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Pågående og kommende jugendstilutstillinger, besøk og mer …

 
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London
From Owen Jones to Marianne Straub: 150 years of the Warner Archive
Dates:20.09.2014-20.09.2014

STUDY DAY: The Warner Textile Archive represents two centuries of creativity and commerce. It includes Spitalfields silks from the late 18th and 19th centuries, Victorian designs by Owen Jones and William Morris, and vibrant examples of Art Deco, Contemporary, and Pop styles.

Acclaimed for the high quality of their luxury textiles, from 1885 the company was also responsible for weaving the silks and velvet for the Royal Coronations and historic palaces.

This event marks the 150th anniversary of the archive with a day of talks about its designers and heritage from Mary Schoeser, Christine Boydell and others.

In collaboration with Warner’s Archive
Venue: The Lydia & Manfred Gorvy Lecture Theatre

11.00-17.00

£45, £35, £15 students

Alesund
From the archive - Fra Arkivet
Dates:25.04.2014-14.09.2014
The Jugendstilsenteret (Art Nouveau Centre) in Ålesund has invited the artists Elsebeth Jørgensen (DK) and Helene Sommer (NO) to create new works of art based on the Art Nouveau Centre's collection and archives, as well as on Ålesund’s architecture, its surroundings and its many stories. They have been encouraged to investigate the stories contained within this visual and historical material, and the new narratives and expressions that can be created with this in mind. The exhibition is on the 2nd floor of the Art Nouveau Centre.
London
Gaudí - Builder of Visions
Dates:01.01.2050-01.01.2999
Antoni Gaudí and his inimicable fluid, organic style will be forever linked to Barcelona. His spectacular buildings – among them the Güell Palace and the monumental La Sagrada Familia – have come to symbolize the city. This exciting book invites the reader to explore the visual richness of Gaudí’s creations in scores of well chosen illustrations. As well as revealing the architect’s working and building methods, the author also discusses Barcelona’s social and cultural background and the city’s heritage as the capital of Art Nouveau. 18.00 x 12.50 cm Paperback 128pp 106 Illustrations, 65 in colour First published 2002
Bruxelles
Gaudi - Photographies
Dates:01.01.2050-01.01.2999
Architecture 1900 Barcelona Spain: Casa Batllo, Casa Mila, park Guell, Sagrada Familia.
Bruxelles
Geometrie verdi sull'acqua - I giardini del territorio lariointelvese (Green geometries by the water - Gardens by the lariointelvese area)
Dates:01.09.2050-01.01.2999
Texts and images about the refined landscaped gardens by the lakeshore between Cernobbio and Tremezzo. In Italian
 
Georges De Feure, Maitre du Symbolisme et de l'Art Nouveau
Dates:01.01.2050-01.01.2999
"I madly love these arabesques of dimmed nuances. This teeming mass of tangled lines which are flowers, fabrics and landscapes. I love these "princesses" with gem-like eyes and sinuous lips. They close upon bad secrets. An impure ferment seems to swell their gorged flesh with the magnolia flower s soft white tint, whilst their baroque opulence shows in each novel jewel which ornaments their nervous fingers." (Georges Barbier) Georges de Feure must be the exemplary "universal artist" of the late 19th-century. His talent is manifold: he was not only a symbolist painter and illustrator, but also a poster-artist. And he played an important role as artist-decorator in the Pavilion of Art Nouveau, in the 1900 universal exhibition. 304 pages French
 
Georges Hobé et sa vision architecturale de l'Art nouveau: Villégiature et style cottage
Dates:01.01.2050-01.01.2999
Cet ouvrage veut rendre à Georges Hobé (1854-1936) la place qui lui revient dans le paysage architectural des premières décennies du XXe siècle en Belgique. L'étude envisage la production de ce prolifique bâtisseur qui s'est imprégné du style Art nouveau pour proposer sa conception architecturale en vue de répondre à des commandes tant officielles que privées, cottages, villas, maisons urbaines ou suburbaines. Nombre de pages: 112
Cumbria
Glasgow Style: Arts & Crafts from 1890-1930
Dates:25.07.2014-31.12.2014

The end of the nineteenth century saw Glasgow’s artists emerge as accomplished and talented crafts people. Born at the highly influential Glasgow School of Art and blending together the imagery of the Celtic Revival with influences from Art Nouveau and the Arts and Crafts Movement, the term ‘the Glasgow Style’ was coined and came to represent this distinctive style developed in the west of Scotland.

This exhibition explores the unique skills of some of the leading makers associated with this period including Charles Rennie Mackintosh, Talwin Morris, Jessie Marion King, Ernest Archibald Taylor and Margaret and Frances Macdonald, showing the strength and prominence of Glaswegian Arts and Crafts.

