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La Route de l'Art nouveau
Dates:01.01.2050-01.01.2999
Petit guide de l'art nouveau en Lorraine présenté par département.
Winter Park, Florida
Revival and Reform—Eclecticism in the 19th-Century Environment
Dates:21.10.2014-21.10.2015

The Arts window by J. & R. Lamb Studios is the centerpiece of this major new exhibition that illustrates the rich diversity of styles that made up the aesthetic environment of the late 19th century in both Europe and America. Lamb Studios, a prominent American glasshouse of the era, exhibited the 1894 neoclassical window widely. In preparation for its debut at the Morse, the window, more than eight feet in diameter, underwent extensive conservation. The installation features 20 additional leaded-glass windows and selections of art glass, pottery, and furniture, a number of which also have never been exhibited. Other windows on view—some avant-garde, others reviving the past—include examples by Tiffany Studios, John LaFarge, Frank Lloyd Wright, Edward Burne-Jones, Donald MacDonald, and Heaton, Butler & Bayne.

Winter Park, Florida
The Bride Elect—Gifts from the 1905 Wedding of Elizabeth Owens Morse
Dates:10.02.2015-10.02.2016

In 1905 Elizabeth Owens Morse, the daughter of Charles Hosmer Morse and Martha Owens Morse, married Richard Genius. The gift registry of this socially prominent Chicago bride—entitled “The Bride Elect”—survives in the Morse Museum’s archive, showing more than 250 gifts. Together these items provide a snapshot of the era, a glimpse into 1905 gift-giving traditions, and some insight into popular retail decisions made by wealthy consumers in the Chicago area. In this new exhibition, the Morse presents a representative group of the lovely gifts that survive from the Morse-Genius wedding, including Tiffany art glass, Rookwood pottery, and Gorham silver.

Winter Park, Florida
Selections from the Harry C. Sigman Collection of European and American Decorative Art
Dates:10.02.2015-10.02.2016

In this exhibit, the Museum debuts a selection from Harry C. Sigman’s 2014 gift of 86 objects to the Morse. Sigman, a Los Angeles attorney, began collecting European and American decorative art in 1969, and his gift dovetails with the late 19th- and early 20th-century styles represented in the Morse collection. The donation includes art glass, pottery, metalwork, and furniture. Though comprised mainly of Jeannette and Hugh McKean’s massive gift, the Morse collection has always been supported by generous individuals such as Harry Sigman whose contributions have helped it to grow in important ways. The finely crafted objects on view can be appreciated both individually and in the context of the Museum’s entire collection.

Wien
Silver Age - Russian Art in Vienna around 1900
Dates:27.06.2014-28.09.2014

The Belvedere’s exhibition Silver Age - Russian Art in Vienna around 1900, scheduled for summer 2014, is devoted to Russian art and the cultural relations between Russia and Austria at the beginning of the twentieth century. The term Silver Age refers to the cultural bloom in Russian literature and the visual arts after 1900 and is considered an equivalent to the German expression Jugendstil or Art Nouveau.

The exhibition Silver Age - Russian Art in Vienna around 1900 presents works by such Russian artists as Michail Vrubel, Valentin Serov, Nicholas Roerich, and Boris Kustodiev, whose pictures were on display in Vienna more than one hundred years ago, and illustrates the mutual influences of this cultural exchange between Russian and Austrian art.

