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Huidige of toekomstige tentoonstellingen, bezoeken en andere activiteiten…

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Maisons-Alfort
L’Avènement de la modernité, parcours dans le XVIème arrondissement de Paris
Dates:11/04/2015-11/04/2015

Une déambulation dans le quartier d’Auteuil, à Paris, nous fera découvrir les principales œuvres de l’architecte Hector Guimard. Nous croiserons également des réalisations de Robert Mallet-Stevens, d'Henri Sauvage, et finirons par l'une de réalisations majeures de Le Corbusier: la villa Laroche. Dans un écart de temps de construction relativement restreint, nous serons ainsi confrontés à des architectures très diverses, mais toutes riches et inventives.

Miami
Art and Design in the Modern Age: selections from the Wolfsonian Collection
Dates:1/01/2007-31/08/2020

Art and Design in the Modern Age provides an intriguing overview of The Wolfsonian's exceptional holdings and showcases the museum's collection, which spans the period 1885 to 1945. The nearly 300 works on display provide insight into the ways design has influenced and adapted to the modern world. The installation explores the many focal points of The Wolfsonian's collection, including design-reform movements, architecture, urbanism, industrial design, transportation, world's fairs, advertising, political propaganda, and labor iconography.
Inaugurated in November 1996, this ongoing exhibition is periodically updated.

Milano
Travelling exhibition "The Nature of Art Nouveau"- "La Natura dell’Art Nouveau"
Dates:26/03/2015-24/04/2015

Organised by the Réseau Art Nouveau Network in the framework of the European project "Art Nouveau & Ecology" (2010-2015) supported by the Culture 2007-2013 programme of the European Commission, the exhibition comprises two identical concurrent exhibitions and has begun its journey to all partner cities in October 2013.

After Aveiro, the exhibition The Nature of Art Nouveau 2 will be presented in Milan at the Exhibition Space of the Palazzo Lombardia, seat of the Regione Lombardia, sixth step of its European journey, from 26 March until 24 April 2015.

This exhibition is free and bilingual Italian-English.

Mulhouse cedex
L’artiste & l’objet. La création dans les arts décoratifs et industriels, des origines à nos jours
Dates:16/04/2015-17/04/2015

Le Centre de recherche sur les économies, les sociétés, les arts et les techniques CRESAT (EA 3436), en collaboration avec le musée du papier peint de Rixheim organise un colloque sur les artistes & la production des arts décoratifs et industriels de l’époque moderne à nos jours.

Après les travaux initiés en 2010, lors des Journées d’histoire industrielle, consacrées au thème de « l’art et l’industrie », puis en 2014 la journée d’études sur « le dessinateur dans les arts décoratifs et industriels, un technicien ou un artiste ? Entre savoir-faire et créativité », ce colloque est l’occasion de poursuivre les questionnements autour des relations entre l’art et la fabrication d’objets, de produits, en rassemblant les chercheurs qui s’intéressent à ces questions en France et en Europe.

Avant la fin du XIXe siècle, à la suite des débats autour des relations entre l’art et l’industrie, la création artistique d’objets reste perçue à travers l’opposition entre arts majeurs ou beaux-arts et arts mineurs. L’échelle de valeur, imposée par l’organisation de l’art à l’époque moderne en Occident, explique sans doute qu’associer le nom d’un artiste à celui d’un objet relève du défi, à l’exception de quelques rares exemples à la Renaissance. Pourtant, des artistes ont toujours contribué à la production d’objets usuels, de manière plus ou moins directe. D’une part, la circulation des modèles a favorisé la propagation des formes et des styles et d’autre part, les manufacturiers/industriels ont régulièrement eu recours aux services d’artistes pour renouveler la création de leurs productions.

Ce colloque propose d’explorer les différents aspects de la contribution des artistes dans les manufactures à l’époque moderne et la circulation des modèles à l’époque moderne, puis dans une perspective chronologique, d’appréhender l’évolution du rôle des artistes pour les productions d’arts industriels au XIXe et au début du XXe siècle, et sa place au sein des entreprises, artistes indépendants ou directeurs artistiques.

