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Glasgow
The work of Philip Webb
Dates:07/05/2015-07/05/2015

This lecture is being offered as a contribution to the centenary of the death of Philip Webb (1831-1915), architect of William Morris’s Red House, the National Trust’s Standen, and a whole group of quietly influential houses. He had one important Scottish client, the owners of the Arisaig Estate, and in the North of England he was responsible for major works for the family of the industrialist, Sir Isaac Lowthian Bell, around Northallerton, and for George Howard, 9th Earl of Carlisle, painter and collector as well as landowner, for whom he did work on the Naworth Castle and Castle Howard estates. Above all, however, he partnered William Morris in the founding of the Society for the Protection of Ancient Buildings and, while Morris acted as the spokesman, Webb worked out how to repair old buildings reliably and with as little damage to their authenticity as possible.

Dr. Peter Burman is an architectural historian who has been studying Webb for many years, organised the only conference ever held on Webb and his work, and has produced two major articles on him with more in preparation. He sees Webb as a understated but nevertheless major figure both in the early development of the British Arts & Crafts Movement and in the early history of a responsible British ‘heritage movement’. He is a Guardian of the SPAB and in Scotland he is currently chairman of the Falkland Stewardship Trust, whose responsibilities include a major 19th century country house, and a trustee and Archivist of Hopetoun House. He acts as an arts and heritage consultant across a spectrum of special places.

This is part of the Gilded Glasgow Project.

Glasgow
Glasgow's Gilded Age 1864-1914: Glamour & Grit Conference
Dates:08/05/2015-08/05/2015

The conference will highlight those Glasgow designers who originally established the city's reputation at the time of the Aesthetic Movement and Mark Twain’s so called Gilded Age. Glasgow’s international reputation for design and manufacture sprang forth from the city's industries, as well as its educational institutions, and its influence spread across the globe through trade. This laid the foundation for Glasgow’s inimitable ‘style’.

We want to invite our guests on a unique sensory experience, considering both the glamour and the grit of industrial Glasgow. Our speakers will be discussing a wide range of topics, including; the interiors of Glasgow’s finest buildings, architectural ornament and stained glass within the city, and the movers and shakers of both the artistic and industrial spheres.

Prof. John Hume OBE, BSc ARCST, Hon FRIAS, FSA Scot; Chairman of the Royal Commission of Ancient and Historic Monuments, Patron of GCHT, and life-long supporter of Glasgow’s industrial and artistic heritage, will be speaking about the industries and the individuals who produced or commissioned art in Glasgow throughout the period.

Other speakers include Dr. David Mitchell MSC IHBC ProfICME FSA Scot, Director of Conservation and Trustee of the Scottish Ironwork Foundation, Dr. Robyne Erica Calvert, Mackintosh Research Fellow for the Glasgow School of Art and Max Donnelly, Curator of 19th-Century Furniture at the V&A Museum.

We believe that it is crucial to the promotion of Glasgow as a world city, and that through it we will be celebrating its vibrant artistic and industrial history, encouraging academic study of the period of this ‘gilded age’, and promoting Glasgow as a place for cultural and historic tourism.

Glasgow
Glasgow’s Gilded Age
Dates:08/05/2015-08/05/2015

The conference will highlight those Glasgow designers who originally established the city's reputation at the time of the Aesthetic Movement and Mark Twain’s so called Gilded Age. Glasgow’s international reputation for design and manufacture sprang forth from the city's industries, as well as its educational institutions, and its influence spread across the globe through trade. This laid the foundation for Glasgow’s inimitable ‘style’.

We want to invite our guests on a unique sensory experience, considering both the glamour and the grit of industrial Glasgow. Our speakers will be discussing a wide range of topics, including; the interiors of Glasgow’s finest buildings, architectural ornament and stained glass within the city, and the movers and shakers of both the artistic and industrial spheres.