Wien
Die Textilmustersammlung Emilie Flöge im Österreichischen Museum für Volkskunde
Dates:01.01.2050-01.01.2999
Katalog zur Ausstellung: Die Textilmustersammlung Emilie Flöge. Zur umfangreichen Textil- und Bekleidungssammlung des Österreichischen Museums für Volkskunde zählen rund 350 Objekte aus dem Nachlass von Emilie Flöge, der Lebenspartnerin und Muse Gustav Klimts. Ein großer Teil der Sammlung wird nun im Rahmen des Klimt-Jahres erstmals im Volkskundemuseum präsentiert. Ganz dem Zeitgeschmack der Jahrhundertwende entsprechend, sammelte Emilie Flöge Beispiele textiler „Volkskunst“ vorwiegend aus Zentraleuropa, die sie als Inspirationsquelle und Muster im Modesalon „Schwestern Flöge“ in den Vitrinen des Empfangszimmers präsentierte. Außerdem sind in der Sonderausstellung Jugendstil-Exponate zu sehen, die vermutlich von Emilie Flöge selbst entworfen oder von ihr verwendet wurden. 83 seiten, zahlr. Farbab. € 23,-
Wien
Klimt persönlich. Bilder - Briefe - Einblicke (Klimt Up close and Personal)
Dates:01.01.2050-01.01.2999
L'œuvre de Gustav Klimt est célèbre, mais l'homme et l'artiste sont presque complètement cachée derrière elle. A l'occasion du 150e anniversaire de l'artiste et l'exposition anniversaire au Musée Léopold (24 Février to 27 Août 2012) des œuvres majeures comme l'Allégorie "la mort et la vie", peintures de paysages exceptionnels et des dessins de Gustav Klimt ont été étudiées dans une lumière nouvelle. 49,90€
Waterloo
L'Art Nouveau en Europe 1890-1914
Dates:01.01.2050-01.01.2999
Format 25cm x 29cm Nombre de pages 464 Histoire de l'art nouveau. Ses origines, ses sources d'inspiration et sa thématique; ses manifestations dans les différents domaines de la création (graphisme, ébénisterie, textile, céramique, verrerie, métal, bijouterie, sculpture) et enfin, son impact et ses déclinaisons locales dans les grandes capitales européennes à travers les réalisations architecturales et décoratives d'artistes emblématiques
Walthamstow, London
Rossetti's Obsession Images of Jane Morris
Dates:04.10.2014-04.01.2015
Jane Morris (née Burden) was the wife of William Morris, and the favoured model of Pre-Raphaelite painter Dante Gabriel Rossetti. In his maturity Rossetti drew and painted Jane with an obsessional intensity and she was cast in many literary and mythological roles, including Dante's Beatrice, Pandora, Proserpine and Astarte. Whether in direct or symbolic guise, Jane's features are depicted with a sombre intensity that offer a glimpse into Rossetti's troubled soul. The exhibition, marking the centenary of Jane's death, brings together compelling and rarely seen drawings and pastel studies of Jane by Rossetti. The exhibition also features images of Jane as herself and explores her life and interests beyond modelling. Jane Morris (1839-1914) was a talented embroiderer, linguist and musician and played a role in the family business Morris & Co. The recent publication of her letters (The Collected Letters of Jane Morris, edited by Jan Marsh and Frank C. Sharp, 2012), gives an unparalleled insight into her interests and personality, balancing the sullen and silent impression that Rossetti's paintings have immortalised. Dante Gabriel Rossetti (1828-1882) was the leading member of the Pre-Raphaelite Brotherhood. His depictions of Jane ensured that her face became the iconic image of Pre-Raphaelite womanhood. A touring exhibition in partnership with Bradford Museums and Galleries. The exhibition is kindly supported by Farrow & Ball, Islington. Open Wednesday to Sunday, 10am - 5pm; free
Villers-Ecalles
L' Art nouveau et la ferronnerie
Dates:01.01.2050-01.01.2999

Le Magazine Fèvres (spécialisé dans le domaine de la transformation du minerai en métal et du métal en objet) dédie son 50ème numéro à l’Art nouveau et la ferronnerie et aborde notamment le travail du fer d’Antoni Gaudi (article écrit par Luis Gueilburt, l’un de nos membres de Melilla) et de Victor Horta mais aussi son importance pour l’Ecole de Nancy.

