Ongoing and upcoming Art Nouveau exhibitions, visits and more...

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Félix Bracquemond et les arts décoratifs - Du japonisme à l'art nouveau
Félix Bracquemond (1833-1914) apparaît aujourd'hui comme le plus grand graveur de son époque, mais son travail, non moins considérable dans le domaine des arts décoratifs, reste presque entièrement à redécouvrir. Cette première rétrospective étendue, largement composée d'inédits, apporte la révélation d'un art dont Henri Focillon rappelait qu'il "abonde en vérités terribles et en grandes leçons", chez un artiste que Gustave Geffroy estimait de son côté "le plus perspicace et le plus grand décorateur de son temps" et rien moins que "l'un des plus grands artistes décorateurs des XIXè et XXè siècles". Format 22 x 28 cm Nombre de pages 230 Nombre d'illustrations 260 Façonnage Broché Date de publication Avril 2005 Editeur Rmn Diffuseur FLAMMARION Exposition Limoges, musée Adrien Dubouché - 5 avril > 4 juillet 2005, Deutsches Porzellanmuseum, Selb-Plössberg - 25 juillet > 25 octobre 2005, Beauvais, musée départemental de l'Oise - 15 novembre 2005 > 14 février 2006
Florilège, l’album de l’exposition
En lien avec l’exposition Florilège,cet album rassemble la description de la soixantaine de pièces sélectionnées parmi les acquisitions récentes du musée de l’École de Nancy pour illustrer l’influence de l’inspiration naturaliste dans les arts décoratifs nancéiens. 76 pages, 10 €
Free guided tour in sign language for the deaf "1914 - The end of the Belle Époque"
Free guided tour in sign language for the deaf (plus museum admission) Friday, 8/29/2014, 16 clock Registration required at: From 15 May to 31 August 2014, the Brohan Museum is marking the 100th anniversary of "the beginning of World War 1" by presenting a great temporary exhibition, funded by the Capital Cultural Fund: " 1914 - The end of the Belle Époque " . The show explores the world of the transition from the 19th to the 20th century with all its ruptures and contradictions. With the Belle Époque also ended the Art Nouveau style. For the diverse issues of the Belle Époque, Art Nouveau sought a new form of language while developed formative design solutions . The exhibition also aims to cover a new contextualization and a new perspective on the Art Nouveau , which constitutes one of the core competencies of the Brohan Museum. The show is aimed at gain broad audience that is interested in historical, political, creative and artistic issues. Berlin plays as the capital of the German Empire as well as one of the cultural centers of Europe 1914 artistically and politically, of course, an important role. - - - - - - - - - - - Kostenlose Führung in Gebärdensprache für Gehörlose (zzgl. Museumseintritt) Freitag, 29.8.2014, 16 Uhr Anmeldung erforderlich unter: Vom 15. Mai bis 31. August 2014 zeigt das Bröhan-Museum anlässlich des 100. Jahrestages „Beginn 1. Weltkrieg“ eine große, vom Hauptstadtkulturfonds geförderte Sonderausstellung: "1914 – Das Ende der Belle Époque". Die Schau thematisiert die Welt des Übergangs vom 19. zum 20. Jahrhundert mit all ihren Brüchen und Widersprüchen. Mit der Belle Époque endete auch der Jugendstil. Für die vielfältigen Fragestellungen der Belle Époque suchte der Jugendstil nach einer neuen Formensprache und entwickelte dabei prägende gestalterische Lösungen. Die Ausstellung zielt damit auch auf eine neue Kontextualisierung und eine neue Sicht auf den Jugendstil, der eine der Kernkompetenzen des Bröhan-Museums ausmacht. Die Schau richtet sich an ein möglichst breit gefächertes Publikum, das sich für historische, politische, gestalterische und künstlerische Fragestellungen interessiert. Berlin als Hauptstadt des deutschen Kaiserreichs aber auch als eines der kulturellen Zentren Europas spielt 1914 künstlerisch und politisch natürlich eine wichtige Rolle.
French Style and Decoration
Drawing upon an impressive array of original sources, this profusely illustrated book offers sketches, engravings and printed patterns, representing French interior design and decoration from the Baroque, Rococo, Louis Seize and Empire periods through the 19th century to Art Nouveau, Art Deco and Modernism. Many of the designs have never been seen in published form before, making this sumptuous volume an invaluable treasury of new ideas and inspiration for designers, decorators, restorers and craftsmen. • An unrivalled sourcebook of French design and decoration for designers everywhere. • Reproduces a wealth of artistry and technical ingenuity, including the work of such designers as André-Charles Boulle, Pineau, Meissonier, Percier, Fontaine, Majorelle, Lalique and Ruhlmann. • Runs the gamut of the decorative arts, from Sèvres porcelain, Gobelin tapestries and Baccarat crystal to traditional printed cottons from Provence, silks from Lyons, glass by Gallé and Daum, and furniture and interior design by Guimard and Ruhlmann. 24.20 x 18.10 cm Hardback 248pp With over 600 designs, patterns and settings in colour and black and white First published 2008
From Owen Jones to Marianne Straub: 150 years of the Warner Archive

