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Art Nouveau: mostre in corso o di prossima apertura, visite e molto altro ancora…..

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London
Victorian and Edwardian Furniture and Interiors - From the Gothic Revival to Art Nouveau
Dates:01/01/2050-01/01/2999
The furniture designs of William Morris, C. R. Ashbee and Charles Rennie Mackintosh are even more popular today than in their own lifetimes. The work of other figures, such as William Burges and Christopher Dresser is also being avidly collected. Jeremy Cooper’s survey contains an astonishing range of photographs and drawings: nearly 700 illustrations offer a uniquely comprehensive coverage of nineteenth-century furniture. Every major designer is represented, and the choice of pictures includes little-known pieces from private collections. Rare contemporary photographs of Victorian and Edwardian interiors show how the furniture formed part of complete decorative ensembles. Extensive commentaries on the illustrations and detailed text provide the essential background – wherever possible using the actual words of the designers, architects and critics themselves. 29.90 x 21.70 cm Paperback with flaps 256pp 683 Illustrations, 74 in colour First published 1998
London
Japonisme - The Japanese Influence on Western Art Since1858
Dates:01/01/2050-01/01/2999
The impact of Japan on Western art was as immediate and almost as cataclysmic as the influence of the West on Japanese life. After Commodore Perry opened Japan’s door to the outside world in 1858, a wealth of visual information from the superb Japanese traditions of ceramics, metalwork, architecture, print-making and painting reached the West and brought with it electrifying new ideas of composition, colour and design. One has only to see a celebrated painting by Monet, Degas or Van Gogh, a print by Lautrec or Vallotton, an Art Nouveau glass vase or a lacquered hair comb side by side with its Japanese source to see how these ideas have inspired European artists. Japanese conventions of symbolism underlie the use of decorative motifs in European Symbolism and Art Nouveau, and the Zen idea of spontaneity is the ultimate source of both the apparently capricious shapes of Art Nouveau ware and the development of an abstract ‘calligraphy’ in Abstract Expressionism. 30.00 x 26.40 cm Paperback with flaps 432pp 1105 Illustrations, 243 in colour First published 1999
London
Munich - Its Golden Age of Art and Culture 1890 - 1920
Dates:01/01/2050-01/01/2999
Packed with evocative illustrations, this book is a dazzling kaleidoscope of a vibrant city at its cultural peak. As the 20th century dawned, the city of Munich found itself at a high point in its cultural history. Capital of Bavaria, but often seen as provincial and parochial, it reinvented itself as a treasure house of art. Its proud promotion of its own artists and thinkers created a cultural impetus that drew in creative minds from across Germany and beyond, turning the city into a magnet for the esoteric and the avant-garde. Buzzing with a seething life of festivals and carnivals, theatres and cabarets, Munich became a haven and an inspiration to many: artists such as Paul Klee, Giorgio de Chirico and Marcel Duchamp, writers such as Thomas Mann and Stefan George, and political figures such as Lenin and Trotsky, spent time there. A succession of movements and breakaway groups took the limelight, from the innovative Munich Secession to the bold colours and expressive harmonies of Der Blaue Reiter: Kandinsky, Marc and Macke. This was also the birthplace of Jugendstil, the German version of Art Nouveau. The work of designers such as Peter Behrens, Hermann Obrist and Richard Riemerschmid became the very embodiment of Jugendstil’s whiplash curves and elegant ornamentation. 24.00 x 16.30 cm Hardback 376pp 466 Illustrations, 387 in colour First published 2009
London
Textiles of the Wiener Werkstätte 1910-1932
Dates:01/01/2050-01/01/2999
For designers, decorators or anyone simply in search of visual inspiration, this book is a goldmine and a fitting tribute to a period of astonishing creativity. A wealth of reproductions, many in colour, are supplemented by an exhaustive catalogue and artist biographies, as well as contemporary photographs of the textiles’ uses in fashion and interior decoration. The textile patterns and prints of the Wiener Werkstätte were among the most popular and successful designs of the early twentieth century, reflecting both the tastes of Viennese high society and the general trend towards artistic abstraction. Textiles of the Wiener Werkstätte 1910–32 presents selections from the original gouache drawings, pattern books and about 20,000 samples now in the collection of the Austrian Museum of Applied Arts, Vienna – a truly remarkable archive of most of the over 1,800 recorded fabric designs. These range from the early naturalistic motifs of Art Nouveau to the later geometric designs associated with Art Deco. Angela Völker’s text gives accounts of a range of topics, including the designs by Koloman Moser and Josef Hoffmann for Backhausen and Söhne before the foundation of the textile department in about 1910, methods of production, sales policy, customers and end use. 28.00 x 20.70 cm Paperback with flaps 256pp 417 Illustrations, 306 in colour First published 2004
London
Scottish Art
Dates:01/01/2050-01/01/2999