Venezia
Symposium - 2014 International Venice Architecture Biennale
Dates:18.10.2014-18.10.2014

Architectural experts are to meet in Venice to discuss the restoration of Glasgow School of Art's (GSA) Mackintosh library, which was destroyed in a fire in May.

The art school will host two meetings to explore key questions around the rebuilding of the unique library, one in the Italian city in October and the second in Glasgow next spring.

The Venice symposium will feature keynote speakers, while figures from fields such as architecture and heritage will be invited to attend. The event, on October 18, is taking place in Querini Stampalia during the 2014 International Venice Architecture Biennale. Members of the public will also be able to attend.

It will be aligned with the Scotland + Venice programme presented by Reiach and Hall as part of a residency at the UK Pavilion during the biennale.

Tunis
L’Art nouveau à Tunis (1900 - 1905)
Dates:01.01.2050-01.01.2999
Dans un Tunis bicéphale, «arabe» du côté de la médina, « européen » du côté du quartier de la Marine, la modernité fait irruption avec la naissance du XXe siècle sous la forme d’un style architectural éclos à Bruxelles en 1893 et qu’on appelle Art Nouveau. Durant une quinquennie, ce style va fleurir sur les façades et à l’intérieur d’immeubles qui viennent doter la ville européenne d’un souffle de vie qui contraste singulièrement avec la banalité d’une architecture fonctionnelle, certes, mais guère esthétique. Album commenté de ces immeubles qui égaillent la ville moderne. Description matérielle : 1 vol. (41 p.) : photogr. ; 27 cm
Toul
Céramique touloise et Art nouveau
Dates:01.01.2050-01.01.2999
Catalogue de l'Exposition, Toul, Musée municipal de Toul, 1er août au 3 oct. 1999 La faïencerie de Toul, installée au lieu-dit bellevue, a, durant sa longue période d'activité, élaboré une production extrêmement variée. A l'occasion de la célébration du centenaire de l'Ecole de Nancy, cette exposition retrace l'évolution de la technique de la céramique et ses sources d'inspiration. Description matérielle : 32 p. : photogr. ; 21,5 cm
Toronto
Around 1914: Design in a New Age
Dates:24.07.2014-31.03.2015
European Galleries, Level 3 One hundred years ago, the ROM opened its doors to the public. Europe was plunged into the Great War. This cataclysmic world event marked the end of a social-political system that had existed for centuries and signalled the birth of the modern movement. It changed the way people looked at their lives and viewed their future. Around 1914: Design in a New Age, explores a pivotal period of innovation and experimentation as artists struggled to reconcile quality design with the emergence of mass production, and the new materials made available with technology. With works by key designers of this era including: Christopher Dresser, Charles Rennie Mackintosh, Archibald Knox, Charles Robert Ashbee, Louis Comfort Tiffany, Frank Lloyd Wright, Emile Gallé, Edward Colonna, Taxile Doat, Louis Majorelle, Carlo Bugatti, Galileo Chini, Chris van der Hoef, Georg Jensen, Otto Wagner, Josef Hoffmann, Gustave Siegel Josef Maria Olbrich, Peter Behrens, Max Laeuger, Richard Riemerschmid, and Walter Gropius.
Tallinn
Tallinn’s Art-Nouveau Architecture. Jacques Rosenbaum (1878–1944)
Dates:01.01.2050-01.01.2999
Jacques Rosenbaum was one of the most outstanding Tallinn architects of the early 20th century. His buildings – Dragon Gallery at Pikk 18, the Reichmann House at Pikk 23/25, the former bank headquarters at Harju 9, the Seewald hospital complex, the Leppenberg tenant house with lions’ heads at Roosikrantsi 15, and others make up the brightest and most artistic part of late-historicist and art-nouveau architecture in Tallinn. Also published in the book are a large number of Rosenbaum’s unrealised projects. The study includes new data and documents on Rosenbaum’s previously unknown activities, including those from the last part of his life in Germany during the 1930s, which the author collected in Berlin archives. Price: 12.08 €