 
Grafica liberty e decò a Firenze
Dates:01.01.2050-01.01.2999
The book offers the first systematic critical survey of graphic art and publishing, featuring Art Nouveau and Art Deco styles, produced in Florence area. The more than four hundred figures that accompany the book show drawings of famous artists such as Brunelleschi, Cambellotti, Chini, Nomellini, De Karolis, Sensani, Kienerk, Fluffy, Mussino, Ruby, Sgrilli, Angoletta, I, Bernardini, Yambo, Thayaht, and also allow the discovery of illustrators so far not sufficiently valued as Ezio Anichini, Maria De Matteis, Dino Tofani, Virgil Faini, Raul Ferenzona Dal Molin, Charles Casaltoli, Ottorino Andreini, Fabio Fabbi, Maria Augusta Cavalieri, Dario Betti, Gino Riccobaldi, Navy Battigelli, Joseph bark, Adele Ramorino CEAS. Il libro offre la prima sistematica ricognizione critica della grafica d'arte e per l'editoria, caratterizzata da stilemi liberty e déco, prodotta in ambito fiorentino. Le oltre quattrocento figure che corredano il libro mostrano disegni di artisti conosciuti quali Brunelleschi, Cambellotti, Chini, Nomellini, De Karolis, Sensani, Kienerk, Soffici, Mussino, Rubino, Sgrilli, Angoletta, Sto, Bernardini, Yambo, Thayaht, e permettono altresì la scoperta di illustratori finora non sufficientemente valorizzati come Ezio Anichini, Maria De Matteis, Dino Tofani, Virgilio Faini, Raul Dal Molin Ferenzona, Carlo Casaltoli, Ottorino Andreini, Fabio Fabbi, Maria Augusta Cavalieri, Dario Betti, Gino Riccobaldi, Marina Battigelli, Giuseppe Scortecci, Adele Ramorino Ceas. 176 p., ill., brossura € 24,22
Lausanne
Grasset: Pionnier de l'Art nouveau
Dates:01.01.2050-01.01.2999
Publié par la Bibliothèque des Arts.
 
Guide de Bruxelles XIXème et Art Nouveau
Dates:01.01.2050-01.01.2999
Promenade détaillée dans le Bruxelles Art Nouveau Description matérielle : 290 p. : couv. ill. en coul. ; 24 cm
Bruxelles (Ixelles)
Guide de l'art nouveau à Bruxelles
Dates:01.01.2050-01.01.2999
Description matérielle : 31 p. : ill., plan ; 21 cm
Bruxelles
Guidebook - Secessional Architecture of Rijeka (Croatia)
Dates:01.01.2050-01.01.2999
Rijeka was for a long time a very important port and industrial town, but from 2000 its production diminished. Now the city is trying to convert itself into a touristic centre with emphasis on local historical and architectural values. Within the city territory, the main criteria regarding the selection of buildings and their inclusion into the guide framework are determined by the need to show to the citizens and tourists the existing Secessional buildings within the longer or shorter walk through the city centre. The buildings are chosen because of their importance, complete shape, composition of volume, the manner in which the interior space was constituted and because of the typical elements of the façade ornamentation suggesting the Secession decorative nature in its outer morphological configuration. The historical criterion embraces the early 20th century, i.e. the first two decades including also proto-rationalist architecture which announced more recent modern styles(1900-1925). During this period, Rijeka was ruled by Budapest governor while the architects were educated either in Budapest or in Vienna, so the architecture of Rijeka demonstrates a specific shape under various European influences of Secession style.
Paris
Guimard Perdu, histoire d'une méprise
Dates:01.01.2050-01.01.2999
Que reste-il de l’œuvre d’Hector Guimard ? Si chacun garde en mémoire son travail pour le métro parisien, on sait moins que presque la moitié de ses réalisations architecturales a été détruite et que certains bâtiments sont aujourd’hui encore menacés de destruction. Ce roi de la courbe et de l’asymétrie, chantre de l’Art nouveau et père de l’architecture moderne en France, méritait cet inventaire qui, au travers de documents inédits, permet de restituer à l’œuvre disparue toute son étonnante créativité. 27 x 25 cm, 128 pages quadri, broché avec rabats 35 €
Paris cedex 07
Guimard, l'Art nouveau
Dates:01.01.2050-01.01.2999
Architecte symbole de l'Art nouveau en France, Hector Guimard parcourt la révolution architecturale autour de 1900. Héritier du rationalisme de Viollet-le-Duc, il se passionne aussi pour les innovations techniques du XXe siècle. Célèbre pour ses entrées du Métropolitain, l'«architecte d'art», comme il se définit lui-même, a également imaginé le cadre de vie de la bourgeoisie : immeubles, villas, mobilier, décor... jusqu'au moindre détail. Philippe Thiébaut fait revivre l'homme au travers de son œuvre, de sa clientèle, et de sa difficile postérité. Collection Découvertes Gallimard (n° 136), Série Arts, Gallimard 128 pages, ill., sous couverture illustrée, 125 x 177 mm Achevé d'imprimer : 31-03-1992