What makes Scottish art Scottish? The lasting influence of Celtic masterpieces recur throughout the centuries, not least in the work of Charles Rennie Mackintosh and Scottish Art Nouveau, but at a deeper level an idea of Scottish art emerges in depictions of its dramatic landscape, its wars and conflicts, hardships, the heroes of Scottish history, the great figures of literature and philosophy, and its connection with France, from medieval times almost to the present. All these factors form the character of Scottish art which is rich at the same time in distinctive personalities and individual genius, from Henry Raeburn and Allan Ramsay, the two great portraitists of the Scottish enlightenment, to artists working today like pioneering pop artist Eduardo Paolozzi and novelist and illustrator Alasdair Gray. 21.00 x 15.00 cm Paperback 224pp 183 Illustrations, 55 in colour First published 2000
London
Modern Art Impressionism to Post-Modernism
Dates:01/01/2050-01/01/2999
This concise and authoritative introduction covers every major development in the visual arts since 1900. The informed and informative texts, written by a team of distinguished art historians, are up-to-date in approach whilst remaining intelligible to all, and are supplemented by chronologies and select bibliographies. Anyone seeking a gallery of the masterpieces of 20th-century art, together with deft overviews of the period, will find no better single volume. Contents Preface David Britt Impressionism Bernard Denvir Symbolism and Art Nouveau Alastair Mackintosh Fauvism and Expressionism Bernard Denvir Cubism, Futurism and Constructivism J. M. Nash Dada and Surrealism Dawn Ades Abstract Expressionism Anthony Everitt Pop Simon Wilson Pluralism since 1960 Marco Livingstone 25.50 x 22.00 cm PLC (no jacket) 416pp With over 400 illustrations in colour and black and white First published 2007
London
Stained Glass - Masterpieces of the Modern Era
Dates:01/01/2050-01/01/2999
The twentieth century, with its revolution in architectural methods and materials, opened up new possibilities for stained glass. During the last thirty years, a great many projects have been created in stained glass all over the world, in both new buildings and historical churches and institutions. Studies of this phenomenon have been rare until now, and this book is a pioneer in the survey of this fascinating field. From the magnificent Art Nouveau ceilings of Parisian department stores, to exuberant designs from the Islamic world, and further still to the temples and palaces of India, Indonesia and Japan, stained glass becomes a medium by which the traditional and the avant-garde come together to create sumptuous decoration. Here too are striking designs by modern artists like Marc Chagall and Fernand Léger, and glass put to skilful and subtle use by master architects such as Antoni Gaudí and Frank Lloyd Wright. 31.50 x 27.00 cm Hardback 216pp 247 Illustrations, 246 in colour First published 2007
London
Charles Rennie Mackintosh
Dates:01/01/2050-01/01/2999
Charles Rennie Mackintosh’s finest work dates from about a dozen intensively creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than anything in Britain at that time. His interiors, many of them designed in collaboration with his wife, Margaret Macdonald, are both spare and sensuous, creating a world of heightened aesthetic sensibility. Finally, during the 1920s, he painted a series of watercolours which are as original as anything he had done before. Since his death, Mackintosh has been lauded as a pioneer of the Modern Movement and as a master of Art Nouveau. This book, with illustrations that include specially prepared plans and sections, takes a clear-eyed view of Mackintosh and his achievement, revealing a designer of extraordinary sophistication and inventiveness. 20.90 x 14.80 cm Paperback 216pp 167 Illustrations, 26 in colour First published 1995
London
20th Century Jewelry - The Complete Sourcebook
Dates:01/01/2050-01/01/2999
The most comprehensive and detailed history and sourcebook of twentieth-century jewelry ever published John Peacock charts the development of every kind and style of twentieth-century jewelry for both women and men: earrings, necklaces, pendants, bracelets, and bangles, brooches, rings, buckles and clasps, dress clips, hair and hat ornaments, watches, cufflinks, tiepins. . . Precious jewelry, costume and novelty jewelry are all included, and every style from Art Nouveau to Pop Art and retro. John Peacock’s research, using not only paintings and photographs, but also the jewelry itself, has allowed him to reproduce in meticulous detail a host of representative pieces from every year of the century. All the great twentieth-century designers and houses are featured – among them Lalique, Cartier, Chaumet, Georg Jensen, Fulco di Verdura, Schlumberger, Miriam Haskell, Harry Winston, Van Cleef & Arpels and Tiffany & Co. – as well as the mass-produced jewelry their designs inspired. The pictures are accompanied by full descriptions, including details of materials, stones, designs, fastenings, mounts and surrounds. An invaluable reference section includes a time chart summarizing the development of jewelry through the century, biographies of the leading international jewellers, and a concise bibliography. This encyclopaedic survey is destined to become the unrivalled reference work in its field, indispensable to any jewelry enthusiast, designer, student or collector. 32.00 x 24.00 cm Hardback 144pp Over 1500 illustrations in colour First published 2002
 