Other speakers include:

Prof. John Hume OBE, BSc ARCST, Hon FRIAS, FSA Scot; Chairman of the Royal Commission of Ancient and Historic Monuments, Patron of GCHT, and life-long supporter of Glasgow’s industrial and artistic heritage, will be speaking about the industries and the individuals who produced or commissioned art in Glasgow throughout the period.

Dr. David Mitchell: Dr. David Mitchell MSC IHBC ProfICME FSA Scot by day is Director of Conservation for Historic Scotland. Member of the Institute for Historic Building Conservation and the Institute of Cast Metal Engineers. Member of the English Heritage Advisory Board and CyArk, a US Non Profit to digitally document and share world heritage. Alumni of the US State Department Fellowship programme. Interested in ironwork conservation and the history of the industry in Scotland, particularly Walter Macfarlane and Co.

Dr. Robyne Erica Calvert: Robyne is a researcher in the visual culture of the 19th-21st centuries, with a particular focus on Charles Rennie and Margaret Macdonald Mackintosh. She holds a PhD in Art History and an MLitt in Decorative Arts & Design History from the University of Glasgow; and an MA in Art History from the University of Oregon.

Max Donnelly: Max Donnelly FSA is Curator of Nineteenth-Century Furniture at the Victoria and Albert Museum, London. He has lectured and broadcast on aspects of nineteenth-century design, including for the BBC2 series The Genius of Design (2010). A contributor to several scholarly journals, his article on Vincent van Gogh and Daniel Cottier was published in The Burlington Magazine (September 2011).

Ian Gow: Ian Gow was appointed Curator of the National Trust for Scotland in 1998. He had previously been Curator of Architectural Collections at the Royal Commission on the Ancient and Historical Monuments of Scotland. He is the author of several books and many articles on the decorative arts and architecture of Scotland.

Dr. Peter Burman: Dr. Peter Burman is an architectural historian who has been studying Webb for many years, organised the only conference ever held on Webb and his work, and has produced two major articles on him with more in preparation. He sees Webb as a understated but nevertheless major figure both in the early development of the British Arts & Crafts Movement and in the early history of a responsible British ‘heritage movement’. He is a Guardian of the SPAB and in Scotland he is currently chairman of the Falkland Stewardship Trust, whose responsibilities include a major 19th century country house, and a trustee and Archivist of Hopetoun House. He acts as an arts and heritage consultant across a spectrum of special places. Peter Burman will Chair the afternoon session of the conference. We believe that it is crucial to the promotion of Glasgow as a world city, and that through it we will be celebrating its vibrant artistic and industrial history, encouraging academic study of the period of this ‘gilded age’, and promoting Glasgow as a place for cultural and historic tourism.

