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Ongoing and upcoming Art Nouveau exhibitions, visits and more...

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Darmstadt
TOWARD THE LIGHT The Artists’ Colony Exhibition of 1914
Dates:17/05/2014-14/09/2014
The anniversary exhibition to Artists’ Colony Exhibition of 1914 at the Mathildenhöhe (on the day exactly 100 years after this last historic Great Exhibition after the ones in 1901, 1904 and 1908 - presents with works by Albin Müller, Bernhard Hoetger, Elizabeth Duncan, Friedrich Wilhelm Kleukens, Emanuel Josef Margold, Arnold Mendelssohn and Heinrich Jobst the whole spectrum of creative work from architecture and painting to sculpture and applied arts to music and dance. Historical documents and works of art highlight the importance of this exhibition before the great war. To bring alive the spirit of the Artists’ Colony Exhibition of 1914, the Künstlerkolonie Museum (Artists' Colony Museum) presents both paintings, sculptures, drawings, jewelry and photographs from the Municipal Art Collection of Darmstadt as well as valuable loans from public and private collections. They bear witness to the unbroken optimism of modernity, which ruled in the Darmstadt Artists' Colony until the outbreak of the First World War and which is still noticeable on the Mathildenhöhe. Curator of the exhibition: Dr. Philipp Gutbrod, collection curator and curator, Institute Mathildenhöhe
Brussels
Totally Horta - ARAU
Dates:25/10/2014-25/10/2014
This three-hour coach tour explores the remaining buildings of Victor Horta, the leading Belgian Art nouveau architect. A unique opportunity to find out more about the buildings designed by this architectural genius through an examination of three of them : a luxury townhouse (van Eetvelde house), a primary school (Saint-Ghislain kindergarten) and a former wholesale drapery shop (Waucquez store).
Brussels
Totally Horta - ARAU
Dates:27/09/2014-27/09/2014
This three-hour coach tour explores the remaining buildings of Victor Horta, the leading Belgian Art nouveau architect. A unique opportunity to find out more about the buildings designed by this architectural genius through an examination of three of them : a luxury townhouse (van Eetvelde house), a primary school (Saint-Ghislain kindergarten) and a former wholesale drapery shop (Waucquez store).
Brussels
Totally Horta - ARAU
Dates:29/11/2014-29/11/2014
This three-hour coach tour explores the remaining buildings of Victor Horta, the leading Belgian Art nouveau architect. A unique opportunity to find out more about the buildings designed by this architectural genius through an examination of three of them : a luxury townhouse (van Eetvelde house), a primary school (Saint-Ghislain kindergarten) and a former wholesale drapery shop (Waucquez store).
Bruxelles
Totalement Horta - ARAU
Dates:27/09/2014-27/09/2014
L’ARAU propose une visite en car exclusivement consacrée au chef de file de l’Art nouveau belge?: Victor Horta. Une occasion unique de mieux comprendre l’oeuvre de cet architecte de talent à travers trois de ses réalisations?: une maison bruxelloise singulière (maison Autrique), un hôtel de maître (hôtel Van Eetvelde) et un ancien magasin de tissu (anciens magasins Waucquez). Durée: 3H00
Bruxelles
Totalement Horta - ARAU
Dates:25/10/2014-25/10/2014
L’ARAU propose une visite en car exclusivement consacrée au chef de file de l’Art nouveau belge?: Victor Horta. Une occasion unique de mieux comprendre l’oeuvre de cet architecte de talent à travers trois de ses réalisations?: une maison bruxelloise singulière (maison Autrique), un hôtel de maître (hôtel Van Eetvelde) et un ancien magasin de tissu (anciens magasins Waucquez). Durée: 3H00
Bruxelles
Totalement Horta - ARAU
Dates:29/11/2014-29/11/2014
L’ARAU propose une visite en car exclusivement consacrée au chef de file de l’Art nouveau belge?: Victor Horta. Une occasion unique de mieux comprendre l’oeuvre de cet architecte de talent à travers trois de ses réalisations?: une maison bruxelloise singulière (maison Autrique), un hôtel de maître (hôtel Van Eetvelde) et un ancien magasin de tissu (anciens magasins Waucquez). Durée: 3H00
Bruxelles
Top 100 Art nouveau / Bruxelles
Dates:01/01/2050-01/01/2999
Marie Resseler propose une découverte de l'Art nouveau à travers une approche thématique originale : métamorphose de la maison bourgeoise, quant l'architecte construit sa maison, maisons et ateliers d'artistes, au coin de la rue, l'Art nouveau pour les petits... Cet ouvrage très documenté est agrémenté de nombreuses archives photographiques.
Assen
Theo Colenbrander (1841-1930)
Dates:22/03/2014-28/09/2014
Dutch design avant-la-lettre Theo Colenbrander is not just considered the first industrial designer in the Netherlands, his work is specifically innovative as well. In his day, only a select group appreciated the bright colours and nearly abstract patterns of his ceramics and his textile designs. In many ways, Colenbrander was ahead of his time, which makes his work still up-to-date. In 2014 the Drents Museum will organise a major retrospective on Theo Colenbrander. Never before has his work been shown in such volume and diversity: from ceramics to illustrations, from architecture to tapestries. The museum also exhibits work by Colenbrander’s contemporaries, in order to show whether or not Colenbrander was ahead of them. The exhibition is accompanied by a publication in the series ‘Monografieën van het Drents Museum over kunstenaars uit het tijdperk rond 1900’ (monographs by the Drents Museum on artists around the turn of the last century), written by guest curator Arno Weltens and published by WBooks, Zwolle.
Berlin
The world of the Belle Époque visited the Brohan Museum - a soiree with music and dance
Dates:28/08/2014-28/08/2014
The world of the Belle Époque visited the Brohan Museum - a soiree with music and dance Thursday, 28/08/2014, 19 clock Cost: 10, - € / reduced 5, - €, registration not required
 
