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Schaerbeek- Bruxelles
Fermeture temporaire de la Maison Autrique à Bruxelles – du 16 février au 31 décembre 2015
Dates:16.2.2015-31.12.2015

En raison de travaux de restauration portant sur les façades et d’une actualisation de la scénographie, l’ouverture au public sera réduite dès le lundi 16 février 2015 et jusqu’à la fin de l’année. Durant cette période seuls seront possibles des événements ponctuels et visites sur rendez-vous, en fonction du calendrier du chantier.

Depuis dix ans, la Maison Autrique est ouverte au public grâce à la détermination conjointe de plusieurs amis et à l’intervention de la Commune de Schaerbeek qui s’est portée acquéreur du bien. François Schuiten et Benoît Peeters sont à l’origine du projet de réhabilitation de cette œuvre de jeunesse du célèbre Victor Horta. Ils en ont fait une « maison des maisons», une habitation poétique suspendue dans le temps.

Nancy
Florilège, l’album de l’exposition
Dates:1.1.2050-1.1.2999
En lien avec l’exposition Florilège,cet album rassemble la description de la soixantaine de pièces sélectionnées parmi les acquisitions récentes du musée de l’École de Nancy pour illustrer l’influence de l’inspiration naturaliste dans les arts décoratifs nancéiens. 76 pages, 10 €
London
French Style and Decoration
Dates:1.1.2050-1.1.2999
Drawing upon an impressive array of original sources, this profusely illustrated book offers sketches, engravings and printed patterns, representing French interior design and decoration from the Baroque, Rococo, Louis Seize and Empire periods through the 19th century to Art Nouveau, Art Deco and Modernism. Many of the designs have never been seen in published form before, making this sumptuous volume an invaluable treasury of new ideas and inspiration for designers, decorators, restorers and craftsmen. • An unrivalled sourcebook of French design and decoration for designers everywhere. • Reproduces a wealth of artistry and technical ingenuity, including the work of such designers as André-Charles Boulle, Pineau, Meissonier, Percier, Fontaine, Majorelle, Lalique and Ruhlmann. • Runs the gamut of the decorative arts, from Sèvres porcelain, Gobelin tapestries and Baccarat crystal to traditional printed cottons from Provence, silks from Lyons, glass by Gallé and Daum, and furniture and interior design by Guimard and Ruhlmann. 24.20 x 18.10 cm Hardback 248pp With over 600 designs, patterns and settings in colour and black and white First published 2008
Heule
Gallé au Musée de l’Ecole de Nancy
Dates:1.1.2050-1.1.2999

Le Musée de l’École de Nancy possède une collection exceptionnelle d’œuvres d’Émile Gallé, tant par leur nombre que par leur qualité.

Ce nouvel album, publié à l’occasion du 50ème anniversaire du musée, rassemble une sélection des œuvres maîtresses de l’artiste ainsi que des pièces moins connues ou destinées à un usage personnel ou plus confidentiel (objets en cuir, textiles, etc.). Les fonds photographiques et documentaires – souvent inédits - permettent d’évoquer le cadre familial et intellectuel de Gallé, ainsi que son entourage professionnel (usine d’art, collaborateurs, méthode de travail, etc.).

Conçu sous la direction de Valérie Thomas, directrice du musée, en collaboration avec l’équipe de conservation, et publié aux éditions Snoeck, cet ouvrage invite à mieux cerner l’œuvre foisonnante et la personnalité complexe du chef de file de l’École de Nancy, et révèle de nombreuses œuvres et documents méconnus. Il témoigne aussi de la générosité des descendants de l’artiste envers les collections du musée depuis les années 1950 jusqu’à nos jours.

London
Gaudí - Builder of Visions
Dates:1.1.2050-1.1.2999
Antoni Gaudí and his inimicable fluid, organic style will be forever linked to Barcelona. His spectacular buildings – among them the Güell Palace and the monumental La Sagrada Familia – have come to symbolize the city. This exciting book invites the reader to explore the visual richness of Gaudí’s creations in scores of well chosen illustrations. As well as revealing the architect’s working and building methods, the author also discusses Barcelona’s social and cultural background and the city’s heritage as the capital of Art Nouveau. 18.00 x 12.50 cm Paperback 128pp 106 Illustrations, 65 in colour First published 2002
Bruxelles
Gaudi - Photographies
Dates:1.1.2050-1.1.2999
Architecture 1900 Barcelona Spain: Casa Batllo, Casa Mila, park Guell, Sagrada Familia.
Bruxelles
Geometrie verdi sull'acqua - I giardini del territorio lariointelvese (Green geometries by the water - Gardens by the lariointelvese area)
Dates:1.9.2050-1.1.2999
Texts and images about the refined landscaped gardens by the lakeshore between Cernobbio and Tremezzo. In Italian
 
