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Paris
Verrerie Art nouveau: L’Exemple des frères Muller
Dates:01.01.2050-01.01.2999
C'est en 1897 que les frères Muller ouvrent près de Lunéville une verrerie spécialisée dans la production de vases qui va rapidement s'imposer comme l'une des plus créatives et des plus audacieuses dans son domaine d'activité. Caractérisé par une grande complexité technique et un répertoire naturaliste typiquement Art nouveau où s'épanouissent végétaux, insectes, animaux nocturnes ou fonds marins, le style Muller s'apparente à celui de l'école de Nancy. L'ouvrage se concentre sur l'âge d'or des Muller - la période d'activité allant de 1897 à 1914 - et invite à (re) découvrir le parcours de cette fratrie qui sut s'imposer, à l'égal de Gallé et Daum, comme l'une des très grandes maisons de la prestigieuse tradition verrière de Lorraine.
Bruxelles
Val Saint Lambert : 180 ans de Savoir-faire et de création
Dates:01.09.2050-01.01.2999
Du sable au cristal: 1500°c. Et quand, du bout de sa canne, le souffleur donne vie à la matière en fusion, le moment est un instant de grâce... Le Val Saint Lambert c'est cela: 180 ans d'un savoir-faire maîtrisé avec audace et un cristal parmi les plus purs de toute la planète. Le génie technique des cristalleries mais aussi la créativité de ses artisans ont bâti la réputation internationale du Val Saint Lambert. Créée en 1826, la manufacture allait rapidement s'imposer sur toutes les routes vouées au commerce qui ont traversé le XIXe siècle: des palais des maharadjahs aux wagons de l'Orient-Express en passant par les tables d'apparat de la haute société belge et européenne, le cristal liégeois s'imposa comme une évidence. Aujourd'hui, riche de ses racines et de sa créativité, le Val Saint Lambert poursuit son essor et continue d'imposer sa signature. Ce sont les étapes majeures de son développement, les lignes de forces de son expression artistique (Art Nouveau et Art Déco)que ce livre, riche de pièces inédites, a pour objet de vous faire découvrir. La cristallerie, fournisseur breveté de la Cour de Belgique, est l'une des étapes prestigieuses du circuit de tourisme "La route du feu".
Helsinki
Une expérience Art nouveau, le Style sapin a La Chaux-de-Fonds
Dates:01.12.2050-29.12.2099
Publié aux éditions d'art Somogy (Paris. 2006 (env. 208p, 220 illustrations). Prix de vente : Fr 48.- Parution en avril 2006.
 
Una Stagione del Liberty a Riccione
Dates:01.01.2050-01.01.2999
Since the late nineteenth century the villas vintage characterize the urban fabric of Riccione, tracing reflection of its history. The old fishing village, which has its hub in that stretch of the Via Flaminia Course renamed Fratelli Cervi, expands quickly up the dunes, lapped by the sea. So much so that in 1905 two hundred villas are surveyed. A heritage building that is the driving force in the wealthiest families in the Centre-North, attracted by the pleasantness of the pleasant seaside resort, its salubrious climate and the atmosphere lively, cheerful and hospitable. A process that, excluding the brackets of the sad events of the war continues for decades, recording a further development in the twenties and thirties. Period in which the Duce and his family spend their holidays in Riccione. "Ogni architettura è grande dopo il tramonto: forse l’architettura è veramente un’arte notturna, come quella dei fuochi artificiali." Gilbert Keith Chesterton Sin dalla fine dell’Ottocento i villini d’epoca caratterizzano il tessuto urbano di Riccione, tracciandone di riflesso la sua storia. Il vecchio borgo marinaro, che ha il suo fulcro in quel tratto della Flaminia rinominato Corso Fratelli Cervi, si espande in fretta sino alle dune, lambite dal mare. Tant’è che nel 1905 vengono censite duecento ville. Un patrimonio edilizio che trova la forza di propulsione nelle facoltose famiglie del Centro-Nord, attratte dalla gradevolezza della ridente località balneare, dal suo clima salubre e dalla sua atmosfera vivace, allegra e ospitale. Un processo che, escluse le parentesi dei tristi eventi bellici, prosegue nei decenni, registrando un ulteriore sviluppo negli anni Venti e Trenta. Periodo in cui il Duce con la sua famiglia trascorre le vacanze a Riccione. Avere una residenza estiva a pochi passi da quella di Donna Rachele Guidi e di Benito Mussolini, diventa appannaggio di gerarchi, imprenditori e professionisti. Riccione si arricchisce così di un considerevole patrimonio urbanistico, in buona parte cancellato nel tempo da quel processo d’innovazione che tuttora lo mette a repentaglio. Sono centinaia i villini demoliti nel dopoguerra per lasciare spazio a pensioni e alberghi che hanno segnato il boom del turismo popolare. In questo contesto s’inserisce la storia di Villa Antolini sulla quale il giovane autore Andrea Speziali ha svolto una certosina e meticolosa ricerca, che guida il lettore negli ambienti di quel "monumento" in stile Liberty, a Riccione davvero raro. Tra dettagli architettonici, interni ed esterni, attraverso una serie di rare immagini e una puntuale descrizione, turisti e residenti potranno così visitare idealmente le stanze di quel simbolo della Bella époque riccionese che resiste all’evoluzione urbanistica della città. Al nostro autore va dato merito di questo studio e soprattutto di aver scoperto che a firmare il progetto del fabbricato, autentico "gioiellino" incastonato tra il boulevard del Lungomare della Repubblica e Viale Milano, è stato Mario Mirko Vucetich, illustre architetto, nonché scrittore, scenografo e scultore di origine dalmata che operò soprattutto tra Friuli, Veneto, Emilia - Romagna e Lazio. Una scoperta di notevole rilevanza, destinata a traghettare il nome di Riccione oltre i confini nazionali. Questa pubblicazione, attraverso la parte monografica, dedicata al futurista che ebbe contatti con Carlo Emilio Gadda, diventa così occasione anche per conoscere e rivalutare il poliedrico artista, nel tempo abbandonato. (Tratto dalla Presentazione del libro di Nives Concolino) Andrea Speziali, nato il 28/09/1988 a Rimini e residente a Riccione, nella zona denominata Abissinia, a pochi passi da villa Antolini. Diplomato presso l’Istituto Statale d’Arte Federico Fellini, attualmente frequenta l’Accademia di Belle Arti a Rimini. Coltiva con passione l’interesse per l’arte e si dedica alla pittura, scultura e alla grafica, traendo spesso ispirazione dalla produzione di Mirko Vucetich, l’ecclettico architetto di Villa Antolini e dall’Art Nouveau, offrendone originali interpretazioni. Collana: I fuori collana Edizione: 1 Copyright: Maggio 2010 Tipo Prodotto: Volume Pagine: 166 Formato: 17x24
 
