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Treasures from Korea: Arts and Culture of the Joseon Dynasty, 1392-1910
Treasures of Korea presents more than 150 works from the time of the world's longest-ruling Confucian dynasty, lasting more than 500 years. On display are many Korean national treasures that have never before been shown in the United States. This comprehensive survey is organized around five key themes that together illuminate a period that continues to influence modern manners, norms and social attitudes: the role of the king and his royal court and their taste for simplicity, expressed in porcelain objects; the strict hierarchies that defined class and gender; the production of metal and ceramic ritual implements used in ancestral worship; various religions practiced during this time, and the late influence of western civilizations.
Art Nouveau in the Netherlands
The exhibition has been organized in co-operation with the Dutch Art historian and collector Frederik Erenc.
It displays the uniqueness of the Dutch Art Nouveau with all its characteristic features such as the rationalist school, decorative Art Nouveau, the Asian influences and other movements.
Besides the exhibition, everyone is invited to join a meeting with the Dutch Art historians and collector Frederik Erenc to get more acquainted with the Dutch Art Nouveau heritage on 3 and 4 July at 4 pm!
John Ruskin | Artist and Observer
John Ruskin (1819-1900) is renowned as the greatest British art critic of the nineteenth century and the champion of Turner, but his role as an artist remains relatively little known. He was however an outstanding draughtsman and watercolour painter, who especially took inspiration from the natural world and architectural subjects. This exhibition will illustrate, with the finest examples, the range and quality of his drawn and painted work. Gothic palaces in Venice, wild and spectacular Scottish and Alpine landscapes, and minutely defined and brilliantly coloured birds and plants will all be highlights of the show. The loans will chiefly come from the key UK and US collections (both public and private), and the exhibition is a prestigious collaboration with the National Gallery of Canada in Ottawa.
It is especially fitting that John Ruskin: Artist and Observer should be showcased in Edinburgh, as Ruskin came from a Scottish family, visited Scotland many times, and was a passionate advocate for the beauty of its landscapes and literary heritage. Key episodes in his public and private life were enacted here.
A major, scholarly catalogue complementing the exhibition is to be published by the National Gallery of Canada.
John Ruskin | Artist and Observer
John Ruskin (1819—1900) is remembered as Victorian Britain’s leading art critic and as the champion of JMW Turner. But he was also an outstanding artist in his own right.
His exquisitely detailed drawings and watercolours were the result of an intense and passionate artistic impulse. This landmark exhibition, for the first time, provides a comprehensive overview of Ruskin’s extraordinary artistic output.
The exhibition has been organised by the National Galleries of Scotland and the National Gallery of Canada.
Oskar Kokoschka - Willy Hahn's private collection A Gift to the Kupferstich-Kabinett
Staatliche Kunstsammlungen Dresden (SKD) has received a unique gift: 80 sketches and watercolours from Willy Hahn's private collection entered the Kupferstich-Kabinett's collection. The gift is thanks to the son of the collector Willy Hahn: Peter Hahn, the former director of the Berlin Bauhaus-Archiv. He has until now owned this collection, a significant one in terms of art history.
The gift makes an excellent addition to the Dresden collection of 11 drawings, 94 prints and four folders. Oskar Kokoschka has a special connection to Dresden's Kupferstich-Kabinett. In 1919 he became a professor at the local art academy, where he worked until 1923. Soon the Kupferstich-Kabinett was keen to acquire the artist's works. In fact, Kokoschka gave some works to the museum as a gift, though these were seized during the “Degenerate Art” campaign.
Art and cookie jar - 125 years Bahlsen
The exhibition "Art and cookie jar" is dedicated to the groundbreaking and exquisite packaging cans of the Bahlsen company from Hannover. Since the company was founded 125 years ago Bahlsen relies on exceptionally elaborate packaging, building on collaborations with eminent artists. From Historicism and Art Nouveau, Constructivism, Informal Art, Op Art and Pop Art, many art movements of the 20th century are reflected in the design of the cans. The artistically designed packaging made for a recognition effect, which is often made even the mention of the company name redundant. In the exhibition, over 250 exhibits from a large private collection as well as from the corporate archive are shown. Media: Culture Radio RBB,  Magazin Berlin.