Genève
L'Art nouveau en Catalogne : 1888-1929
Dates:01/01/2050-01/01/2999
Les traits caractéristiques de l'Art Nouveau catalan à travers les oeuvres de ses représentants les plus illustres, de Martorell à Jujol. Description matérielle : 253 p. : photogr. ; 35 cm.
Forlì Forlì-Cesena
Liberty. Uno stile per l’Italia moderna
Dates:01/01/2050-01/01/2999
This volume is aimed at all those who wish to know and understand the Italian Liberty, which was not only an artistic style, but a multi-faceted cultural climate, addressed here for the first time in a unified manner. Through the works submitted and accepted papers, the book tells what Liberty has meaning in painting, sculpture and decorative arts - from the windows to wrought iron, from furniture to decorative objects, from textiles to jewelry - emphasizing relationships with literature, D'Annunzio, Pascoli and Gozzano, and with the music of Puccini, Mascagni and Ponchielli. Of that "magnificent floral revolution" that accompanied the entry of Italy into the modern age, are far retraced models - the Renaissance and Botticelli in the first place - the themes and formal solutions, showing in many cases the proximity Symbolism . But above all the Italian Liberty is inserted between the major European movements of the time, especially the Viennese Secession, through the comparison unavoidable with authors such as Klimt, Moser, Klinger, Bocklin, Morris, just to name a few. A volume of great rigor and completeness, which counts among the works presented, those of Previati Nomellini, Grubicy de Dragon, Segantini, Pellizza Volpedo, Longoni, De Carolis, Laurenti, Marussig, Chini, Casorati, Balla, Bucci, Boccioni, Dudreville, Viani, Bistolfi, Ximenes, Andreotti, Wildt, Martini, Dudovich, Hohenstein, Terzi, Mazzucotelli. Questo volume è rivolto a tutti coloro che desiderano conoscere e capire il Liberty italiano, che non fu solo uno stile artistico, ma una temperie culturale dalle molteplici sfaccettature, qui affrontate per la prima volta in modo unitario. Attraverso le opere presentate e i saggi accolti, il volume racconta ciò che il Liberty ha significato in pittura, in scultura e nelle arti decorative – dalle vetrate ai ferri battuti, dai mobili agli oggetti d’arredo, dai tessuti ai gioielli – sottolineandone i rapporti con la letteratura, di D’Annunzio, Pascoli e Gozzano, e con la musica di Puccini, Mascagni e Ponchielli. Di quella “magnifica rivoluzione floreale” che ha accompagnato l’ingresso dell’Italia nell’età moderna, vengono ripercorsi i modelli lontani – il Rinascimento e Botticelli in primis – i temi e le soluzioni formali, mostrando in molti casi la vicinanza con il Simbolismo. Ma soprattutto il Liberty italiano è inserito tra i grandi movimenti europei del momento, in particolare la Secessione viennese, attraverso il confronto imprescindibile con autori come Klimt, Moser, Klinger, Boecklin, Morris, solo per citarne alcuni. Un volume di grande rigore e completezza, che annovera fra le opere presentate, quelle di Previati, Nomellini, Grubicy de Dragon, Segantini, Pellizza da Volpedo, Longoni, De Carolis, Laurenti, Marussig, Chini, Casorati, Balla, Bucci, Boccioni, Dudreville, Viani, Bistolfi, Ximenes, Andreotti, Wildt, Martini, Dudovich, Hohenstein, Terzi, Mazzucotelli. LIBERTY Uno stile per l’Italia moderna Curatore: Fernando Mazzocca Formato: 23 x 28 Pagine: 408 N. illustrazioni: 200 a colori Rilegatura: Brossura con alette ISBN/EAN:9788836627851 Prezzo: 34,00 Euro
Flensburg
Hans Christiansen - The retrospective
Dates:11/10/2015-17/01/2016

Retrospective on the complete works of the artist colony member of the first hour: With Hans Christiansen (1866-1945) is an as versatile as exemplary Jugendstil artists to rediscover, who found his vocation in Mathildenhöhe Darmstadt.

Hans Christiansen is one of the most important representatives of Jugendstil, especially with his drafts in the field of arts and crafts. In Paris where matured into an artist, he was appointed in 1899 by Grand Duke Ernst Ludwig in Darmstadt, where he was among the first seven members of the artists' colony. On the Mathildenhöhe he blossomed and excelled as a genuine work of art enthusiasts in painting, architecture and applied art as well as a designer of lights festivals. For the first time the full range of this versatile artist is presented: The retrospective presents his house on the Mathildenhöhe, room facilities, glass pane, jewellery, posters, paintings, drawings, textile art and ceramics in different spatial ensembles - including previously unknown like his fashion and poster designs from the 1920s.

The major retrospective, the first ever to Hans Christiansen, will be seen in four German institutions. The kick-off will make Mathildenhöhe as the first step, and then will follow the Bröhan Museum in Berlin, the Villa Stuck Museum in Munich and the Museumsberg in Flensburg, where the exhibition tour will end just before the 150th anniversary of the artist in his hometown.

Curators: Dr. Philipp Gutbrod, curator and conservator of the collection, Mathildenhöhe Darmstadt Institute
Dr. Michael Fuhr, Director, Museumsberg in Flensburg
Dr. Dorothee Bieske, curator and conservator of the collection, Museumsberg in Flensburg

An exhibition of the Mathildenhöhe Darmstadt Institute and of the Museumsberg in Flensburg in collaboration with the Villa Stuck Museum in Munich and the Bröhan Museum in Berlin.