The Women and Cats of Art Nouveau Artists - ebook
Dates:01/01/2050-01/01/2999
A collection of prints from Art Nouveau artists with women and cats as the subjects of these prints. Artists include: Jules Chéret • 1836 to 1932 Henri de Toulouse-Lautrec • 1864 - 1901 Eugène Grasset • 1844 to 1917 Alfons Mucha • 1860 - 1939 Théophile Steinlen • 1859 – 1923 Louis Rhead • 1857 - 1926 M. P. Verneuil • 1869–1942 Paul Follot • 1875 – 1942 Paul Berthon • 1872 – 1909 Georges de Feure • 1868 – 1943 Edward Penfield • 1866 - 1925 Leonetto Cappiello • 1875 – 1942
London
The triumph of Art nouveau : Paris Exhibition 1900
Dates:01/01/2050-01/01/2050
Catalogue de l'Exposiiton 1900 (à Paris) Description matérielle : 216 p. : ill. en noir et en coul.
London
The Sources of Modern Architecture and Design
Dates:01/01/2050-01/01/2999
The turn of the nineteenth century saw an extraordinary flowering of invention in architecture and design, with two contrasting styles emerging - Art Nouveau and the International Style. Professor Pevsner brings a new clarity to an often confusing period, tracing - with the aid of nearly two hundred carefully chosen illustrations - the origins of twentieth-century ideas in architecture and the applied arts.
 
The Paris of Toulouse-Lautrec: Prints and Posters from The Museum of Modern Art
Dates:01/01/2050-01/01/2999
Henri de Toulouse-Lautrec is widely regarded as the most talented and innovative printmaker of the late nineteenth century. Trained as a painter, Lautrec adopted color lithography in 1891, and it immediately became an obsession: in the decade before his early death, in 1901, he created more than 350 lithographs, from posters pasted up in the streets of Paris to livres d’artistes, fine art editions, and illustrations for magazines, journals, theater programs, books, and song sheets. Accompanying an exhibition at The Museum of Modern Art, this volume presents more than one hundred prints and posters by Lautrec from MoMA’s outstanding collection of his work. Spanning the artist’s mature career, they exemplify Lautrec’s extraordinary range and ability as a printmaker and brilliantly evoke his milieu and central preoccupation: fin-de-siècle Paris, particularly the bohemian life he shared with the dancers, artists, prostitutes, and impresarios of the city’s burgeoning demimonde. Includes a color poster of Toulouse-Lautrec’s lithograph La Troupe de Mademoiselle Églantine. SIZE 9h x 10.5w x .25"d PAGES 160
New York
The Paris of Toulouse-Lautrec: Prints and Posters
Dates:26/07/2014-01/03/2015
A preeminent artist of Belle Époque Paris, Henri de Toulouse-Lautrec (1864–1901) brought the language of the late-19th-century avant-garde to a broad public through his famous posters, prints, and illustrations for journals and magazines. A cultural nexus, he connected artists, performers, authors, intellectuals, and society figures of his day, creating a bridge between the brothels and society salons of the moment. His work allows entry into many facets of Parisian life, from politics to visual culture and the rise of popular entertainment in the form of cabarets and café-concerts. This exhibition, drawn almost exclusively from The Museum of Modern Art’s stellar collection of posters, lithographs, printed ephemera, and illustrated books, is the first MoMA exhibition in 30 years dedicated solely to Lautrec, and features over 100 examples of the best-known works created during the apex of his career. Organized thematically, the exhibition explores five subjects that together create a portrait of Lautrec’s Paris. A section devoted to café-concerts and dance halls examines the rise of nightlife culture in France through the depiction of famous venues, including the celebrated Moulin Rouge. Another focuses on the actresses, singers, dancers, and performers who sparked the artist’s imagination and served as his muses, including Yvette Guilbert, acclaimed dancer Loie Fuller, and close friend Jane Avril. Lautrec’s sympathetic images of women are evident in a group of works that includes his landmark Elles portfolio, depicting prostitutes during nonworking hours, in quiet moments of introspection. Lautrec’s role in Paris’s artistic community is explored in a section devoted to his creative circle, highlighting designs for song sheets for the popular music that flooded Paris’s café-concerts, programs for the avant-garde theatrical productions that he attended, and his contributions to magazines and intellectual reviews. A final section looks at the pleasures of the capital, from horse racing at Longchamp and promenading on the Bois de Boulogne, to the new fad for ice skating and the enduring appeal of Paris’s culture of gastronomy. The accompanying publication highlights the Museum’s collection of prints and posters by Lautrec, with an introductory essay on the artist and five illustrated thematic sections that explore belle époque Paris as seen through Lautrec’s eyes, by Sarah Suzuki. Organized by Sarah Suzuki, Associate Curator, Department of Drawings and Prints, MoMA. The exhibition is supported by the MoMA Annual Exhibition Fund. Paint and wallpaper provided by Farrow & Ball.

With the support of the Culture Programme of the European Union

Responsible publisher: Arlette Verkruyssen, General Director,
Brussels Regional Public Service - Bruxelles Développement urbain (Brussels Urban Development),
CCN - Rue du Progrès 80, B. 1, 1035 Brussels - Belgium