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Exposicions, visites i altres esdeveniments en curs o pròxims

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Genève 4
Le tourisme à Genève et dans sa région aux XIX e et XX e siècles
Dates:30/05/2013-30/05/2013
Les jeudis midi de la Bibliothèque de Genève Cycle de conférences 2012-2013
Bruxelles
Paris, Genève et au-delà. Photographies et affiches de Fred Boissonnas
Dates:13/06/2013-13/06/2013
Les jeudis midi de la Bibliothèque de Genève Cycle de conférences 2012-2013
Genève 4
Steinlen affichiste
Dates:12/09/2013-12/09/2013
Les jeudis midi de la Bibliothèque de Genève Cycle de conférences 2012-2013
Genève 4
Emile Jaques-Dalcroze, la modernité par le rythme
Dates:19/09/2013-19/09/2013
Les jeudis midi de la Bibliothèque de Genève Cycle de conférences 2012-2013
Genève 4
Créer une affiche aujourd'hui
Dates:03/10/2013-03/10/2013
Les jeudis midi de la Bibliothèque de Genève Cycle de conférences 2012-2013
Barcelona
Barcelona to host the first Art Nouveau international congress
Dates:26/06/2013-29/06/2013
The first international congress fully devoted to the Art Nouveau style will be held in Barcelona from 26 to 29 June 2013. This congress, an activity of the Art Nouveau European Route association, is organised by the Barcelona City Council on the occasion of the tenth anniversary of the Art Nouveau magazine coupDefouet. This scientific encounter will draw together professionals in art history, architecture, the applied and decorative arts, and heritage management, as well as art lovers in general, to explore future trends and challenges in Art Nouveau heritage in a context of transnational exchange. The Scientific Committee is coordinated by the University of Barcelona Art department in the supervision of the content to be presented at the Congress within the established theme strands. During this congress will be tackled how the suburbs were also creation centres, images and ideas diffusers and concrete cases from the European continent will be presented, which will bring new experiences and resources for the researchers, organisations and the public in general. The sessions of the coupDefouet International Congress will take place at the University and also at Antoni Gaudí’s famous Casa Milà-La Pedrera building. Exclusive cultural activities and heritage visits will also be offered to attendees. Special discount on registration before 16 March 2013!
Boston
Art in the Street: European Posters
Dates:15/12/2012-21/07/2013
The international poster mania of the 1890s made fine art accessible to the masses, bringing it out of the salon into the streets and shop windows. Great posters proliferated, however, long after this “golden age,” as revealed by the standout images in “Art in the Street” from the 1920s, ’30s, and ’40s. With about 40 posters in all—highlights from the Museum’s collection of some 2,500—the show takes in virtually every major style in poster design of this era, from Art Nouveau to Russian photomontage. Also on view are major works by Jules Chéret, Henri de Toulouse-Lautrec, and Pierre Bonnard, as well as less familiar work from Northern Europe, including a Secession poster by Wassily Kandinsky and a selection of Dutch posters from around 1910. The show concludes with several Swiss “object posters,” bold illustrations of an isolated product that dispense with text.
Weimar
Passion, Function and Beauty. Henry van de Velde and his Contribution to European Modernism
Dates:24/03/2013-23/06/2013
This major exhibition of outstanding works from numerous private and public collections presents the broad range of Henry van de Velde’s artistic activity from 1890 to the end of the 1930s. In the exhibition, the agile Flemish artist is presented as an influential designer of the modern era who holds an eminent place in art history. In addition to highlighting important events in his life and the multifaceted phases of his artistic production, the main of focus of the exhibition is the Gesamtkunstwerk – a concept in which every artistic detail harmonises with its surroundings. In his constant struggle to surmount the epoch of historicism, which many associated with decay, Van de Velde adhered to what he called a »rationally-based« concept of design. Although originally trained as a painter and art theorist, he proceeded to propagate his progressive concept as a designer, architect, book artist and last but not least, a gifted public speaker and eloquent journalist. Outstanding works by fellow designers of his time, such as Peter Behrens, Victor Horta, Koloman Moser and Josef Hoffmann offer a comparative study of this »New Style« in Germany, which Henry van de Velde encouraged at a very early stage. An accompanying exhibition catalogue is planned. An exhibition by the Klassik Stiftung Weimar in cooperation with the Musées royaux d’art et d’Histoire.