Trieste liberty. Costruire e abitare l’alba del novecento
Dates:01.01.2050-01.01.2999
Meeting in Trieste for a great show on Liberty, just opened a location in strict style: the Hall of Enchantment of the former Fish Market, delicious sea palace dated 1911, which housed the fish market today and is a venue for exhibitions and events. Here were collected over 500 drawings, photographs, documents, publications, tables, furnishings, three rooms have been recreated liberty, with the historic stained glass windows at the Excelsior Palace Hotel, and have been counted more than 150 historic houses . All to tell "how you built and how you lived in Trieste in the early '900 ', when the city was the port (ex) of the Austro-Hungarian Empire, Vienna almost a small sea. And just arrived from Vienna more suggestions for what might be termed the "liberty of Trieste": the proto-rationalism of Otto Wagner and the Secession Olbrich Hoffman, the Jugendstil, which are mixed with the taste of floral Italian. Result, elegant buildings from the doorways decorated and balconies of wrought iron, that can be seen not only in the historical center, but also in residential neighborhoods where the rich merchant class chooses to settle down, to create a fascinating and eclectic mix that is a bit 'the figure of the city, from all points of view.
Brussels
Trésors d’architecture - de l'Art nouveau à l'Expo 58
Dates:28.01.2015-19.04.2015

L’exposition Trésors d’architecture, la première du genre à être présentée au CIVA et organisée par les Archives d'Architecture Moderne (AAM), propose un parcours initiatique et didactique de l’Art Nouveau à l’Expo 58.

Parmi les « trésors » de cette installation, le grand public ira à la découverte de pièces rares de même que de nombreuses pièces inédites (des plans que l’on croyait disparus de Horta, des projets inconnus de van de Velde, une impressionnante série de châteaux d’eau, …).

Nancy
Trésors artistiques de Nancy de l'époque médiévale à l'art nouveau.
Dates:01.01.2050-01.01.2999
Nancy, ville d'art et d'histoire, rassemble d'exceptionnelles richesses. Du duché de Lorraine au règne du duc-roi Stanislas Leszczynski, puis au temps de l'art nouveau, cet ouvrage vous en propose un florilège. Livre d'art à offrir, livre souvenir pour les touristes, il est pour tous une invitation à la visite des riches musées de la cité ducale, mais aussi à une promenade à travers rues et musées. Prix : 12 euros Partenaires : Musée Lorrain, Galerie Lillebonne, BNP- Paribas
Bruxelles
Top 100 Art nouveau / Bruxelles
Dates:01.01.2050-01.01.2999
Marie Resseler propose une découverte de l'Art nouveau à travers une approche thématique originale : métamorphose de la maison bourgeoise, quant l'architecte construit sa maison, maisons et ateliers d'artistes, au coin de la rue, l'Art nouveau pour les petits... Cet ouvrage très documenté est agrémenté de nombreuses archives photographiques.
 
