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Exposicions, visites i altres esdeveniments en curs o pròxims

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Bruxelles
Art Nouveau and Victor Horta
Dates:01/08/2014-31/08/2015

Promenade guidée sur l’Architecture Art Nouveau et le musée Victor Horta.

Suivez la naissance et le développement de ce style à travers ses témoins et découvrez les plus belles réalisations des maîtres de l’Art nouveau qui maniaient le fer, le verre, le bois et la pierre dans une infinie variété de formes et de courbes.

Tous les jours : Rendez-vous à 14h00 au pied de l’Hôtel de Ville, situé sur la Grand Place.

La visite guidée dure 3h
En français, anglais et espagnol

Prix par personne 25€ (étudiants 15€)

Organisé par Bravo Discovery sprl

Villers-Ecalles
L' Art nouveau et la ferronnerie
Dates:01/01/2050-01/01/2999

Le Magazine Fèvres (spécialisé dans le domaine de la transformation du minerai en métal et du métal en objet) dédie son 50ème numéro à l’Art nouveau et la ferronnerie et aborde notamment le travail du fer d’Antoni Gaudi (article écrit par Luis Gueilburt, l’un de nos membres de Melilla) et de Victor Horta mais aussi son importance pour l’Ecole de Nancy.

Bruxelles
Métamorphoses Trois siècles de développement urbain à Schaerbeek
Dates:28/08/2014-31/08/2020
Exposition permanente dès le 28 aout – Galerie de l’Hôtel communal Le long mur au dessus de la salle des guichets va accueillir une exposition, conçue par l’Association pour l’étude du bâti, qui évoque comment Schaerbeek, petit village rural, est devenu la commune de 130.000 habitants que nous connaissons. En 1777 c’est la verte campagne, Schaerbeek compte 1138 habitants essentiellement autour de l’ancienne église St-Servais. On y cultive les légumes et la fameuse griotte. Vers 1850, la ville se déploie, le tracé royal se prolonge sur le territoire de Schaerbeek, on construit l’église Ste-Marie, la gare du Nord. Schaerbeek a désormais 11500 habitants. Dans la seconde moitié du XIXème Victor Besme et Octave Houssa sont les deux visionnaires du développement du grand Bruxelles pour le premier et de Schaerbeek pour le second. Schaerbeek, entre 1890 à 1914, passe de 50000 à 100000 habitants ! Pour cette nouvelle population, la commune s’équipe : un hôtel communal somptueux, des parcs, des écoles, des bâtiments publics et des équipements sportifs…. L’entre deux-guerres voit naitre le quartier Terdelt et celui des Fleurs. Les années 60-70 l’arrivée de la RTBF/VRT et la construction de la tour Brusilia…. Aujourd’hui la zone de la gare Josaphat et le site de la RTBF sont les nouveaux enjeux de la ville de demain. A côté de ces vastes projets, des aménagements locaux, au cœur des quartiers complètent le panorama d’une commune en changement. Une initiative de l’échevinat de l’urbanisme, du patrimoine et de la rénovation urbaine Avec le soutien du Collège des Bourgmestre et Echevins de la Commune de Schaerbeek Conception : L’Association pour l’Étude du Bâti - APEB Scénographie et graphisme : Juliette de Patoul Horaires d’ouverture de l’Hôtel communal Galerie du 1er étage – Accès libre
Toronto
Around 1914: Design in a New Age
Dates:24/07/2014-31/03/2015
European Galleries, Level 3 One hundred years ago, the ROM opened its doors to the public. Europe was plunged into the Great War. This cataclysmic world event marked the end of a social-political system that had existed for centuries and signalled the birth of the modern movement. It changed the way people looked at their lives and viewed their future. Around 1914: Design in a New Age, explores a pivotal period of innovation and experimentation as artists struggled to reconcile quality design with the emergence of mass production, and the new materials made available with technology. With works by key designers of this era including: Christopher Dresser, Charles Rennie Mackintosh, Archibald Knox, Charles Robert Ashbee, Louis Comfort Tiffany, Frank Lloyd Wright, Emile Gallé, Edward Colonna, Taxile Doat, Louis Majorelle, Carlo Bugatti, Galileo Chini, Chris van der Hoef, Georg Jensen, Otto Wagner, Josef Hoffmann, Gustave Siegel Josef Maria Olbrich, Peter Behrens, Max Laeuger, Richard Riemerschmid, and Walter Gropius.
Walthamstow, London
Rossetti's Obsession Images of Jane Morris
Dates:04/10/2014-04/01/2015
Jane Morris (née Burden) was the wife of William Morris, and the favoured model of Pre-Raphaelite painter Dante Gabriel Rossetti. In his maturity Rossetti drew and painted Jane with an obsessional intensity and she was cast in many literary and mythological roles, including Dante's Beatrice, Pandora, Proserpine and Astarte. Whether in direct or symbolic guise, Jane's features are depicted with a sombre intensity that offer a glimpse into Rossetti's troubled soul. The exhibition, marking the centenary of Jane's death, brings together compelling and rarely seen drawings and pastel studies of Jane by Rossetti. The exhibition also features images of Jane as herself and explores her life and interests beyond modelling. Jane Morris (1839-1914) was a talented embroiderer, linguist and musician and played a role in the family business Morris & Co. The recent publication of her letters (The Collected Letters of Jane Morris, edited by Jan Marsh and Frank C. Sharp, 2012), gives an unparalleled insight into her interests and personality, balancing the sullen and silent impression that Rossetti's paintings have immortalised. Dante Gabriel Rossetti (1828-1882) was the leading member of the Pre-Raphaelite Brotherhood. His depictions of Jane ensured that her face became the iconic image of Pre-Raphaelite womanhood. A touring exhibition in partnership with Bradford Museums and Galleries. The exhibition is kindly supported by Farrow & Ball, Islington. Open Wednesday to Sunday, 10am - 5pm; free
 