The exhibition will then travel to the Musée Bröhan, Berlin (19 Feburary– 24 May 2015), the Museum Villa Stuck in Munich (18 June – 20 September 2015) and to the Museumsberg Flensburg (11 October – 17 January 2016)

Fernelmont
La collection au temps du japonisme
Dates:01/01/2050-01/01/2999
Le japonisme, cet intérêt pour les arts du Japon, fait son apparition en Belgique à la fin des années 1880. Alors que les premières collections d’art japonais étaient nées à Paris, c’est un Liégeois, Hans de Winiwarter qui constitue l’une des plus importantes collections belges dédiées au japonisme. A mi-chemin entre l’amateurisme et l’érudition, la figure de Hans de Winiwarter a été l’objet des recherches de Julie Bawin. Qui, par le biais des œuvres rassemblées par ce mécène, livre dans son ouvrage, tiré de sa thèse de doctorat, un regard inédit et plus large sur l’art de la collection.
EH Amsterdam
Art nouveau textiles
Dates:01/01/2050-01/01/2999
Les livres de papiers cadeaux et créatifs de PEPIN contiennent chacun 4 pages d'introduction et 12 feuilles de papier cadeau d'excellente qualité. Une ligne perforée permet de détacher facilement ces feuilles. Les papiers cadeaux sont pliés pour s'adapter à la taille des livres. Une fois détachés et ouverts, ils mesurent 50x70 cm (dimensions standard pour les papiers cadeaux). Le type de papier sélectionné varie en fonction des différents thèmes. Par exemples, les papiers cadeaux ornés de motifs dorés, argentés ou bronzés sont imprimés sur des feuilles soyeuses mettant en valeur les encres utilisées, alors que ceux présentant des motifs anciens ou rappelant les décorations faites à main sont proposés sur des papiers crème de haute qualité. Les papiers PEPIN offrent une touche spéciale à vos cadeaux. Ils se prêtent aussi au scrapbooking et tous types de projets artistiques. PEPIN® gift and creative paper books all contain 4 pages of introduction and 12 large sheets of very high-quality wrapping paper. They can easily be removed from the books by tearing them along a perforated line. Dimensions 25 x 34.5 cm | 10 x 13.5 in. Description Book with introduction and 16 large sheets Language(s) German, Dutch, English, Italian, French, Spanish, Chinese, Japanese Price € 12.95 | £ 9.99 | $ 15.99
EH Amsterdam
Art Nouveau Tiles
Dates:01/01/2050-01/01/2999
ART NOUVEAU TILE DESIGNS is a striking collection of tile designs that exemplifies the bold use of colour and treatment of natural and floral themes typical of the Art Nouveau movement. More than 200 stunning tile designs have been meticulously recreated (digitised) and are included on the accompanying CD. Dimensions 15 x 15 cm | 6 x 6 in. Description 200 pages, Paper Back + CD Rom Language(s) English, Italian, French, Spanish, German, Russian, Portuguese, Japanese Price € 17.50 | £ 14.99 | $ 24.99
EH Amsterdam
Art Nouveau
Dates:01/01/2050-01/01/2999
Vol. 1 Gift & Creative Papers PEPIN® gift and creative paper books all contain 4 pages of introduction and 12 large sheets of very high-quality wrapping paper. They can easily be removed from the books by tearing them along a perforated line. The wrapping papers are folded to fit into the book; when removed and opened they measure 50 cm x 70 cm (19½ inch x 27½ inch; a standard size for gift wrapping papers). Depending on the theme, we have selected a suitable light-weight paper quality. For example, papers with designs in gold, silver or bronze are printed on silky art paper on which the inks show to their best advantage. Designs with an antique or hand-made feel are printed on high-quality creamy offset paper. PEPIN® papers make your gift package look very special. In addition, our papers are suitable for scrap booking and all sorts of craft projects. Each volume contains 12 different, exceptional designs. Dimensions 25 x 34.5 cm | 10 x 13.5 in. Description Book with introduction and 16 large sheets Language(s) German, Dutch, English, Italian, French, Spanish, Chinese, Japanese Price € 12.95 | £ 9.99 | $ 15.99
Edinburgh
Glasgow Interiors
Dates:01/01/2050-01/01/2999