Erfurt
Peter Behrens. From Jugendstil to Industrial Design
Dates:24/03/2013-16/06/2013
Peter Behrens’ (1868–1940) artistic work encompasses all areas of applied art: book design and typography, painting and graphic reproduction, ceramic works such as tiles, pitchers and vases, furniture of all kinds and for every purpose, porcelain services, jewellery, silver and pewter articles such as cutlery and sets, wallpaper, textiles such as clothing, fabrics, carpets, table cloths, napkins and wall hangings, drinking glasses, carafes and glass vases, advertising art, posters and much more. Although he was a self-educated industrial designer, Peter Behrens was first and foremost an architect. During the first three decades of the 20th century, numerous villas, residential buildings, industrial facilities and worker housing estates were built according to his designs. Peter Behrens has influenced or played a decisive role in designing practically every area of life, the working world, its products and amenities. Like Henry van de Velde, Peter Behrens was an »all-around« artist, too. After 1901, he established himself as one of the most important architects of modernism, leaving behind a rich legacy of industrial and administrative buildings, villas and entire housing estates. Behrens is also renowned for his role as mentor to Walter Gropius, Ludwig Mies van der Rohe, and even Le Corbusier for a time. From Jugendstil to Industrial Design Thanks to the fervent interest in Behrens’ works by a private collector from Hamburg over many decades, the Kunsthalle Erfurt can now exhibit a vast collection of furnishings and household articles designed by this exceptional artist. The collection contains nearly the entire oeuvre of Behrens’ handicraft, excellent furniture, books and other artworks associated with the artist. Concurrent with the major exhibition of Henry van de Velde’s complete works in Weimar, this exhibition focuses on Peter Behrens artistic works, supplemented with selected pieces by other renowned designers. The Hamburg collection offers a myriad of comparative examples, including rare works by Christopher Dresser who remains relatively unknown in Germany. Older than Behrens by a generation, this English designer was one of the pioneers of modernism around 1900. Precious handcrafted works produced in the Viennese workshops of Josef Hoffman and Kolo Moser, and works by Richard Riemerschmid and Henry van de Velde round off this extraordinary panorama. For the first time since 1980, visitors have the opportunity to rediscover the extensive range of works by Peter Behrens during the Van de Velde Year 2013. It offers a unique opportunity to experience simultaneous exhibitions, featuring two of Germany’s most important designers of modern times. An exhibition of the Van de Velde Year 2013 in Thuringia, organised by the Klassik Stiftung Weimar www.kunsthalle-erfurt.de
Barcelona
Considering and interpreting leisure. Pastimes, entertainments, hobbies and addictions in the Barcelona of 1900 (eBook)
Dates:01/01/2050-01/01/2999
In the throes of modernization, the Barcelona of 1900 was buzzing with energy and an unprecedented culture of leisure emerged. The city’s residents made full use of their free time, forging relationships with one another through a highly varied range of initiatives and activities, taking advantage of existing opportunities and creating new ones. In addition to the traditional celebration of civic festivals, popular meals and various types of processions, innovative new forms of cultural consumption sprang up to satisfy all tastes and budgets. Numerous cinemas opened, the first amusement parks threw open their gates and new theatres raised their curtains. Thanks to these developments, the vicinity around the avenue Paral·lel became the epicentre of Barcelona nightlife. This book offers a panoply of images of the diversions, entertainments and hobbies of that fascinating era of contrasts, the turn-of-the-century Barcelona of Modernisme.
Barcelona
Pensar i interpretar l'oci. Passatemps, entreteniments, aficions i addiccions a la Barcelona del 1900
Dates:01/01/2050-01/01/2999
L’efervescència de la Barcelona del 1900, en procés de modernització, va afavorir l’aparició d’una cultura de l’oci que va viure un moment sense precedents. Els barcelonins utilitzaven el seu temps lliure i es relacionaven entre ells amb iniciatives i activitats de caràcter molt divers, algunes de les quals ja existien i d’altres eren de nova creació. Més enllà de les celebracions tradicionals (festes majors, fontades, processons), es van emprendre innovadores formes de consum cultural, per a tots els gustos i per a totes les butxaques. Es van obrir nombroses sales de cinema, els primers parcs d’atraccions i nous teatres, gràcies als quals el Paral·lel va esdevenir l’epicentre de la nit barcelonina. Aquest llibre ofereix un repertori d’imatges de les diversions, dels entreteniments, de les aficions d’aquella fascinant època de contrastos, la del modernisme.
