafts. In Paris where matured into an artist, he was appointed in 1899 by Grand Duke Ernst Ludwig in Darmstadt, where he was among the first seven members of the artists' colony. On the Mathildenhöhe he blossomed and excelled as a genuine work of art enthusiasts in painting, architecture and applied art as well as a designer of lights festivals. For the first time the full range of this versatile artist is presented: The retrospective presents his house on the Mathildenhöhe, room facilities, glass pane, jewellery, posters, paintings, drawings, textile art and ceramics in different spatial ensembles - including previously unknown like his fashion and poster designs from the 1920s.

The major retrospective, the first ever to Hans Christiansen, will be seen in four German institutions. The kick-off will make Mathildenhöhe as the first step, and then will follow the Bröhan Museum in Berlin, the Villa Stuck Museum in Munich and the Museumsberg in Flensburg, where the exhibition tour will end just before the 150th anniversary of the artist in his hometown.

Curators: Dr. Philipp Gutbrod, curator and conservator of the collection, Mathildenhöhe Darmstadt Institute
Dr. Michael Fuhr, Director, Museumsberg in Flensburg
Dr. Dorothee Bieske, curator and conservator of the collection, Museumsberg in Flensburg

An exhibition of the Mathildenhöhe Darmstadt Institute and of the Museumsberg in Flensburg in collaboration with the Villa Stuck Museum in Munich and the Bröhan Museum in Berlin.

The exhibition will then travel to the Musée Bröhan, Berlin (19 Feburary– 24 May 2015), the Museum Villa Stuck in Munich (18 June – 20 September 2015) and to the Museumsberg Flensburg (11 October – 17 January 2016)

München
Hans Christiansen - The retrospective
Dates:18/06/2015-20/09/2015

Retrospective on the complete works of the artist colony member of the first hour: With Hans Christiansen (1866-1945) is an as versatile as exemplary Jugendstil artists to rediscover, who found his vocation in Mathildenhöhe Darmstadt.

Hans Christiansen is one of the most important representatives of Jugendstil, especially with his drafts in the field of arts and crafts. In Paris where matured into an artist, he was appointed in 1899 by Grand Duke Ernst Ludwig in Darmstadt, where he was among the first seven members of the artists' colony. On the Mathildenhöhe he blossomed and excelled as a genuine work of art enthusiasts in painting, architecture and applied art as well as a designer of lights festivals. For the first time the full range of this versatile artist is presented: The retrospective presents his house on the Mathildenhöhe, room facilities, glass pane, jewellery, posters, paintings, drawings, textile art and ceramics in different spatial ensembles - including previously unknown like his fashion and poster designs from the 1920s.

The major retrospective, the first ever to Hans Christiansen, will be seen in four German institutions. The kick-off will make Mathildenhöhe as the first step, and then will follow the Bröhan Museum in Berlin, the Villa Stuck Museum in Munich and the Museumsberg in Flensburg, where the exhibition tour will end just before the 150th anniversary of the artist in his hometown.

Curators: Dr. Philipp Gutbrod, curator and conservator of the collection, Mathildenhöhe Darmstadt Institute
Dr. Michael Fuhr, Director, Museumsberg in Flensburg
Dr. Dorothee Bieske, curator and conservator of the collection, Museumsberg in Flensburg

An exhibition of the Mathildenhöhe Darmstadt Institute and of the Museumsberg in Flensburg in collaboration with the Villa Stuck Museum in Munich and the Bröhan Museum in Berlin.

The exhibition will then travel to the Musée Bröhan, Berlin (19 Feburary– 24 May 2015), the Museum Villa Stuck in Munich (18 June – 20 September 2015) and to the Museumsberg Flensburg (11 October – 17 January 2016)

Berlin
Hans Christiansen - The retrospective
Dates:19/02/2015-24/05/2015

Retrospective on the complete works of the artist colony member of the first hour: With Hans Christiansen (1866-1945) is an as versatile as exemplary Jugendstil artists to rediscover, who found his vocation in Mathildenhöhe Darmstadt.

Hans Christiansen is one of the most important representatives of Jugendstil, especially with his drafts in the field of arts and crafts. In Paris where matured into an artist, he was appointed in 1899 by Grand Duke Ernst Ludwig in Darmstadt, where he was among the first seven members of the artists' colony. On the Mathildenhöhe he blossomed and excelled as a genuine work of art enthusiasts in painting, architecture and applied art as well as a designer of lights festivals. For the first time the full range of this versatile artist is presented: The retrospective presents his house on the Mathildenhöhe, room facilities, glass pane, jewellery, posters, paintings, drawings, textile art and ceramics in different spatial ensembles - including previously unknown like his fashion and poster designs from the 1920s.