Georges De Feure, Maitre du Symbolisme et de l'Art Nouveau
Dates:1.1.2050-1.1.2999
"I madly love these arabesques of dimmed nuances. This teeming mass of tangled lines which are flowers, fabrics and landscapes. I love these "princesses" with gem-like eyes and sinuous lips. They close upon bad secrets. An impure ferment seems to swell their gorged flesh with the magnolia flower s soft white tint, whilst their baroque opulence shows in each novel jewel which ornaments their nervous fingers." (Georges Barbier) Georges de Feure must be the exemplary "universal artist" of the late 19th-century. His talent is manifold: he was not only a symbolist painter and illustrator, but also a poster-artist. And he played an important role as artist-decorator in the Pavilion of Art Nouveau, in the 1900 universal exhibition. 304 pages French
 
Georges Hobé et sa vision architecturale de l'Art nouveau: Villégiature et style cottage
Dates:1.1.2050-1.1.2999
Cet ouvrage veut rendre à Georges Hobé (1854-1936) la place qui lui revient dans le paysage architectural des premières décennies du XXe siècle en Belgique. L'étude envisage la production de ce prolifique bâtisseur qui s'est imprégné du style Art nouveau pour proposer sa conception architecturale en vue de répondre à des commandes tant officielles que privées, cottages, villas, maisons urbaines ou suburbaines. Nombre de pages: 112
Edinburgh
Glasgow Interiors
Dates:1.1.2050-1.1.2999

Glasgow has a spectacular array of buildings and is internationally renowned for its history of architectural innovation and design excellence. This book, written by one of the Réseau Art Nouveau Network’s members, Helen Kendrick, offers a glimpse into a selection of Glasgow’s most impressive historic interiors. Featuring 33 of the city’s most alluring buildings – both public and private – Glasgow Interiors tells the story of the city’s built heritage over the past 150 years.

From a dramatic Victorian swimming bath and a glittering art deco restaurant to intricately detailed Art Nouveau warehouses and imposing Edwardian townhouses in the city’s West End, this book demonstrates the extraordinary wealth of interiors that lie behind the façades of Glasgow’s buildings.

Glasgow
Glasgow’s Gilded Age
Dates:8.5.2015-8.5.2015

The conference will highlight those Glasgow designers who originally established the city's reputation at the time of the Aesthetic Movement and Mark Twain’s so called Gilded Age. Glasgow’s international reputation for design and manufacture sprang forth from the city's industries, as well as its educational institutions, and its influence spread across the globe through trade. This laid the foundation for Glasgow’s inimitable ‘style’.

We want to invite our guests on a unique sensory experience, considering both the glamour and the grit of industrial Glasgow. Our speakers will be discussing a wide range of topics, including; the interiors of Glasgow’s finest buildings, architectural ornament and stained glass within the city, and the movers and shakers of both the artistic and industrial spheres.

Other speakers include:

Prof. John Hume OBE, BSc ARCST, Hon FRIAS, FSA Scot; Chairman of the Royal Commission of Ancient and Historic Monuments, Patron of GCHT, and life-long supporter of Glasgow’s industrial and artistic heritage, will be speaking about the industries and the individuals who produced or commissioned art in Glasgow throughout the period.

Dr. David Mitchell: Dr. David Mitchell MSC IHBC ProfICME FSA Scot by day is Director of Conservation for Historic Scotland. Member of the Institute for Historic Building Conservation and the Institute of Cast Metal Engineers. Member of the English Heritage Advisory Board and CyArk, a US Non Profit to digitally document and share world heritage. Alumni of the US State Department Fellowship programme. Interested in ironwork conservation and the history of the industry in Scotland, particularly Walter Macfarlane and Co.

Dr. Robyne Erica Calvert: Robyne is a researcher in the visual culture of the 19th-21st centuries, with a particular focus on Charles Rennie and Margaret Macdonald Mackintosh. She holds a PhD in Art History and an MLitt in Decorative Arts & Design History from the University of Glasgow; and an MA in Art History from the University of Oregon.

Max Donnelly: Max Donnelly FSA is Curator of Nineteenth-Century Furniture at the Victoria and Albert Museum, London. He has lectured and broadcast on aspects of nineteenth-century design, including for the BBC2 series The Genius of Design (2010). A contributor to several scholarly journals, his article on Vincent van Gogh and Daniel Cottier was published in The Burlington Magazine (September 2011).

Ian Gow: Ian Gow was appointed Curator of the National Trust for Scotland in 1998. He had previously been Curator of Architectural Collections at the Royal Commission on the Ancient and Historical Monuments of Scotland. He is the author of several books and many articles on the decorative arts and architecture of Scotland.