The Women and Cats of Art Nouveau Artists - ebook
Dates:01.01.2050-01.01.2999
A collection of prints from Art Nouveau artists with women and cats as the subjects of these prints. Artists include: Jules Chéret • 1836 to 1932 Henri de Toulouse-Lautrec • 1864 - 1901 Eugène Grasset • 1844 to 1917 Alfons Mucha • 1860 - 1939 Théophile Steinlen • 1859 – 1923 Louis Rhead • 1857 - 1926 M. P. Verneuil • 1869–1942 Paul Follot • 1875 – 1942 Paul Berthon • 1872 – 1909 Georges de Feure • 1868 – 1943 Edward Penfield • 1866 - 1925 Leonetto Cappiello • 1875 – 1942
London
The triumph of Art nouveau : Paris Exhibition 1900
Dates:01.01.2050-01.01.2050
Catalogue de l'Exposiiton 1900 (à Paris) Description matérielle : 216 p. : ill. en noir et en coul.
London
The Sources of Modern Architecture and Design
Dates:01.01.2050-01.01.2999
The turn of the nineteenth century saw an extraordinary flowering of invention in architecture and design, with two contrasting styles emerging - Art Nouveau and the International Style. Professor Pevsner brings a new clarity to an often confusing period, tracing - with the aid of nearly two hundred carefully chosen illustrations - the origins of twentieth-century ideas in architecture and the applied arts.
 
The Paris of Toulouse-Lautrec: Prints and Posters from The Museum of Modern Art
Dates:01.01.2050-01.01.2999
Henri de Toulouse-Lautrec is widely regarded as the most talented and innovative printmaker of the late nineteenth century. Trained as a painter, Lautrec adopted color lithography in 1891, and it immediately became an obsession: in the decade before his early death, in 1901, he created more than 350 lithographs, from posters pasted up in the streets of Paris to livres d’artistes, fine art editions, and illustrations for magazines, journals, theater programs, books, and song sheets. Accompanying an exhibition at The Museum of Modern Art, this volume presents more than one hundred prints and posters by Lautrec from MoMA’s outstanding collection of his work. Spanning the artist’s mature career, they exemplify Lautrec’s extraordinary range and ability as a printmaker and brilliantly evoke his milieu and central preoccupation: fin-de-siècle Paris, particularly the bohemian life he shared with the dancers, artists, prostitutes, and impresarios of the city’s burgeoning demimonde. Includes a color poster of Toulouse-Lautrec’s lithograph La Troupe de Mademoiselle Églantine. SIZE 9h x 10.5w x .25"d PAGES 160
Ithaca, NY
The Origins of L'art Nouveau: The Bing Empire
Dates:01.01.2050-01.01.2999
Alesund
The Norwegian Japonism
Dates:26.09.2014-07.04.2015

“The movement that is now spreading from Japan across Europe”

This quote from the Norwegian artist Gerhard Munthe (1849–1929) refers to one of the main trends in European art from the mid-19th century through the early decades of the 20th century.

In 1853, Japan opened its borders to the outside world after 200 years of isolation. This lead to a cult of all things Japanese among European artists – a movement labelled as Japonism from the 1860s–70s onward. This Japanese-inspired art did not constitute a style as such, but greatly influenced a number of styles in European art. In the 1880s and 1890s, Japonism became a major ingredient of the Art Nouveau style. In Norway, Art Nouveau peaked in popularity in the years between 1890 and 1910.

This exhibition looks at the connections between the Art Nouveau style, the nation-building project in Norway, and the Japonism movement as expressed in Norwegian Art Nouveau. Starting with Gerhard Munthe, considered the leading proponent of Japonism in Norway, the exhibition highlights connections between Japonism and the distinct national character of Norwegian Art Nouveau in terms of technique, range of motifs, format, and choice of materials.

Ljubljana
The Nature of Art Nouveau - Nova Umetnost in narava
Dates:20.01.2015-19.04.2015

Organised by the Réseau Art Nouveau Network in the framework of the European project "Art Nouveau & Ecology" (2010-2015) supported by the Culture 2007-2013 programme of the European Commission, the exhibition comprises two identical concurrent exhibitions and has begun its journey to all partner cities in October 2013.

After Barcelona, the exhibition The Nature of Art Nouveau 1 will be presented in Ljubljana at the Narodni Muzej Slovenije, fifth step of its European journey, from 20 January until 19 April 2015.

This exhibition is free and bilingual Slovene-English.