Agenda

Exposicions, visites i altres esdeveniments en curs o pròxims

FilterType of Event by
Filter by Select date
   
Find it!
Records 16-30 of 49  
page 2   
City
Image
Name
Doesburg
Jan Toorop & Het Animisme
Dates:09/07/2017-03/06/2018

The exhibition has an innovative point of departure because the focus is entirely on Toorop’s origins; influenced by the jungle, Toorop remained ‘Eastern’. The exhibition shows that Toorop had great faith in the mystical world around us. During the exhibition, an extensive correspondence between Toorop and some of his female worshipers will be shown. In addition, work from Annie Hall, Toorops’ wife and work by students such as Mies Elout-Drabbe and Riet van Houten will be on show. Around this exhibition, lectures take place regularly, focusing on the influences of life in the former Dutch-Indies on Toorop, animism, his style of work and color use.

Milano
Klimt experience
Dates:26/07/2017-07/01/2018

Une présentation multimédia totalement immersive dédiée au père fondateur de la Sécession viennoise. La vie, des figures et des paysages de Gustav Klimt, mais aussi la peinture et l'architecture, les arts appliqués, le design et la mode de la fin de la Secession viennoise : seront présentées des images, des sons, de la musique, des évocations de l'univers pictural, l'environnement culturel et social dans lequel il a vécu et travaillé. L'objectif de cette exposition multimédia est d'offrir aux visiteurs un nouveau modèle de maturité de l'art à travers le potentiel des nouvelles technologies. Le visiteur peut vivre à 360 ° une expérience immersive qui impliquera tout l'espace disponible sans interruption; des murs au plafond des images de plancher des œuvres deviendront un seul flux de rêves, de fluide et dématérialisées. L'exposition regroupe des œuvres du dix-huitième siècle, pour une vision complète de l'œuvre du peintre par ailleurs impossible de voir en une seule exposition. Un monde symbolique, énigmatique et sensuel reproduit avec grâce exceptionnelle d'appel visuel du système Matrix X-Dimension, conçu exclusivement pour cette installation vidéo, qui utilise 30 projecteurs laser, capable de passer sur des écrans géants installés plus de 40 millions pixels, assurant une plus grande définition Full HD. Strauss, Mozart, Wagner, Lehar, Beethoven, Bach, Orff et Webern, accompagnent les visiteurs avec une bande son immersive permettant de voir comment la musique a influencé le travail de ce grand artiste. Enfin, l'expérience culturelle sera complétée par l'appareil d'information et d'éducation de la zone d'introduction à l'exposition.

Cumbria
Women of the Arts & Crafts Movement
Dates:15/09/2017-01/01/2018

In anticipation of Lakeland Arts’ 2018 programme celebrating the 1918 Representation of People’s Act in which women first received the right to vote in the UK, this exhibition highlights the diverse skills of the women artists and designers associated with the Arts & Crafts Movement. The show recognises works by women artists whose contributions have often been overlooked, or wrongly attributed in favour of a more prominent male family member. Textiles, jewellery, bookbinding, enamels and illustrations by May Morris, Margaret Macdonald, Ann Macbeth and Phoebe Anna Traquair will be displayed, with loans from the Victoria & Albert Museum and National Museum of Scotland.

Dayton
Alphonse Mucha: Master of Art Nouveau
Dates:16/09/2017-31/12/2017

Our 2017 special exhibition season concludes with the Art Nouveau designs of Alphonse Mucha (1860-1939), in the eagerly anticipated exhibition Alphonse Mucha: Master of Art Nouveau. Drawn from one of the finest private collections of Mucha’s work in the United States, this exhibition features 75 works by the celebrated Czech master, whose varied, expressive, and seductive imagery helped form and later shape the aesthetics of French Art Nouveau at the turn of the 20th century. Taking inspiration from the unruly aspects of the natural world, Art Nouveau influenced art and architecture, especially in graphic work and illustration, with its sinuous lines and whiplash curves. Through rare, original lithographs and proofs, paintings, drawings, and ephemera, this exhibition examines the broad range of Mucha’s work, largely created during the 1890s, at a time when the emphasis was on creating a new art fit for the new century. The exhibition and tour are organized by Landau Traveling Exhibitions. The exhibition is accompanied by an illustrated catalogue with essays from the Mucha Foundation and art historian Gabriel Weisberg. The catalogue, as well as a variety of other Mucha-related merchandise, will be available for purchase in The Museum Store.