Art Nouveau - Un défi
Dates:01/01/2050-01/01/2999
Ce livre écrit dans un style clair et vif nous éclaire sur les éléments clés de l'Art Nouveau, un style révolutionnaire qui envahit l'Europe et les États-Unis au tournant du siècle dernier. Les illustrations - architecture, meubles, peintures, sculptures, verrerie, céramiques, bijoux - évoquent l'essence même de ce style extraordinaire. Les influences majeures : le Rococo, la nature, l'exotisme de l'Orient sont mises en parallèle et fournissent une histoire visuelle fascinante. 04/07/2000 96 pages 20.8 x 18.7 cm Livre et assimilé Broché Couleurs Elèves / étudiants 20,30 euros
 
Art Nouveau & Érotisme
Dates:01/01/2050-01/01/2999
Au tournant du siècle dernier, alors que de nouveaux médias tels le cinéma et la photographie donnent une nouvelle vision du monde, artistes et décorateurs Art Nouveau se servent de l'érotisme pour repousser les frontières des conventions établies. Cette étude concise et très illustrée montre comment ils ont donné une expression visuelle à l'érotisme en créant les formes tourbillonnantes et voluptueuses des œuvres les plus marquantes et les plus représentatives de ce style révolutionnaire. 04/07/2000 96 pages 20.8 x 18.7 cm Livre et assimilé Broché Couleurs Elèves / étudiants 20,30 euros
 
Georges De Feure, Maitre du Symbolisme et de l'Art Nouveau
Dates:01/01/2050-01/01/2999
"I madly love these arabesques of dimmed nuances. This teeming mass of tangled lines which are flowers, fabrics and landscapes. I love these "princesses" with gem-like eyes and sinuous lips. They close upon bad secrets. An impure ferment seems to swell their gorged flesh with the magnolia flower s soft white tint, whilst their baroque opulence shows in each novel jewel which ornaments their nervous fingers." (Georges Barbier) Georges de Feure must be the exemplary "universal artist" of the late 19th-century. His talent is manifold: he was not only a symbolist painter and illustrator, but also a poster-artist. And he played an important role as artist-decorator in the Pavilion of Art Nouveau, in the 1900 universal exhibition. 304 pages French
Strasbourg Cedex
L'héritage de l'Art nouveau dans la vallée du Rhin supérieur - DVD
Dates:01/01/2050-01/01/2999
Quarante films de 4 minutes proposant un parcours riche et varié à travers l'Art nouveau en Alsace, et plus largement dans le Rhin supérieur. Ce parcours est étayé de 13 propositions de séquences pédagogiques destinées aux élèves du second degré. 1 DVD vidéo (80 min.)
Paris
Guimard Perdu, histoire d'une méprise
Dates:01/01/2050-01/01/2999
Que reste-il de l’œuvre d’Hector Guimard ? Si chacun garde en mémoire son travail pour le métro parisien, on sait moins que presque la moitié de ses réalisations architecturales a été détruite et que certains bâtiments sont aujourd’hui encore menacés de destruction. Ce roi de la courbe et de l’asymétrie, chantre de l’Art nouveau et père de l’architecture moderne en France, méritait cet inventaire qui, au travers de documents inédits, permet de restituer à l’œuvre disparue toute son étonnante créativité. 27 x 25 cm, 128 pages quadri, broché avec rabats 35 €
Paris
L’Idéal Art nouveau. Collection majeure du musée départemental de l’Oise
Dates:01/01/2050-01/01/2999
« L’Art dans tout et l’Art pour tous » tel était le slogan des créateurs de l’Art nouveau, mouvement qui connut son apogée entre 1890 et 1910. Célébrant le retour à la nature et embrassant les nouvelles possibilités de création offertes par les évolutions techniques, l’Art nouveau bouleverse une société étouffée par son classicisme et ses codes intransigeants. Sa sensualité, son érotisme même, fait scandale. Ambitionnant de réaliser l’unité de l’art et de la vie, cet art total qui s’empare de tous les sujets et de tous les supports, trouve son plus beau terrain d’expression dans la construction et l’aménagement, la maison devenant son lieu d’expression privilégié. Moment éphémère de l’histoire de l’art, rapidement éclipsé par l’arrivée du style Art déco, l’Art nouveau eut un vaste champ d’expérimentation de l’architecture aux arts décoratifs, en passant par la peinture et la sculpture. Guimard, Lalique, Gallé, Vuillard, Denis... autant d’artistes dont les chefs-d’œuvre constituent les repères de ce large panorama que retrace cet ouvrage, dessinant une synthèse rare d’un mouvement emblématique de la Belle Époque. Catalogue de l’exposition présentée au Palais Lumière d’Evian du 12 octobre 2013 au 12 janvier 2014. 208 p., 35 €.

With the support of the Culture Programme of the European Union

Responsible publisher: Arlette Verkruyssen, General Director,
Brussels Regional Public Service - Bruxelles Développement urbain (Brussels Urban Development),
CCN - Rue du Progrès 80, B. 1, 1035 Brussels - Belgium