The major retrospective, the first ever to Hans Christiansen, will be seen in four German institutions. The kick-off will make Mathildenhöhe as the first step, and then will follow the Bröhan Museum in Berlin, the Villa Stuck Museum in Munich and the Museumsberg in Flensburg, where the exhibition tour will end just before the 150th anniversary of the artist in his hometown.

Curators: Dr. Philipp Gutbrod, curator and conservator of the collection, Mathildenhöhe Darmstadt Institute
Dr. Michael Fuhr, Director, Museumsberg in Flensburg
Dr. Dorothee Bieske, curator and conservator of the collection, Museumsberg in Flensburg

An exhibition of the Mathildenhöhe Darmstadt Institute and of the Museumsberg in Flensburg in collaboration with the Villa Stuck Museum in Munich and the Bröhan Museum in Berlin.

The exhibition will then travel to the Musée Bröhan, Berlin (19 Feburary– 24 May 2015), the Museum Villa Stuck in Munich (18 June – 20 September 2015) and to the Museumsberg Flensburg (11 October – 17 January 2016)

 

Den Haag
White nights. Carel de Neree tot babberich, Henri van Booven and Louis Couperus
Dates:09/11/2014-10/05/2015

Around 1900, writer Henri van Booven (1877-1964) befriended the artist Carel de Nerée tot Babberich (1880-1964). The latter worked in the style of Aubrey Beardsley, while Van Booven would become Louis Couperus' first biographer. He got to know the writer's work thanks to his friend De Nerée. The author introduced the artist to the work of Aubrey Beardsley. Both admired Louis Couperus, especially the novel Extasy (1892). For the first time in one hundred years a series of drawings which De Nerée made for this novel which will be on show together. The exhibition also features documents and books from Van Booven's private archive and library.

The exhbition is put together by Sander Bink, specialist on the Dutch Fin-de Siècle. To the occasion of this show the beautifully illustrated book Carel de Nerée tot Babberich en Henri van Booven. Den Haag in het fin de siècle will presented at the vernissage (published by WBOOKS, Apeldoorn, together with the Louis Couperus Museum).

This exhibition was made possible by financial contributions from Foundation Gifted Art and a sponsor who wishes to remain anonymous. The accompanying pubication was financed by the Foundation Harten Fonds and the M.A.O.C. Gravin van Bylandt Foundation.

Paris
In the time of Klimt - The Vienna Secession
Dates:12/02/2015-21/06/2015

The Pinacothèque de Paris, in partnership with Arthemisia Group and 24 ORE Cultura, wishes to examine once again an essential aspect of Art Nouveau, which was developed in Vienna at the start of the 20th century under the name Secession. Gustav Klimt's part in the emerging of that movement is a major one. The artist's talent and brio, from his precocious start to his excessive decorative effects, where gildings and the emerging expressionism are dominant, are the foundations of a new period, which flowered in Vienna at the turn of the century. That artistic movement is, in fact, at the origin of the birth, a few years later, of one of the major currents in modern art, Expressionism, which was the theme of an exhibition in the museum in 2011.

The exhibition shows over 180 works taken from the collections of the Belvedere museum in Vienna, as well as from private collections. The curatorship of the exhibition is ensured by Alfred Weidinger, curator of the Belvedere museum in Vienna.

Brussels
Trésors d’architecture - de l'Art nouveau à l'Expo 58
Dates:28/01/2015-19/04/2015

L’exposition Trésors d’architecture, la première du genre à être présentée au CIVA et organisée par les Archives d'Architecture Moderne (AAM), propose un parcours initiatique et didactique de l’Art Nouveau à l’Expo 58.

Parmi les « trésors » de cette installation, le grand public ira à la découverte de pièces rares de même que de nombreuses pièces inédites (des plans que l’on croyait disparus de Horta, des projets inconnus de van de Velde, une impressionnante série de châteaux d’eau, …).

With the support of the Culture Programme of the European Union

Responsible publisher: Arlette Verkruyssen, General Director,
Brussels Regional Public Service - Bruxelles Développement urbain (Brussels Urban Development),
CCN - Rue du Progrès 80, B. 1, 1035 Brussels - Belgium