Rovigo
European Secessions: Munich, Vienna, Prague, Rome - The wave of modernity
Dates:23/09/2017-21/10/2018

The Secession brought modern art to a new, more dynamic, debate that widened early in other cities such as Prague (Secession), Budapest (Magyar Szecesszió), Sofia, Warsaw (Secesja), Belgrade and Zagreb (Secesija), propagating a stiffened taste of the fluxes of French Art Nouveau and Anglo-Saxon Liberty, but which included styles of various national traditions.

Glasgow
Illuminating Letters
Dates:01/10/2017-27/01/2018

This exhibition takes its starting point from the relationship between Charles Rennie Mackintosh and Margaret MacDonald; particularly his view that she was the creative force within their relationship, a revelation found documented in a private letter written by Mackintosh.

Using this letter and other letters researched at the Hunterian’s Mackintosh archive collection, the exhibition builds on this sense of revealed, discovered things. The artworks will be expressed as imagery of rare flora & fauna in the mediums of screenprint; diamond dust and also precious metals with excerpts of correspondence between Siobhan Healy and Sir David Attenborough. This will give a sense of these personal stories being transient, precious and ethereal.

Glasgow
Illuminating Letters
Dates:01/10/2017-27/01/2018

This exhibition takes its starting point from the relationship between Charles Rennie Mackintosh and Margaret MacDonald; particularly his view that she was the creative force within their relationship, a revelation found documented in a private letter written by Mackintosh. Using this letter and other letters researched at the Hunterian’s Mackintosh archive collection, the exhibition builds on this sense of revealed, discovered things. The artworks will be expressed as imagery of rare flora & fauna in the mediums of screenprint; diamond dust and also precious metals with excerpts of correspondence between Siobhan Healy and Sir David Attenborough. This will give a sense of these personal stories being transient, precious and ethereal.

Walthamstow, London
May Morris : Art & Life
Dates:07/10/2017-28/01/2018

May Morris: Art & Life is the most comprehensive survey of May Morris’s work to date, bringing together over 80 works from collections around the UK, many of which have never been on public display. The exhibition reveals the breadth of May's creative pursuits, featuring wallpaper and embroidery alongside jewellery, dresses and book designs, as well as sketches and watercolours. It focuses on May’s development of art embroidery – elevating needlework from a domestic craft to a serious art form – and highlights the extent of her influence in the UK and abroad, particularly the US. A number of rarely seen works from public and private collections are featured in the exhibition, including a pair of expansive silk hangings, which May designed and embroidered in 1895 under the auspices of Morris & Co. The Spring and Summer, and Autumn and Winter panels are thought to have been commissioned for £150 making them most expensive entry in the Morris & Co. order book for that period, and a highlight of the exhibition. Also on display for the first time is a hand painted Valentine card made by May for George Bernard Shaw in 1886, which was recently discovered among an uncatalogued album of cards sent to Shaw in the British Library's collection. May and Shaw were in love though he maintained he was too poor to marry her. He would later insist that a "Mystic Betrothal" had existed between them, yet this did not prevent him from establishing close relationships with other women at the same time. Despite being emotionally rebuffed, May recovered and the pair remained good friends.

Walthamstow, London

Dates:07/10/2017-28/01/2018

May Morris: Art & Life is the most comprehensive survey of May Morris’s work to date, bringing together over 80 works from collections around the UK, many of which have never been on public display.

The exhibition reveals the breadth of May's creative pursuits, featuring wallpaper and embroidery alongside jewellery, dresses and book designs, as well as sketches and watercolours. It focuses on May’s development of art embroidery – elevating needlework from a domestic craft to a serious art form – and highlights the extent of her influence in the UK and abroad, particularly the US.

A number of rarely seen works from public and private collections are featured in the exhibition, including a pair of expansive silk hangings, which May designed and embroidered in 1895 under the auspices of Morris & Co. The Spring and Summer, and Autumn and Winter panels are thought to have been commissioned for £150 making them most expensive entry in the Morris & Co. order book for that period, and a highlight of the exhibition.

