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Bruxelles
Hankar et l'Hôtel Ciamberlani. Un palais déguisé en maison de ville.
Dates:01/01/2050-01/01/2999
L'Hôtel Ciamberlani au 48 rue Defacqz à Bruxelles, dont les sgraffites illuminent la façade, a été restauré de 2004 à 2009. Ce livre,imaginé par Delphine et Olivier Laforge, propriétaires passionnés, retrace ces cinq ans de restauration.
Berlin
Hans Christiansen - The retrospective
Dates:19/02/2015-24/05/2015

Retrospective on the complete works of the artist colony member of the first hour: With Hans Christiansen (1866-1945) is an as versatile as exemplary Jugendstil artists to rediscover, who found his vocation in Mathildenhöhe Darmstadt.

Hans Christiansen is one of the most important representatives of Jugendstil, especially with his drafts in the field of arts and crafts. In Paris where matured into an artist, he was appointed in 1899 by Grand Duke Ernst Ludwig in Darmstadt, where he was among the first seven members of the artists' colony. On the Mathildenhöhe he blossomed and excelled as a genuine work of art enthusiasts in painting, architecture and applied art as well as a designer of lights festivals. For the first time the full range of this versatile artist is presented: The retrospective presents his house on the Mathildenhöhe, room facilities, glass pane, jewellery, posters, paintings, drawings, textile art and ceramics in different spatial ensembles - including previously unknown like his fashion and poster designs from the 1920s.

The major retrospective, the first ever to Hans Christiansen, will be seen in four German institutions. The kick-off will make Mathildenhöhe as the first step, and then will follow the Bröhan Museum in Berlin, the Villa Stuck Museum in Munich and the Museumsberg in Flensburg, where the exhibition tour will end just before the 150th anniversary of the artist in his hometown.

Curators: Dr. Philipp Gutbrod, curator and conservator of the collection, Mathildenhöhe Darmstadt Institute
Dr. Michael Fuhr, Director, Museumsberg in Flensburg
Dr. Dorothee Bieske, curator and conservator of the collection, Museumsberg in Flensburg

An exhibition of the Mathildenhöhe Darmstadt Institute and of the Museumsberg in Flensburg in collaboration with the Villa Stuck Museum in Munich and the Bröhan Museum in Berlin.

The exhibition will then travel to the Musée Bröhan, Berlin (19 Feburary– 24 May 2015), the Museum Villa Stuck in Munich (18 June – 20 September 2015) and to the Museumsberg Flensburg (11 October – 17 January 2016)

 

München
Hans Christiansen - The retrospective
Dates:18/06/2015-20/09/2015

Retrospective on the complete works of the artist colony member of the first hour: With Hans Christiansen (1866-1945) is an as versatile as exemplary Jugendstil artists to rediscover, who found his vocation in Mathildenhöhe Darmstadt.

Hans Christiansen is one of the most important representatives of Jugendstil, especially with his drafts in the field of arts and crafts. In Paris where matured into an artist, he was appointed in 1899 by Grand Duke Ernst Ludwig in Darmstadt, where he was among the first seven members of the artists' colony. On the Mathildenhöhe he blossomed and excelled as a genuine work of art enthusiasts in painting, architecture and applied art as well as a designer of lights festivals. For the first time the full range of this versatile artist is presented: The retrospective presents his house on the Mathildenhöhe, room facilities, glass pane, jewellery, posters, paintings, drawings, textile art and ceramics in different spatial ensembles - including previously unknown like his fashion and poster designs from the 1920s.

The major retrospective, the first ever to Hans Christiansen, will be seen in four German institutions. The kick-off will make Mathildenhöhe as the first step, and then will follow the Bröhan Museum in Berlin, the Villa Stuck Museum in Munich and the Museumsberg in Flensburg, where the exhibition tour will end just before the 150th anniversary of the artist in his hometown.

Curators: Dr. Philipp Gutbrod, curator and conservator of the collection, Mathildenhöhe Darmstadt Institute
Dr. Michael Fuhr, Director, Museumsberg in Flensburg
Dr. Dorothee Bieske, curator and conservator of the collection, Museumsberg in Flensburg

An exhibition of the Mathildenhöhe Darmstadt Institute and of the Museumsberg in Flensburg in collaboration with the Villa Stuck Museum in Munich and the Bröhan Museum in Berlin.