Glasgow has a spectacular array of buildings and is internationally renowned for its history of architectural innovation and design excellence. This book, written by one of the Réseau Art Nouveau Network’s members, Helen Kendrick, offers a glimpse into a selection of Glasgow’s most impressive historic interiors. Featuring 33 of the city’s most alluring buildings – both public and private – Glasgow Interiors tells the story of the city’s built heritage over the past 150 years.

From a dramatic Victorian swimming bath and a glittering art deco restaurant to intricately detailed Art Nouveau warehouses and imposing Edwardian townhouses in the city’s West End, this book demonstrates the extraordinary wealth of interiors that lie behind the façades of Glasgow’s buildings.

Dijon CEDEX
Nancy - capitale de l'Art Nouveau: les expositions, les musées, l'architecture
Dates:01/01/2050-01/01/2999
Dans le concert européen des voix qui s'élèvent entre l'éclectisme dominant l'architecture et les arts décoratifs à la fin du XIXe siècle, Nancy occupe une place originale. Capitale internationale de l'horticulture et de la botanique, elle donne naissance à une école profondément marquée par le naturalisme, caractérisée par une exubérance et une vitalité sans pareille. Autour d'Emile Gallé, leur chef de file, les créateurs nancéens connaissent la consécration à l'Exposition Universelle de 1900, triomphant dans les divers domaines des arts décoratifs, tandis qu'à Nancy le renouveau architectural offre à la ville quelques-uns de ses plus beaux immeubles et villas. Réalisé en collaboration avec les commissaires des principales expositions prévues pour célébrer l'année de l'Ecole de Nancy et conservateurs des musées nancéens, ce Dossier de l'Art retrace l'histoire de l'Ecole de Nancy à travers ses chefs-d'œuvre les plus beaux et les plus variés et la présentation de son patrimoine architectural et muséal. Dossier de l'art n° 56, - Avril 1999 - 9,00 €
Dijon CEDEX
Le nouveau musée Lalique
Dates:01/01/2050-01/01/2999
Pour ce numéro de rentrée de L'Estampille l'Objet d'Art, partez à la découverte du nouveau musée Lalique en Alsace et suivez les traces de Louis II au cœur des châteaux de Bavière. André Sornay, le roi de l'Art déco, est également à l'honneur, tout comme Edvard Munch, à qui le Centre Pompidou consacré une rétrospective inédite. Enfin, un hommage est rendu à Madame Geoffrin, brillant esprit des Lumières, qui reçut de Catherine II un somptueux service à dessert. N° 471 - Septembre 2011 - 8,00 €
Dijon CEDEX
Objet d'Art: Tiffany
Dates:01/01/2050-01/01/2999
A l'occasion de la rétrospective consacrée par le musée du Luxembourg à Louis Comfort Tiffany, ce hors-série vous propose de redécouvrir la figure majeure de l'Art nouveau américain et tous les domaines qu'il a abordés en virtuose : l'art du verre, bien sûr, et celui du vitrail en particulier, la création de lampes, mais aussi son oeuvre d'architecte d'intérieur. En complément, un article passionnant sur la relation privilégiée de Tiffany et de son marchand, le célèbre Siegfried Bing. N° 45 - Septembre 2009 - 8,50 €
Dijon CEDEX
L'objet d'art: Majorelle
Dates:01/01/2050-01/01/2999
N° 446 - Mai 2009 - 8,00 €

With the support of the Culture Programme of the European Union

Responsible publisher: Arlette Verkruyssen, General Director,
Brussels Regional Public Service - Bruxelles Développement urbain (Brussels Urban Development),
CCN - Rue du Progrès 80, B. 1, 1035 Brussels - Belgium