Georges Hobé et sa vision architecturale de l'Art nouveau: Villégiature et style cottage
Dates:01/01/2050-01/01/2999
Cet ouvrage veut rendre à Georges Hobé (1854-1936) la place qui lui revient dans le paysage architectural des premières décennies du XXe siècle en Belgique. L'étude envisage la production de ce prolifique bâtisseur qui s'est imprégné du style Art nouveau pour proposer sa conception architecturale en vue de répondre à des commandes tant officielles que privées, cottages, villas, maisons urbaines ou suburbaines. Nombre de pages: 112
 
Salon de l'art nouveau : [Galerie Samuel Bing, 26 décembre 1895-janvier 1896] (Éd.1896)
Dates:01/01/2050-01/01/2999
Ce livre est la reproduction fidèle d'une oeuvre publiée avant 1920 et fait partie d'une collection de livres réimprimés à la demande éditée par Hachette Livre, dans le cadre d'un partenariat avec la Bibliothèque nationale de France, offrant l'opportunité d'accéder à des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont été numérisées par la BnF et sont présentes sur Gallica, sa bibliothèque numérique. En entreprenant de redonner vie à ces ouvrages au travers d'une collection de livres réimprimés à la demande, nous leur donnons la possibilité de rencontrer un public élargi et participons à la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherché à concilier la reproduction fidèle d'un livre ancien à partir de sa version numérisée avec le souci d'un confort de lecture optimal. Nous espérons que les ouvrages de cette nouvelle collection vous apporteront entière satisfaction.
Bruxelles
Art Nouveau à Bruxelles: De l'architecture à l'ornementalisme
Dates:01/01/2050-01/01/2999
À Bruxelles, capitale européenne de l’Art Nouveau, les auteurs ont su mettre en valeur les façades et les intérieurs de maisons ornés de sgraffites, de menuiseries délicates et de vitraux chatoyants, de fers forgés aux lignes souples. Les architectes de ce style avaient le goût de la couleur, de l’arabesque et du motif emprunté à la nature, plante ou animal, et ils firent appel à des artisans au savoir-faire exceptionnel. les auteurs Christine Bastin et Jacques Evrard, photographes, ont participé à la réalisation de plus de trente livres d’architecture patrimoniale et, plus particulièrement, sur les XIXe et XXe siècles. Françoise Aubry, historienne de l’art, est conservatrice du musée Horta à Bruxelles. l’idéeUne sélection des plus beaux immeubles bruxellois construits entre 1894 et 1912. 24 euros
inaia, jud. Prahova
Art Nouveau – 110 Ani in Romania
Dates:01/01/2050-01/01/2999
Art Nouveau style defined both the end and beginning of a century, conferring an era and comprising all artistic genres related to outdoor or indoor environment. Queen Elizabeth and Queen Marie of Romania particular group completed royal house, originally established by King Charles I, with major acquisitions of pieces Art Nouveau happily reunited Pelişor Castle in Sinaia. 276 pages, A4 Translation: Irina Voicu Pictures: Alexandru Duta
Bruxelles
Parution du 10ème numéro de la revue Bruxelles Patrimoines
Dates:01/01/2050-01/01/2999