Accompanying the exhibition
Free public tours on every 3rd Sunday of the month (plus museum admission):
Sunday, 20.07., 17.8., 21.9., 10.19.2014, every 16 clock
Free public short tours every 1st Wednesday of the month:
Wednesday, 06.08., 3.9., 1.10., 11.5.2014, both 17 clock
Offer for schools: Workshop "Coloured tin". Information and booking information about the Museum Berlin, Tel: 030 / 24,749,888
Workshops for children and young people: "Tagtool meets Bahlsen meets Art Nouveau" and "porcelain painting: design language of the box turn of the century." Information and booking on youth at the Museum eV, Tel: 030/266 422 242
Around 1914: Design in a New Age
European Galleries, Level 3
One hundred years ago, the ROM opened its doors to the public. Europe was plunged into the Great War. This cataclysmic world event marked the end of a social-political system that had existed for centuries and signalled the birth of the modern movement. It changed the way people looked at their lives and viewed their future.
Around 1914: Design in a New Age, explores a pivotal period of innovation and experimentation as artists struggled to reconcile quality design with the emergence of mass production, and the new materials made available with technology.
With works by key designers of this era including: Christopher Dresser, Charles Rennie Mackintosh, Archibald Knox, Charles Robert Ashbee, Louis Comfort Tiffany, Frank Lloyd Wright, Emile Gallé, Edward Colonna, Taxile Doat, Louis Majorelle, Carlo Bugatti, Galileo Chini, Chris van der Hoef, Georg Jensen, Otto Wagner, Josef Hoffmann, Gustave Siegel Josef Maria Olbrich, Peter Behrens, Max Laeuger, Richard Riemerschmid, and Walter Gropius.
Glasgow Style: Arts & Crafts from 1890-1930
The end of the nineteenth century saw Glasgow’s artists emerge as accomplished and talented crafts people. Born at the highly influential Glasgow School of Art and blending together the imagery of the Celtic Revival with influences from Art Nouveau and the Arts and Crafts Movement, the term ‘the Glasgow Style’ was coined and came to represent this distinctive style developed in the west of Scotland.
This exhibition explores the unique skills of some of the leading makers associated with this period including Charles Rennie Mackintosh, Talwin Morris, Jessie Marion King, Ernest Archibald Taylor and Margaret and Frances Macdonald, showing the strength and prominence of Glaswegian Arts and Crafts.
The Paris of Toulouse-Lautrec: Prints and Posters
A preeminent artist of Belle Époque Paris, Henri de Toulouse-Lautrec (1864–1901) brought the language of the late-19th-century avant-garde to a broad public through his famous posters, prints, and illustrations for journals and magazines. A cultural nexus, he connected artists, performers, authors, intellectuals, and society figures of his day, creating a bridge between the brothels and society salons of the moment. His work allows entry into many facets of Parisian life, from politics to visual culture and the rise of popular entertainment in the form of cabarets and café-concerts. This exhibition, drawn almost exclusively from The Museum of Modern Art’s stellar collection of posters, lithographs, printed ephemera, and illustrated books, is the first MoMA exhibition in 30 years dedicated solely to Lautrec, and features over 100 examples of the best-known works created during the apex of his career.
Organized thematically, the exhibition explores five subjects that together create a portrait of Lautrec’s Paris. A section devoted to café-concerts and dance halls examines the rise of nightlife culture in France through the depiction of famous venues, including the celebrated Moulin Rouge. Another focuses on the actresses, singers, dancers, and performers who sparked the artist’s imagination and served as his muses, including Yvette Guilbert, acclaimed dancer Loie Fuller, and close friend Jane Avril. Lautrec’s sympathetic images of women are evident in a group of works that includes his landmark Elles portfolio, depicting prostitutes during nonworking hours, in quiet moments of introspection. Lautrec’s role in Paris’s artistic community is explored in a section devoted to his creative circle, highlighting designs for song sheets for the popular music that flooded Paris’s café-concerts, programs for the avant-garde theatrical productions that he attended, and his contributions to magazines and intellectual reviews. A final section looks at the pleasures of the capital, from horse racing at Longchamp and promenading on the Bois de Boulogne, to the new fad for ice skating and the enduring appeal of Paris’s culture of gastronomy.
The accompanying publication highlights the Museum’s collection of prints and posters by Lautrec, with an introductory essay on the artist and five illustrated thematic sections that explore belle époque Paris as seen through Lautrec’s eyes, by Sarah Suzuki.
Organized by Sarah Suzuki, Associate Curator, Department of Drawings and Prints, MoMA.