The exhibition will then travel to the Musée Bröhan, Berlin (19 Feburary– 24 May 2015), the Museum Villa Stuck in Munich (18 June – 20 September 2015) and to the Museumsberg Flensburg (11 October – 17 January 2016)

Flensburg
Hans Christiansen - The retrospective
Dates:11/10/2015-17/01/2016

Retrospective on the complete works of the artist colony member of the first hour: With Hans Christiansen (1866-1945) is an as versatile as exemplary Jugendstil artists to rediscover, who found his vocation in Mathildenhöhe Darmstadt.

Hans Christiansen is one of the most important representatives of Jugendstil, especially with his drafts in the field of arts and crafts. In Paris where matured into an artist, he was appointed in 1899 by Grand Duke Ernst Ludwig in Darmstadt, where he was among the first seven members of the artists' colony. On the Mathildenhöhe he blossomed and excelled as a genuine work of art enthusiasts in painting, architecture and applied art as well as a designer of lights festivals. For the first time the full range of this versatile artist is presented: The retrospective presents his house on the Mathildenhöhe, room facilities, glass pane, jewellery, posters, paintings, drawings, textile art and ceramics in different spatial ensembles - including previously unknown like his fashion and poster designs from the 1920s.

The major retrospective, the first ever to Hans Christiansen, will be seen in four German institutions. The kick-off will make Mathildenhöhe as the first step, and then will follow the Bröhan Museum in Berlin, the Villa Stuck Museum in Munich and the Museumsberg in Flensburg, where the exhibition tour will end just before the 150th anniversary of the artist in his hometown.

Curators: Dr. Philipp Gutbrod, curator and conservator of the collection, Mathildenhöhe Darmstadt Institute
Dr. Michael Fuhr, Director, Museumsberg in Flensburg
Dr. Dorothee Bieske, curator and conservator of the collection, Museumsberg in Flensburg

An exhibition of the Mathildenhöhe Darmstadt Institute and of the Museumsberg in Flensburg in collaboration with the Villa Stuck Museum in Munich and the Bröhan Museum in Berlin.

The exhibition will then travel to the Musée Bröhan, Berlin (19 Feburary– 24 May 2015), the Museum Villa Stuck in Munich (18 June – 20 September 2015) and to the Museumsberg Flensburg (11 October – 17 January 2016)

