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Ongoing and upcoming Art Nouveau exhibitions, visits and more...

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Salzburg
Expressionisms - The Collection from Kokoschka to Anzinger
Dates:07/03/2015-21/06/2015

Based on the impressions gained during her first examination of the museum holdings, the new curator for modern art, Beatrice von Bormann, has devised an exhibition about Expressionism. It features paintings, sculptures, drawings, and graphic prints by about eighty artists of the twentieth and twenty-first centuries. The focus is on Austrian and German Expressionism, from the early period before World War I to the Neo‑Expressionism of the 1960s and 1970s, and the Neuen Wilden.

Schaerbeek- Bruxelles
Fermeture temporaire de la Maison Autrique à Bruxelles – du 16 février au 31 décembre 2015
Dates:16/02/2015-31/12/2015

En raison de travaux de restauration portant sur les façades et d’une actualisation de la scénographie, l’ouverture au public sera réduite dès le lundi 16 février 2015 et jusqu’à la fin de l’année. Durant cette période seuls seront possibles des événements ponctuels et visites sur rendez-vous, en fonction du calendrier du chantier.

Depuis dix ans, la Maison Autrique est ouverte au public grâce à la détermination conjointe de plusieurs amis et à l’intervention de la Commune de Schaerbeek qui s’est portée acquéreur du bien. François Schuiten et Benoît Peeters sont à l’origine du projet de réhabilitation de cette œuvre de jeunesse du célèbre Victor Horta. Ils en ont fait une « maison des maisons», une habitation poétique suspendue dans le temps.

Glasgow
Glasgow’s Gilded Age
Dates:08/05/2015-08/05/2015

The conference will highlight those Glasgow designers who originally established the city's reputation at the time of the Aesthetic Movement and Mark Twain’s so called Gilded Age. Glasgow’s international reputation for design and manufacture sprang forth from the city's industries, as well as its educational institutions, and its influence spread across the globe through trade. This laid the foundation for Glasgow’s inimitable ‘style’.

We want to invite our guests on a unique sensory experience, considering both the glamour and the grit of industrial Glasgow. Our speakers will be discussing a wide range of topics, including; the interiors of Glasgow’s finest buildings, architectural ornament and stained glass within the city, and the movers and shakers of both the artistic and industrial spheres.

Other speakers include:

Prof. John Hume OBE, BSc ARCST, Hon FRIAS, FSA Scot; Chairman of the Royal Commission of Ancient and Historic Monuments, Patron of GCHT, and life-long supporter of Glasgow’s industrial and artistic heritage, will be speaking about the industries and the individuals who produced or commissioned art in Glasgow throughout the period.

Dr. David Mitchell: Dr. David Mitchell MSC IHBC ProfICME FSA Scot by day is Director of Conservation for Historic Scotland. Member of the Institute for Historic Building Conservation and the Institute of Cast Metal Engineers. Member of the English Heritage Advisory Board and CyArk, a US Non Profit to digitally document and share world heritage. Alumni of the US State Department Fellowship programme. Interested in ironwork conservation and the history of the industry in Scotland, particularly Walter Macfarlane and Co.

Dr. Robyne Erica Calvert: Robyne is a researcher in the visual culture of the 19th-21st centuries, with a particular focus on Charles Rennie and Margaret Macdonald Mackintosh. She holds a PhD in Art History and an MLitt in Decorative Arts & Design History from the University of Glasgow; and an MA in Art History from the University of Oregon.

Max Donnelly: Max Donnelly FSA is Curator of Nineteenth-Century Furniture at the Victoria and Albert Museum, London. He has lectured and broadcast on aspects of nineteenth-century design, including for the BBC2 series The Genius of Design (2010). A contributor to several scholarly journals, his article on Vincent van Gogh and Daniel Cottier was published in The Burlington Magazine (September 2011).

Ian Gow: Ian Gow was appointed Curator of the National Trust for Scotland in 1998. He had previously been Curator of Architectural Collections at the Royal Commission on the Ancient and Historical Monuments of Scotland. He is the author of several books and many articles on the decorative arts and architecture of Scotland.