The exhibition is supported by the MoMA Annual Exhibition Fund.
Paint and wallpaper provided by Farrow & Ball.
Art Nouveau and Victor Horta
Promenade guidée sur l’Architecture Art Nouveau et le musée Victor Horta.
Suivez la naissance et le développement de ce style à travers ses témoins et découvrez les plus belles réalisations des maîtres de l’Art nouveau qui maniaient le fer, le verre, le bois et la pierre dans une infinie variété de formes et de courbes.
Tous les jours : Rendez-vous à 14h00 au pied de l’Hôtel de Ville, situé sur la Grand Place.
La visite guidée dure 3h
En français, anglais et espagnol
Prix par personne 25€ (étudiants 15€)
Organisé par Bravo Discovery sprl
Bruxelles / Brussel
Bruxelles Art nouveau. Autour des maisons de Gabriel Charle (1868-1919)
Bruxelles est une région riche en patrimoine bâti. Malgré son histoire complexe, elle a su garder de véritables bijoux d’architecture et de décoration des années 1900.
L’exposition « Autour des maisons de Gabriel Charle (1868-1919) » est une invitation à découvrir l’intimité de quelques œuvres marquantes de l’architecte et décorateur Gabriel Charle à Bruxelles.
Au travers d’une sélection significative d’ornements, de photographies de détails et de commentaires inédits, le parcours dans les halles Saint-Géry vous fera apprécier une tendance moins connue de l’Art nouveau à Bruxelles.
Présentée durant tout le mois d’août dans les Halles Saint-Géry, la visite peut être complétée d’explications sur demande.
1 Place St. Géry à 1000 Bruxelles
Des visites guidées sont proposées tous les jours cet été!
- 10h30 : visite des collections permanentes
- 14h30 : visite de l'exposition Le monde aquatique de Lalique
- 16h30 : visite combinée musée + exposition Le monde aquatique de Lalique
Tarif : 3€/pers en + du prix d'entrée - nombre de places limité, en fonction de l'ordre d'arrivée
Tate Britain welcomes home Ophelia
Today Tate Britain's major Pre-Raphaelite works return home following an international tour to the US, Russia, Japan and Italy where they were seen by over 1.1 million people.
The works going back on display include Dante Gabriel Rossetti’s The Beloved1865-6 and Beata Beatrix c.1864–70, John Everett Millais’s Ophelia 1851-2, Ford Madox Brown’s Jesus Washing Peter’s Feet 1852-6 and William Holman Hunt’s The Awakening Conscience 1853.
Penelope Curtis, Director, Tate Britain said: ‘It has been fascinating to see how popular the Pre-Raphaelites have been in different international contexts and how they resonate with other cultures. It is great to welcome them back and to be able to integrate them into our permanent displays again.’
Call for papers II coupDefouet International Congress : Breaking the Art Nouveau Glass Ceiling
The Art Nouveau European Route brings together local governments and other institutions in the common quest for the protection, promotion and diffusion of Art Nouveau heritage. To fully explore and bring to light the value of Art Nouveau heritage, therefore, a Congress organised by the Art Nouveau European Route cannot limit its scope to the analyses and interpretation of the tangible heritage; it must go deeper into the reality of the communities that created it.
In this second edition of the coupDefouet International Congress, we propose to shed new light on an aspect that has been studied very little, if at all: the important contribution of women artists to the development of Art Nouveau. In a nutshell: women as artists, women as creators, women as promoters and protagonists of Art Nouveau. Coupled with this ambition, we also wish to revisit the widely studied and interpreted representation of the female aesthetic and ideal in Art Nouveau, with new contributions on the matter.
A further strand will focus on little-known Art Nouveau cities, in which we expect to discover creative centres of the nineteenth and twentieth centuries that have not until now been widely publicised. A similar section on research in progress to the first congress, one in which we welcome presentations from both seasoned and young researchers, will complete the thematic strands of the programme.
The final deadline for submissions is 15 October 2014
Jeu de piste Intrigues au musée, spécial artistes - Atelier de vacances pour les plus jeunes
Atelier de vacances pour les plus jeunes
Jeu de piste Intrigues au musée, spécial artistes
1 séance au choix
Pour les 7-11 ans
Jeudi 21 ou jeudi 28 août, de 14h30 à 16h00
Sur réservation. 4.15 € la séance