Bruxelles
Henri Rivière, entre impressionnisme et japonisme
Dates:01/01/2050-01/01/2999
Dessinateur ayant débuté dans la revue du Chat noir, Henri Rivière fut aussi l'un des metteurs en scène du Théâtre d'ombres. Aquarelliste de talent, il s'est imposé dans l'histoire de l'estampe par sa passion de la couleur. Rivière participa activement au renouveau de la gravure sur bois en adoptant la technique japonaise de l’impression en couleurs et donna à la lithographie en couleurs une importance proportionnelle aux dimensions murales de ses réalisations. En marge des courants de son époque, il puise son inspiration dans les paysages de Bretagne où il séjourne régulièrement et dans les estampes japonaises qu'il collectionne. L'exposition présente une sélection d'aquarelles, eaux-fortes, gravures sur bois et lithographies qui témoignent de l'amplitude des recherches de l'artiste et de son goût pour les effets changeants de lumière qui imprègnent l'ensemble de son œuvre. Les carnets de croquis et dessins préparatoires, les matrices (bois et zincs gravés) et tirages d'état de certaines estampes ont le mérite de décomposer les étapes du travail de l'artiste.
Bruxelles
Henry de Groux 1866-1930, Journal
Dates:01/01/2050-01/01/2999
Outre le texte très complet de Rodolphe Rapetti déjà citée, deux essais introduisent le volume : Pierre Pïnchon et Pierre Wat abordent Henry de Groux écrivain, entre « le sublime et le grotesque », permettant de mieux comprendre le personnage, son génie, ses excès, sa situation dans cette fin-de-siècle « décadente », entre Huysmans et Zola, Bloy et Tailhade : de Groux, peintre lettré et dévoreur de livres, solitaire sociable et associal (ou inversement), aristocrate baudelairien avec ce plaisir délectable qu’il y a à déplaire. Plus rapidement, le même Pierre Pinchon et Thomas Schlesser définissent le Journal lui-même, document multiforme à l’utilisation complexe et problématique, « précieuse source archivistique pour l’histoire du mouvement symboliste ».
Bruxelles
Henry van de Velde - Raumkunst und Kunsthandwerk
Dates:01/01/2050-01/01/2999
Ein Werkverzeichnis in sechs Bänden. Band 1: Metalkunst. Henry van de Velde gehörte zu den erfolgreichsten Designern und Architekten des 20. Jahrhunderts und war ein Wegbereiter für das Bauhaus. Doch nur in den Bereichen Architektur un Buchkunst ist sein vielschichtiges und umfangreiches Werk bisher gründlich aufgearbeitet worden. Mit dem Werksverzeichnis "Raumkunst und Kunsthandwerk" wird nun eine Forschungslücke geschlossen. Der erste Band ist der Metallkunst gewidmet und umfasst Schmuck, Korpuswaren, Bestecke sowie Beleuchtungskörper. Die beiden Autoren dieses äuBerst akribisch und mit groBem Sachverstand erarbeiteten Werkes, Antje Neumannund Dr. Thomas Föhl, werden dabei auf unterhaltsame Art nicht nur über die Entstehungsgeschichte des umfangreichen Buchprojektes berichten, sondern auch eine Auswahl besonders interessanter und schöner Arbeiten aus Metall virtuell präsentieren. Darüber hinaus wird viel Wissenswertes und Interessantes zu erfahren sein, das bislang nicht bekannt war.
Bruxelles
Henry van de Velde in Polen
Dates:01/09/2050-01/01/2999
In dem rund hundert Kilometer südöstlich von Frankfurt an der Oder gelegenen Ort Trzebiechow/Trebschen wurde 2002 ein vergessenes innenarchitektonisches Werk des belgischen Jugendstilarchitekten Henry van de Velde wiederentdeckt. In einem 1903 bis 1905 errichteten Sanatorium hatte van de Velde verschiedene Räume ausgestattet. Der mit Briefen, historischen Aufnahmen und erstmals abgedruckten Dokumenten angereicherte Fotoband des Deutschen Kulturforums östliches Europa stellt als erste Veröffentlichung überhaupt das einzige Werk van de Veldes im heutigen Polen vor.
Bruxelles
Henry Van de Velde in Polen - Das Sanatorium in Trebschen
Dates:01/01/2050-01/01/2999
Bruxelles
Henry van de Velde’s Works in Metal
Dates:01/01/2050-01/01/2999
This dual-language volume (German/English) of 816 pages is available until January 31, 2010 at an introductory price of 98 € through bookstores and the Seemann Verlag (www.seemann-verlag.de). Beginning February 1, 2010 the edition will cost 128 €.
Bruxelles
Henry van de Veldes Villa Esche in Chemnitz (DVD)
Dates:01/09/2050-01/01/2999
Henry van de Veldes Villa Esche in Chemnitz - Ein Lebensraum als Gesamtkunstwerk erschienen. Diese DVD gibt Einblicke in die Entstehungsgeschichte der Villa Esche, dokumentiert eine beispielgebend akribische Restaurierung des denkmalgeschützten Objektes und beleuchtet die heutige Nutzung des Hauses als überregionale Kultur- und Kommunikationsplattform, Tagungslocation, außergewöhnliches Veranstaltungspodium und van de Velde gewidmetes Museum. Einst war die Villa Esche ein als Gesamtkunstwerk gestalteter Lebensraum – heute dient sie im Sinne ihrer beiden geistigen Väter – des Gestalters Henry van de Velde und des Chemnitzer Strumpffabrikanten Herbert Eugen Esche - als Begegnungsstätte für Wirtschaft, Wissenschaft, Kunst und Kultur. Die Villa Esche in Chemnitz war 1902 der erste Architekturauftrag des belgischen Künstlers in Deutschland und gilt heute als ein besonders authentisches Dokument für van de Veldes damalige Interpretation des Jugendstils. Nachdem die Grundstücks- und Gebäudewirtschafts-Gesellschaft GGG im März 1998 die Villa Esche erworben hatte, beauftragte sie vor nunmehr 9 Jahren die Chemnitzer Firma VideoVision mit einer umfassenden filmischen Dokumentation. Diese sollte den damaligen maroden Zustandes des Hauses, die dreijährige Restaurierung, die Eröffnung im Jahr 2001 und die folgende öffentliche Nutzung des Hauses als Tagungsstätte, Eventlocation, Konzertpodium und Museum umfassen.
 