STUDY DAY: The Warner Textile Archive represents two centuries of creativity and commerce. It includes Spitalfields silks from the late 18th and 19th centuries, Victorian designs by Owen Jones and William Morris, and vibrant examples of Art Deco, Contemporary, and Pop styles.

Acclaimed for the high quality of their luxury textiles, from 1885 the company was also responsible for weaving the silks and velvet for the Royal Coronations and historic palaces.

This event marks the 150th anniversary of the archive with a day of talks about its designers and heritage from Mary Schoeser, Christine Boydell and others.

In collaboration with Warner’s Archive
Venue: The Lydia & Manfred Gorvy Lecture Theatre


£45, £35, £15 students

From the archive - Fra Arkivet
The Jugendstilsenteret (Art Nouveau Centre) in Ålesund has invited the artists Elsebeth Jørgensen (DK) and Helene Sommer (NO) to create new works of art based on the Art Nouveau Centre's collection and archives, as well as on Ålesund’s architecture, its surroundings and its many stories. They have been encouraged to investigate the stories contained within this visual and historical material, and the new narratives and expressions that can be created with this in mind. The exhibition is on the 2nd floor of the Art Nouveau Centre.
Gaudí - Builder of Visions
Antoni Gaudí and his inimicable fluid, organic style will be forever linked to Barcelona. His spectacular buildings – among them the Güell Palace and the monumental La Sagrada Familia – have come to symbolize the city. This exciting book invites the reader to explore the visual richness of Gaudí’s creations in scores of well chosen illustrations. As well as revealing the architect’s working and building methods, the author also discusses Barcelona’s social and cultural background and the city’s heritage as the capital of Art Nouveau. 18.00 x 12.50 cm Paperback 128pp 106 Illustrations, 65 in colour First published 2002
Gaudi - Photographies
Architecture 1900 Barcelona Spain: Casa Batllo, Casa Mila, park Guell, Sagrada Familia.
Geometrie verdi sull'acqua - I giardini del territorio lariointelvese (Green geometries by the water - Gardens by the lariointelvese area)
Texts and images about the refined landscaped gardens by the lakeshore between Cernobbio and Tremezzo. In Italian
Georges De Feure, Maitre du Symbolisme et de l'Art Nouveau
"I madly love these arabesques of dimmed nuances. This teeming mass of tangled lines which are flowers, fabrics and landscapes. I love these "princesses" with gem-like eyes and sinuous lips. They close upon bad secrets. An impure ferment seems to swell their gorged flesh with the magnolia flower s soft white tint, whilst their baroque opulence shows in each novel jewel which ornaments their nervous fingers." (Georges Barbier) Georges de Feure must be the exemplary "universal artist" of the late 19th-century. His talent is manifold: he was not only a symbolist painter and illustrator, but also a poster-artist. And he played an important role as artist-decorator in the Pavilion of Art Nouveau, in the 1900 universal exhibition. 304 pages French
Georges Hobé et sa vision architecturale de l'Art nouveau: Villégiature et style cottage
Cet ouvrage veut rendre à Georges Hobé (1854-1936) la place qui lui revient dans le paysage architectural des premières décennies du XXe siècle en Belgique. L'étude envisage la production de ce prolifique bâtisseur qui s'est imprégné du style Art nouveau pour proposer sa conception architecturale en vue de répondre à des commandes tant officielles que privées, cottages, villas, maisons urbaines ou suburbaines. Nombre de pages: 112
Glasgow Style: Arts & Crafts from 1890-1930