Dr. Peter Burman: Dr. Peter Burman is an architectural historian who has been studying Webb for many years, organised the only conference ever held on Webb and his work, and has produced two major articles on him with more in preparation. He sees Webb as a understated but nevertheless major figure both in the early development of the British Arts & Crafts Movement and in the early history of a responsible British ‘heritage movement’. He is a Guardian of the SPAB and in Scotland he is currently chairman of the Falkland Stewardship Trust, whose responsibilities include a major 19th century country house, and a trustee and Archivist of Hopetoun House. He acts as an arts and heritage consultant across a spectrum of special places. Peter Burman will Chair the afternoon session of the conference. We believe that it is crucial to the promotion of Glasgow as a world city, and that through it we will be celebrating its vibrant artistic and industrial history, encouraging academic study of the period of this ‘gilded age’, and promoting Glasgow as a place for cultural and historic tourism.

Glasgow
Glasgow's Gilded Age 1864-1914: Glamour & Grit Conference
Dates:8.5.2015-8.5.2015

The conference will highlight those Glasgow designers who originally established the city's reputation at the time of the Aesthetic Movement and Mark Twain’s so called Gilded Age. Glasgow’s international reputation for design and manufacture sprang forth from the city's industries, as well as its educational institutions, and its influence spread across the globe through trade. This laid the foundation for Glasgow’s inimitable ‘style’.

We want to invite our guests on a unique sensory experience, considering both the glamour and the grit of industrial Glasgow. Our speakers will be discussing a wide range of topics, including; the interiors of Glasgow’s finest buildings, architectural ornament and stained glass within the city, and the movers and shakers of both the artistic and industrial spheres.

Prof. John Hume OBE, BSc ARCST, Hon FRIAS, FSA Scot; Chairman of the Royal Commission of Ancient and Historic Monuments, Patron of GCHT, and life-long supporter of Glasgow’s industrial and artistic heritage, will be speaking about the industries and the individuals who produced or commissioned art in Glasgow throughout the period.

Other speakers include Dr. David Mitchell MSC IHBC ProfICME FSA Scot, Director of Conservation and Trustee of the Scottish Ironwork Foundation, Dr. Robyne Erica Calvert, Mackintosh Research Fellow for the Glasgow School of Art and Max Donnelly, Curator of 19th-Century Furniture at the V&A Museum.

We believe that it is crucial to the promotion of Glasgow as a world city, and that through it we will be celebrating its vibrant artistic and industrial history, encouraging academic study of the period of this ‘gilded age’, and promoting Glasgow as a place for cultural and historic tourism.

 
Grafica liberty e decò a Firenze
Dates:1.1.2050-1.1.2999
The book offers the first systematic critical survey of graphic art and publishing, featuring Art Nouveau and Art Deco styles, produced in Florence area. The more than four hundred figures that accompany the book show drawings of famous artists such as Brunelleschi, Cambellotti, Chini, Nomellini, De Karolis, Sensani, Kienerk, Fluffy, Mussino, Ruby, Sgrilli, Angoletta, I, Bernardini, Yambo, Thayaht, and also allow the discovery of illustrators so far not sufficiently valued as Ezio Anichini, Maria De Matteis, Dino Tofani, Virgil Faini, Raul Ferenzona Dal Molin, Charles Casaltoli, Ottorino Andreini, Fabio Fabbi, Maria Augusta Cavalieri, Dario Betti, Gino Riccobaldi, Navy Battigelli, Joseph bark, Adele Ramorino CEAS. Il libro offre la prima sistematica ricognizione critica della grafica d'arte e per l'editoria, caratterizzata da stilemi liberty e déco, prodotta in ambito fiorentino. Le oltre quattrocento figure che corredano il libro mostrano disegni di artisti conosciuti quali Brunelleschi, Cambellotti, Chini, Nomellini, De Karolis, Sensani, Kienerk, Soffici, Mussino, Rubino, Sgrilli, Angoletta, Sto, Bernardini, Yambo, Thayaht, e permettono altresì la scoperta di illustratori finora non sufficientemente valorizzati come Ezio Anichini, Maria De Matteis, Dino Tofani, Virgilio Faini, Raul Dal Molin Ferenzona, Carlo Casaltoli, Ottorino Andreini, Fabio Fabbi, Maria Augusta Cavalieri, Dario Betti, Gino Riccobaldi, Marina Battigelli, Giuseppe Scortecci, Adele Ramorino Ceas. 176 p., ill., brossura € 24,22
Lausanne
Grasset: Pionnier de l'Art nouveau
Dates:1.1.2050-1.1.2999
Publié par la Bibliothèque des Arts.
 
Guide de Bruxelles XIXème et Art Nouveau
Dates:1.1.2050-1.1.2999
Promenade détaillée dans le Bruxelles Art Nouveau Description matérielle : 290 p. : couv. ill. en coul. ; 24 cm

 

With the support of the Culture Programme of the European Union