Comité d'organisation : Aziza Gril-Mariotte (MCF histoire de l'art, UHA-CRESAT) et Benjamin Furst, (Chargé d'études CRESAT)

Comité scientifique : Bernard Jacqué (conservateur honoraire du musée du papier peint-CRESAT), Aziza Gril-Mariotte et Nicolas Stoskopf (Professeur d'histoire contemporaine, directeur-adjoint CRESAT)

München
Hans Christiansen - The retrospective
Dates:18/06/2015-20/09/2015

Retrospective on the complete works of the artist colony member of the first hour: With Hans Christiansen (1866-1945) is an as versatile as exemplary Jugendstil artists to rediscover, who found his vocation in Mathildenhöhe Darmstadt.

Hans Christiansen is one of the most important representatives of Jugendstil, especially with his drafts in the field of arts and crafts. In Paris where matured into an artist, he was appointed in 1899 by Grand Duke Ernst Ludwig in Darmstadt, where he was among the first seven members of the artists' colony. On the Mathildenhöhe he blossomed and excelled as a genuine work of art enthusiasts in painting, architecture and applied art as well as a designer of lights festivals. For the first time the full range of this versatile artist is presented: The retrospective presents his house on the Mathildenhöhe, room facilities, glass pane, jewellery, posters, paintings, drawings, textile art and ceramics in different spatial ensembles - including previously unknown like his fashion and poster designs from the 1920s.

The major retrospective, the first ever to Hans Christiansen, will be seen in four German institutions. The kick-off will make Mathildenhöhe as the first step, and then will follow the Bröhan Museum in Berlin, the Villa Stuck Museum in Munich and the Museumsberg in Flensburg, where the exhibition tour will end just before the 150th anniversary of the artist in his hometown.

Curators: Dr. Philipp Gutbrod, curator and conservator of the collection, Mathildenhöhe Darmstadt Institute
Dr. Michael Fuhr, Director, Museumsberg in Flensburg
Dr. Dorothee Bieske, curator and conservator of the collection, Museumsberg in Flensburg

An exhibition of the Mathildenhöhe Darmstadt Institute and of the Museumsberg in Flensburg in collaboration with the Villa Stuck Museum in Munich and the Bröhan Museum in Berlin.

The exhibition will then travel to the Musée Bröhan, Berlin (19 Feburary– 24 May 2015), the Museum Villa Stuck in Munich (18 June – 20 September 2015) and to the Museumsberg Flensburg (11 October – 17 January 2016)

New York
New Galleries for 19th- and Early 20th-Century European Paintings and Sculpture, including the Henry J. Heinz II Galleries
Dates:8/12/2007-31/12/2020

The New Galleries for 19th- and Early 20th-Century European Paintings and Sculpture are reopening with renovated rooms and 8,000 square feet of additional gallery space—the Henry J. Heinz II Galleries—to showcase works from 1800 through the early twentieth century. The renovated galleries feature all of the Museum's most loved nineteenth-century paintings, which have been on permanent display in the past, as well as works by Bonnard, Vuillard, Soutine, Matisse, Picasso, and other early modern artists. Among the many additions are a full-room assembly of "The Wisteria Dining Room," a French art nouveau interior designed by Lucien Levy Dhurmer shortly before World War I that is the only complete example of its kind in the United States; Henry Lerolle's enormous The Organ Rehearsal (a church interior of 1885); a group of newly accessioned nineteenth-century landscape oil sketches; and a selection of rarely exhibited paintings by an international group of artists.

Paris
In the time of Klimt - The Vienna Secession
Dates:12/02/2015-21/06/2015

The Pinacothèque de Paris, in partnership with Arthemisia Group and 24 ORE Cultura, wishes to examine once again an essential aspect of Art Nouveau, which was developed in Vienna at the start of the 20th century under the name Secession. Gustav Klimt's part in the emerging of that movement is a major one. The artist's talent and brio, from his precocious start to his excessive decorative effects, where gildings and the emerging expressionism are dominant, are the foundations of a new period, which flowered in Vienna at the turn of the century. That artistic movement is, in fact, at the origin of the birth, a few years later, of one of the major currents in modern art, Expressionism, which was the theme of an exhibition in the museum in 2011.

The exhibition shows over 180 works taken from the collections of the Belvedere museum in Vienna, as well as from private collections. The curatorship of the exhibition is ensured by Alfred Weidinger, curator of the Belvedere museum in Vienna.

With the support of the Culture Programme of the European Union

Responsible publisher: Arlette Verkruyssen, General Director,
Brussels Regional Public Service - Bruxelles Développement urbain (Brussels Urban Development),
CCN - Rue du Progrès 80, B. 1, 1035 Brussels - Belgium