Wien
Clouds: Fleeting Worlds
Dates:22/03/2013-01/07/2013
From 1800 landscape painting experienced an impressive heyday. Within this genre, artists paid increasing attention to the motif of clouds. These strange, elusive formations consisting of water, air and light appear as conveyors of different emotions and messages. Bushy clouds in a sunny sky contribute significantly to the positive atmosphere of a landscape and seem to be an almost indispensible feature in idyllic depictions of nature. A sky traversed by dark rain and thunder clouds, on the other hand, is perceived as threatening, while a band of clouds bathed in the glow of the red evening light sets a melancholy mood. Bizarre cloud formations, in turn, can be interpreted as enigmatic signs, as mysterious messages and warnings of imminent danger. A sense of foreboding is also conveyed by masses of clouds that appear out of control, occasioned either by natural disasters or by man as a result of technical intervention, such as exhaust fumes and atomic explosions. The exhibition seeks to shed light on these different aspects of cloud depictions with a great variety of select examples of European and American painting and photography from 1800 to today. The presentation features works by Caspar David Friedrich, Carl Gustav Carus, William Turner, Claude Monet, Alfred Sisley, Paul Cézanne, Vincent van Gogh, John Constable, Ferdinand Hodler, Gustav Klimt, Egon Schiele, Edvard Munch, Emil Nolde, René Magritte, Ansel Adams, Alfred Stieglitz, Edward Steichen, Gerhard Richter, Anselm Kiefer, Paul Wolff, Olivier Masmonteil, Dietrich Wegner, Studio ++ to name but the most internationally famous representatives.
Wien
A Shot of Rhythm and Color
Dates:06/02/2013-13/10/2013
English Textile design of the late 19th century This exhibition presents a representative selection of English fabrics from the MAK Collection of Textiles and Carpets. These textiles were purchased in England for the museum and presented to the Viennese public while they were still new. Hence, Vienna’s artists and tradespeople got to know and took inspiration from these innovative, English-designed products even prior to 1900, as is shown prominently in the new Vienna 1900 exhibit of the MAK Permanent Collection. The best-known English designers of their era, figures including William Morris, Walter Crane and Charles F. A. Voysey, are represented in this showing by fabric and wallpaper designs characterized above all by generously dimensioned repeat patterns as well as patterns derived from plants and flowers.
Darmstadt
Die Plakatkunst der Künstlerkolonie Darmstadt
Dates:01/01/2050-01/01/2999
Die Ausstellung Bereits im frühen 20. Jahrhundert galten Plakate als „Kunst der Straße“, wurden von Museen und Privatpersonen gesammelt sowie in Ausstellungen und Publikationen gewürdigt. In ihrem Wunsch, alle Lebensbereiche künstlerisch zu gestalten, haben sich auch zahlreiche Mitglieder der Künstlerkolonie Darmstadt (1899-1914) der Vermittlung ihrer Ideen im öffentlichen Raum gewidmet. Sie schufen hierbei – als bedeutsamen Bestandteil des Gesamtkunstwerks Mathildenhöhe – herausragende Plakate, die heute zu den Ikonen der Werbekunst zählen. Der Katalog Zur Ausstellung erscheint die Publikation „Die Plakatkunst der Künstlerkolonie Darmstadt“, herausgegeben von Ralf Beil, mit einem Vorwort von Ralf Beil, historischen Quellentexten sowie einem Essay von Philipp Gutbrod, 48 Seiten, 33 Abbildungen, Broschur, Institut Mathildenhöhe Darmstadt, 2012, € 5,-
Riga
Rīgas jūgendstila ēkas. Ceļvedis pa jūgendstila metropoles arhitektūru / Art Nouveau Buildings in Riga. A Guide to Architecture of Art Nouveau Metropolis
Dates:01/01/2050-01/01/2999
A bilingual edition published in Latvian and Englis. 408 pages, illustrations. 49 Euros.

 

With the support of the Culture Programme of the European Union