Also on display for the first time is a hand painted Valentine card made by May for George Bernard Shaw in 1886, which was recently discovered among an uncatalogued album of cards sent to Shaw in the British Library's collection. May and Shaw were in love though he maintained he was too poor to marry her. He would later insist that a "Mystic Betrothal" had existed between them, yet this did not prevent him from establishing close relationships with other women at the same time. Despite being emotionally rebuffed, May recovered and the pair remained good friends.

Moscow
Drawings by Klimt and Schiele from the Collection of the Albertina Museum (Vienna)
Dates:10/10/2017-14/01/2018

Gustav Klimt (1862–1918) and Egon Schiele (1890–1918) are the most prominent artists of the European avant-garde of the early 20th century. Drawings and graphics are the core of their legacy. Albertina Museum (Vienna) holds a great variety of the artists’ works of notably high quality and diversity. Thanks to the joint efforts of Albertina Museum and the Pushkin State Museum of Fine Arts an unprecedentedly large collection of Gustav Klimt and Egon Schiele’s drawings and graphics will come to Russia making over 120 drawings and graphic works available for the Russian lovers of art.

Saint-Gilles - Bruxelles
Henry van de Velde, dessins et pastels (1884 – 1904)
Dates:12/10/2017-07/01/2018

Henry van de Velde (1863 – 1957) est considéré à juste titre comme un des créateurs les plus talentueux et protéiforme. Mais son style si personnel ne se limite pas pour autant à l’art fin-de-siècle. Durant l’entre-deux-guerres, de retour en Belgique, il prend conscience de son rôle dans le mouvement moderne dont il fut le juste propagateur au sein de l’Institut Supérieur des Arts Décoratifs de La Cambre et par de nombreuses réalisations architecturales.

Cette exposition permet non seulement de plonger dans une œuvre encore très inspirante en ce début du XXIème siècle : la délicatesse de ses compositions mariée à la puissance de sa ligne conserve toute sa force. De plus, son œuvre témoigne, par elle-même, de la modernité la plus téméraire de cette fin-de-siècle. Enfin, indépendamment de la qualité des œuvres exposées, cette exposition offre l’occasion de comprendre le parcours et l’évolution artistique d’un tel artiste.

Cette exposition est une invitation à (re)découvrir l’œuvre de van de Velde sous un angle tout à fait inédit et à plonger dans un des pans les plus audacieux de la peinture fin-de siècle.

Madrid
Alphonse Mucha Retrospective
Dates:12/10/2017-25/02/2018

The show is conceived as a comprehensive survey consisting of over 200 pieces, organised and produced by Arthemisia in collaboration with the Mucha Foundation, and conceived by Tomoko Sato, curator of the foundation since 2007. The exhibition highlights six facets of Mucha’s personality: Bohemian; picture maker for people; cosmopolitan; mystic; patriot and philosopher. Through these aspects, the exhibition looks at the development of his artistic career and how he grew as a man, living through one of the most turbulent times in European history. The large number of works on show includes paintings like Self-portrait (1899,) posters like the one created for Gismonda (1894) and another featuring Sarah Bernhardt as La Princesse Lointaine (1896), as well as “France Embracing Bohemia“, in 2018, when this exhibition ends, is the 100th Anniversary of the founding of Czechoslovakia and the painting of this work. The painting shows the spirit of freedom embodied in the figure of France giving the kiss of Freedom to the figure of Bohemia, which has been suffering under the oppression of the Austro-Hungarian empire. The wide-ranging selection was enabled by the Mucha Foundation, an institution that has been working for years to advance a better understanding of the artist worldwide. This one-artist show in Madrid is able to reconstruct the full breadth and depth of Mucha’s artistic practice thanks to loans from the foundation. The show features key elements from the artist’s life and work—his Czech and Slavic cultural identity and the love he felt for his family and his land of birth. Images of beguiling women immortalised by his effortless brushwork are combined with innovative maquettes and typographic designs to showcase the extreme originality of Alphonse Mucha’s oeuvre. Overall, the exhibition affords an extraordinary portrait of this great Czech creator, celebrated in Art History as the originator of a style that would later spread throughout the world under the name of Art Nouveau, Stile Liberty, Secessionsstil, Modernisme or Jugendstil.