The end of the nineteenth century saw Glasgow’s artists emerge as accomplished and talented crafts people. Born at the highly influential Glasgow School of Art and blending together the imagery of the Celtic Revival with influences from Art Nouveau and the Arts and Crafts Movement, the term ‘the Glasgow Style’ was coined and came to represent this distinctive style developed in the west of Scotland.

This exhibition explores the unique skills of some of the leading makers associated with this period including Charles Rennie Mackintosh, Talwin Morris, Jessie Marion King, Ernest Archibald Taylor and Margaret and Frances Macdonald, showing the strength and prominence of Glaswegian Arts and Crafts.

Grafica liberty e decò a Firenze
The book offers the first systematic critical survey of graphic art and publishing, featuring Art Nouveau and Art Deco styles, produced in Florence area. The more than four hundred figures that accompany the book show drawings of famous artists such as Brunelleschi, Cambellotti, Chini, Nomellini, De Karolis, Sensani, Kienerk, Fluffy, Mussino, Ruby, Sgrilli, Angoletta, I, Bernardini, Yambo, Thayaht, and also allow the discovery of illustrators so far not sufficiently valued as Ezio Anichini, Maria De Matteis, Dino Tofani, Virgil Faini, Raul Ferenzona Dal Molin, Charles Casaltoli, Ottorino Andreini, Fabio Fabbi, Maria Augusta Cavalieri, Dario Betti, Gino Riccobaldi, Navy Battigelli, Joseph bark, Adele Ramorino CEAS. Il libro offre la prima sistematica ricognizione critica della grafica d'arte e per l'editoria, caratterizzata da stilemi liberty e déco, prodotta in ambito fiorentino. Le oltre quattrocento figure che corredano il libro mostrano disegni di artisti conosciuti quali Brunelleschi, Cambellotti, Chini, Nomellini, De Karolis, Sensani, Kienerk, Soffici, Mussino, Rubino, Sgrilli, Angoletta, Sto, Bernardini, Yambo, Thayaht, e permettono altresì la scoperta di illustratori finora non sufficientemente valorizzati come Ezio Anichini, Maria De Matteis, Dino Tofani, Virgilio Faini, Raul Dal Molin Ferenzona, Carlo Casaltoli, Ottorino Andreini, Fabio Fabbi, Maria Augusta Cavalieri, Dario Betti, Gino Riccobaldi, Marina Battigelli, Giuseppe Scortecci, Adele Ramorino Ceas. 176 p., ill., brossura € 24,22
Grasset: Pionnier de l'Art nouveau
Publié par la Bibliothèque des Arts.
Guide de Bruxelles XIXème et Art Nouveau
Promenade détaillée dans le Bruxelles Art Nouveau Description matérielle : 290 p. : couv. ill. en coul. ; 24 cm

With the support of the Culture Programme of the European Union

Responsible publisher: Arlette Verkruyssen, General Director,
Brussels Regional Public Service - Bruxelles Développement urbain (Brussels Urban Development),
CCN - Rue du Progrès 80, B. 1, 1035 Brussels - Belgium