Dr. Peter Burman: Dr. Peter Burman is an architectural historian who has been studying Webb for many years, organised the only conference ever held on Webb and his work, and has produced two major articles on him with more in preparation. He sees Webb as a understated but nevertheless major figure both in the early development of the British Arts & Crafts Movement and in the early history of a responsible British ‘heritage movement’. He is a Guardian of the SPAB and in Scotland he is currently chairman of the Falkland Stewardship Trust, whose responsibilities include a major 19th century country house, and a trustee and Archivist of Hopetoun House. He acts as an arts and heritage consultant across a spectrum of special places. Peter Burman will Chair the afternoon session of the conference. We believe that it is crucial to the promotion of Glasgow as a world city, and that through it we will be celebrating its vibrant artistic and industrial history, encouraging academic study of the period of this ‘gilded age’, and promoting Glasgow as a place for cultural and historic tourism.

Glasgow
Glasgow's Gilded Age 1864-1914: Glamour & Grit Conference
Dates:08/05/2015-08/05/2015

The conference will highlight those Glasgow designers who originally established the city's reputation at the time of the Aesthetic Movement and Mark Twain’s so called Gilded Age. Glasgow’s international reputation for design and manufacture sprang forth from the city's industries, as well as its educational institutions, and its influence spread across the globe through trade. This laid the foundation for Glasgow’s inimitable ‘style’.

We want to invite our guests on a unique sensory experience, considering both the glamour and the grit of industrial Glasgow. Our speakers will be discussing a wide range of topics, including; the interiors of Glasgow’s finest buildings, architectural ornament and stained glass within the city, and the movers and shakers of both the artistic and industrial spheres.

Prof. John Hume OBE, BSc ARCST, Hon FRIAS, FSA Scot; Chairman of the Royal Commission of Ancient and Historic Monuments, Patron of GCHT, and life-long supporter of Glasgow’s industrial and artistic heritage, will be speaking about the industries and the individuals who produced or commissioned art in Glasgow throughout the period.

Other speakers include Dr. David Mitchell MSC IHBC ProfICME FSA Scot, Director of Conservation and Trustee of the Scottish Ironwork Foundation, Dr. Robyne Erica Calvert, Mackintosh Research Fellow for the Glasgow School of Art and Max Donnelly, Curator of 19th-Century Furniture at the V&A Museum.

We believe that it is crucial to the promotion of Glasgow as a world city, and that through it we will be celebrating its vibrant artistic and industrial history, encouraging academic study of the period of this ‘gilded age’, and promoting Glasgow as a place for cultural and historic tourism.

Berlin
Hans Christiansen - The retrospective
Dates:19/02/2015-24/05/2015

Retrospective on the complete works of the artist colony member of the first hour: With Hans Christiansen (1866-1945) is an as versatile as exemplary Jugendstil artists to rediscover, who found his vocation in Mathildenhöhe Darmstadt.

Hans Christiansen is one of the most important representatives of Jugendstil, especially with his drafts in the field of arts and crafts. In Paris where matured into an artist, he was appointed in 1899 by Grand Duke Ernst Ludwig in Darmstadt, where he was among the first seven members of the artists' colony. On the Mathildenhöhe he blossomed and excelled as a genuine work of art enthusiasts in painting, architecture and applied art as well as a designer of lights festivals. For the first time the full range of this versatile artist is presented: The retrospective presents his house on the Mathildenhöhe, room facilities, glass pane, jewellery, posters, paintings, drawings, textile art and ceramics in different spatial ensembles - including previously unknown like his fashion and poster designs from the 1920s.

The major retrospective, the first ever to Hans Christiansen, will be seen in four German institutions. The kick-off will make Mathildenhöhe as the first step, and then will follow the Bröhan Museum in Berlin, the Villa Stuck Museum in Munich and the Museumsberg in Flensburg, where the exhibition tour will end just before the 150th anniversary of the artist in his hometown.

Curators: Dr. Philipp Gutbrod, curator and conservator of the collection, Mathildenhöhe Darmstadt Institute
Dr. Michael Fuhr, Director, Museumsberg in Flensburg
Dr. Dorothee Bieske, curator and conservator of the collection, Museumsberg in Flensburg

An exhibition of the Mathildenhöhe Darmstadt Institute and of the Museumsberg in Flensburg in collaboration with the Villa Stuck Museum in Munich and the Bröhan Museum in Berlin.