Hiroshige Prints (Ando, Ichiyusai, Utagawa) - ebook
Dates:01/01/2050-01/01/2999
Selected prints attributed and Ando Hiroshige who was also known by Ichiyūsai and Utagawa Hiroshige. You will also find an introduction from Frank Lloyd Wright reprinted from his catalog dated 1906. Subjects are the ocean, waves, people, fish,birds, a cat, boats, flowers and mountains. The pine tree or matsu can be found in many of these images.
Boston
Hokusai
Dates:05/04/2015-09/08/2015

Katsushika Hokusai (1760–1849) was the first Japanese artist to be internationally recognized, and he continues to inspire artists around the world. As the home of the largest and finest collection of Japanese art outside Japan—including the greatest variety of Hokusai works in any museum—the MFA is uniquely positioned to offer a comprehensive exhibition of this remarkable artist. Drawing from extensive holdings of paintings, woodblock prints, and illustrated printed books, the Museum will showcase an array of works from Hokusai’s seven-decade career, including lesser-known pieces depicting whimsical instructions on how to draw, dynamic paintings on paper lanterns, and elaborate cut-out dioramas. Also displayed are some of the most famous images in Japanese art, including Under the Wave Off Kanagawa (Great Wave) (about 1830–31)—from the legendary series Thirty-six Views of Mount Fuji—and the brilliantly colored multi-panel screen painting Phoenix (1835). Spanning Hokusai’s work from his 20s through his 80s, the exhibition will explore common themes through sections dedicated to topics such as landscapes, nature, fantasy, and the “Floating World” of urban culture (including depictions of the Kabuki theater and the Yoshiwara pleasure district). Works that depict Japanese historical and literary motifs will be featured along with “perspective prints” with exaggerated vanishing points, often used in toy peep shows. An extremely delicate silk square of a mythological Chinese lion, likely used as a gift wrapper (fukusa), will also be included, in a rare public display of the fragile work. An illustrated publication will accompany the exhibition.

Ann and Graham Gund Gallery (Gallery LG31)

Boston
Hokusai
Dates:01/01/2050-01/01/2999

Katsushika Hokusai remains one of Japan's most popular and influential artists. This handy volume presents the wide range of Hokusai's artistic production in terms of one of his most remarkable characteristics: his intellectual ingenuity. It explores the question of how the self-styled "Man Mad about Drawing" approached his subjects—how he depicted human bodies in motion, combined figures and landscapes, represented three-dimensional objects on two-dimensional surfaces and when he used the techniques of illusionism or adjusted reality for greater visual or emotional effect. Including some 50 stunning and unusual paintings, prints and drawings from the peerless Hokusai collection at the Museum of Fine Arts, Boston, this book is a treasure trove that introduces readers to a witty, wide-ranging and inimitably ingenious Hokusai.

Hardcover. 7.5 x 10 in. 176 pages / 135 color.

Boston
Holland on Paper In the Age of Art Nouveau
Dates:01/01/2050-01/01/2999
Text by Clifford S. Ackley From the 1890s through the turn of the century, there was a flourishing of new, imaginative art and craft throughout Europe that we now know as Art Nouveau. The Netherlands experienced an inventive variant of this art and design phenomenon, but until now it has been largely overshadowed by its counterparts in other countries, especially France. This richly illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of more than 100 works on paper--posters, decorative calendars and illustrated books, as well as prints and drawings. These innovative works of graphic design reveal the progressive Dutch artists’ conscious reaction against the past, their inspiration in natural forms and exotic cultures, and their embrace of the principle that art should transform everyday life. They also show how the New Art--Nieuwe Kunst in Dutch--coexisted and sometimes intertwined in the Netherlands with other artistic strands, including persistent realist trends, Symbolism and the emergence of modernism. Included here are early drawings by well-known artists Vincent van Gogh and Bart van der Leck, as well as new discoveries from Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, G. W. Dijsselhof and C. A. Lion Cachet. With an introduction and explanatory text about each work of art by Clifford S. Ackley, one of the world’s leading specialists in Dutch prints and drawings, Holland on Paper provides a fascinating and visually rewarding introduction to a rich and creative artistic era. Hardcover, 9.5 x 10.5 in. / 256 pages / 155 color.

With the support of the Culture Programme of the European Union

Responsible publisher: Arlette Verkruyssen, General Director,
Brussels Regional Public Service - Bruxelles Développement urbain (Brussels Urban Development),
CCN - Rue du Progrès 80, B. 1, 1035 Brussels - Belgium