Wien
Ferdinand Hodler : Elective Affinities from Klimt to Schiele
Dates:13/10/2017-22/01/2018

This presentation at the Leopold Museum will be the most comprehensive retrospective exhibition of works by Ferdinand Hodler (1853–1918) in Austria since the artist’s resounding success at the 1904 Secession exhibition. An exponent of Symbolism and Jugendstil, a pioneer of Expressionism, and not least an innovator of monumental painting, Hodler was an important inspiration to numerous artists of Viennese Modernism, such as Gustav Klimt and Koloman Moser, as well as Oskar Kokoschka and Egon Schiele. The presentation focuses on the three main themes of Hodler’s art: landscapes from plein air painting to abstraction, portraits with an emphasis on female depictions, self-portraits, the haunting series of works accompanying the death of his lover Valentine Godé-Darel, as well as his eminent Symbolist figural compositions.

Szeged
A Bird's Eye View of Art Nouveau
Dates:19/10/2017-20/12/2017

A photo exhibition set up in front of the Reök Palace shows Szeged's most beautiful art nouveau buildings from an unusual perspective. The emphasis is on details that are often hidden from view. An exhibition of recent drone photos taken of 14 lovely Szeged buildings are now on display for passers-by on Ede Magyar Square. The exhibition's title also refers to an anecdote told about Ödön Lechner, one of the greatest geniuses of Hungarian art nouveau architecture. The story goes that one of Lechner's students had lodged the criticism that it was a shame to design such a splendid roof for one of the master's palaces, because nothing could be seen of it from street level. To this, Lechner replied, “The birds will see them!” The collection being displayed in front of the Reök Palace uses this thinking as its starting point. The novelty of the images is the fact that they show these stunning buildings from an angle that we only rarely see them, if ever. These thrilling photos reveal hidden details. The Reök Palace, built in 1907, is the most beautiful art nouveau building in Szeged, and perhaps all of Hungary. Often compared to Gaudí's structures in Barcelona, it was designed by the brilliant architect Ede Magyar as a residence for the hydraulic engineer Iván Reök. Even by European standards, the palace is one of the finest examples of art nouveau architecture. It serves as the point of origin for the A Bird's Eye View of Art Nouveau exhibition. Also included in the overview along with from the palace are the Ungár-Mayer House, also designed by Magyar, and the Raichle Palace. The latter was built based on the plans of architect J. Ferenc Raichle, a leading light of the art nouveau style in the Vojvodina region, in the same year that the Reök Palace was completed. Raichle was also responsible for the Gróf Palace, a beautiful and iconic Szeged building that also appears among the photos. Other images include the Deutsch Palace, the New Synagogue and the Tömörkény High School building. The exhibition will remain open in front of the REÖK Regional Art Center until 20 December. Compiled from footage from EURO-TV, it was organised by students working on a curatorial specialisation in the University of Szeged's philosophy master's degree programme under the direction of art historian Dr Róbert Nátyi.

Wien
The Challenge of Modernism - Vienna and Zagreb around 1900
Dates:20/10/2017-17/02/2018

In the years around 1900, the multi-ethnic realm of the Habsburg Monarchy experienced a lively exchange of art and culture between Vienna, its center, and the main cities of the Crown lands such as Zagreb. For the development of Croatian art around the turn of the century, this exchange was very significant.

In the exhibition, the connections and points of reference at the start of the twentieth century are presented by key works of Austrian and Croatian artists of that period. Artists and architects who were trained in Vienna brought the new trends in art to Zagreb and, within 20 years, the overall character of cultural life at the time was fundamentally changed.

On show are works by Gustav Klimt, Koloman Moser, Carl Moll, Vlaho Bukovac, Ivan Meštrović, Robert Auer, Tomislav Krizman as well as other protagonists of the Viennese and Modernism.

The exhibition is a cooperation with the Klovićevi dvori Gallery, Zagreb, Croatia.

With the support of the Culture Programme of the European Union

Responsible publisher: Arlette Verkruyssen, General Director,
Brussels Regional Public Service - Bruxelles Développement urbain (Brussels Urban Development),
CCN - Rue du Progrès 80, B. 1, 1035 Brussels - Belgium