The exhibition will then travel to the Musée Bröhan, Berlin (19 Feburary– 24 May 2015), the Museum Villa Stuck in Munich (18 June – 20 September 2015) and to the Museumsberg Flensburg (11 October – 17 January 2016)

 

München
Hans Christiansen - The retrospective
Dates:18/06/2015-20/09/2015

Retrospective on the complete works of the artist colony member of the first hour: With Hans Christiansen (1866-1945) is an as versatile as exemplary Jugendstil artists to rediscover, who found his vocation in Mathildenhöhe Darmstadt.

Hans Christiansen is one of the most important representatives of Jugendstil, especially with his drafts in the field of arts and crafts. In Paris where matured into an artist, he was appointed in 1899 by Grand Duke Ernst Ludwig in Darmstadt, where he was among the first seven members of the artists' colony. On the Mathildenhöhe he blossomed and excelled as a genuine work of art enthusiasts in painting, architecture and applied art as well as a designer of lights festivals. For the first time the full range of this versatile artist is presented: The retrospective presents his house on the Mathildenhöhe, room facilities, glass pane, jewellery, posters, paintings, drawings, textile art and ceramics in different spatial ensembles - including previously unknown like his fashion and poster designs from the 1920s.

The major retrospective, the first ever to Hans Christiansen, will be seen in four German institutions. The kick-off will make Mathildenhöhe as the first step, and then will follow the Bröhan Museum in Berlin, the Villa Stuck Museum in Munich and the Museumsberg in Flensburg, where the exhibition tour will end just before the 150th anniversary of the artist in his hometown.

Curators: Dr. Philipp Gutbrod, curator and conservator of the collection, Mathildenhöhe Darmstadt Institute
Dr. Michael Fuhr, Director, Museumsberg in Flensburg
Dr. Dorothee Bieske, curator and conservator of the collection, Museumsberg in Flensburg

An exhibition of the Mathildenhöhe Darmstadt Institute and of the Museumsberg in Flensburg in collaboration with the Villa Stuck Museum in Munich and the Bröhan Museum in Berlin.

The exhibition will then travel to the Musée Bröhan, Berlin (19 Feburary– 24 May 2015), the Museum Villa Stuck in Munich (18 June – 20 September 2015) and to the Museumsberg Flensburg (11 October – 17 January 2016)

Flensburg
Hans Christiansen - The retrospective
Dates:11/10/2015-17/01/2016

Retrospective on the complete works of the artist colony member of the first hour: With Hans Christiansen (1866-1945) is an as versatile as exemplary Jugendstil artists to rediscover, who found his vocation in Mathildenhöhe Darmstadt.

Hans Christiansen is one of the most important representatives of Jugendstil, especially with his drafts in the field of arts and crafts. In Paris where matured into an artist, he was appointed in 1899 by Grand Duke Ernst Ludwig in Darmstadt, where he was among the first seven members of the artists' colony. On the Mathildenhöhe he blossomed and excelled as a genuine work of art enthusiasts in painting, architecture and applied art as well as a designer of lights festivals. For the first time the full range of this versatile artist is presented: The retrospective presents his house on the Mathildenhöhe, room facilities, glass pane, jewellery, posters, paintings, drawings, textile art and ceramics in different spatial ensembles - including previously unknown like his fashion and poster designs from the 1920s.

The major retrospective, the first ever to Hans Christiansen, will be seen in four German institutions. The kick-off will make Mathildenhöhe as the first step, and then will follow the Bröhan Museum in Berlin, the Villa Stuck Museum in Munich and the Museumsberg in Flensburg, where the exhibition tour will end just before the 150th anniversary of the artist in his hometown.

Curators: Dr. Philipp Gutbrod, curator and conservator of the collection, Mathildenhöhe Darmstadt Institute
Dr. Michael Fuhr, Director, Museumsberg in Flensburg
Dr. Dorothee Bieske, curator and conservator of the collection, Museumsberg in Flensburg

An exhibition of the Mathildenhöhe Darmstadt Institute and of the Museumsberg in Flensburg in collaboration with the Villa Stuck Museum in Munich and the Bröhan Museum in Berlin.

The exhibition will then travel to the Musée Bröhan, Berlin (19 Feburary– 24 May 2015), the Museum Villa Stuck in Munich (18 June – 20 September 2015) and to the Museumsberg Flensburg (11 October – 17 January 2016)

With the support of the Culture Programme of the European Union

Responsible publisher: Arlette Verkruyssen, General Director,
Brussels Regional Public Service - Bruxelles Développement urbain (Brussels Urban Development),
CCN - Rue du Progrès 80, B. 1, 1035 Brussels - Belgium