La Direction des Monuments et Sites du Service public régional de Bruxelles vient de publier le 10ème numéro de la revue Bruxelles Patrimoines qui se concentre sur l’architecte Art nouveau et Art déco Jean-Baptiste Dewin.
Boston
Holland on Paper In the Age of Art Nouveau
Dates:01/01/2050-01/01/2999
Text by Clifford S. Ackley From the 1890s through the turn of the century, there was a flourishing of new, imaginative art and craft throughout Europe that we now know as Art Nouveau. The Netherlands experienced an inventive variant of this art and design phenomenon, but until now it has been largely overshadowed by its counterparts in other countries, especially France. This richly illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of more than 100 works on paper--posters, decorative calendars and illustrated books, as well as prints and drawings. These innovative works of graphic design reveal the progressive Dutch artists’ conscious reaction against the past, their inspiration in natural forms and exotic cultures, and their embrace of the principle that art should transform everyday life. They also show how the New Art--Nieuwe Kunst in Dutch--coexisted and sometimes intertwined in the Netherlands with other artistic strands, including persistent realist trends, Symbolism and the emergence of modernism. Included here are early drawings by well-known artists Vincent van Gogh and Bart van der Leck, as well as new discoveries from Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, G. W. Dijsselhof and C. A. Lion Cachet. With an introduction and explanatory text about each work of art by Clifford S. Ackley, one of the world’s leading specialists in Dutch prints and drawings, Holland on Paper provides a fascinating and visually rewarding introduction to a rich and creative artistic era. Hardcover, 9.5 x 10.5 in. / 256 pages / 155 color.
 
The Paris of Toulouse-Lautrec: Prints and Posters from The Museum of Modern Art
Dates:01/01/2050-01/01/2999
Henri de Toulouse-Lautrec is widely regarded as the most talented and innovative printmaker of the late nineteenth century. Trained as a painter, Lautrec adopted color lithography in 1891, and it immediately became an obsession: in the decade before his early death, in 1901, he created more than 350 lithographs, from posters pasted up in the streets of Paris to livres d’artistes, fine art editions, and illustrations for magazines, journals, theater programs, books, and song sheets. Accompanying an exhibition at The Museum of Modern Art, this volume presents more than one hundred prints and posters by Lautrec from MoMA’s outstanding collection of his work. Spanning the artist’s mature career, they exemplify Lautrec’s extraordinary range and ability as a printmaker and brilliantly evoke his milieu and central preoccupation: fin-de-siècle Paris, particularly the bohemian life he shared with the dancers, artists, prostitutes, and impresarios of the city’s burgeoning demimonde. Includes a color poster of Toulouse-Lautrec’s lithograph La Troupe de Mademoiselle Églantine. SIZE 9h x 10.5w x .25"d PAGES 160
New York
The Paris of Toulouse-Lautrec: Prints and Posters
Dates:26/07/2014-01/03/2015
A preeminent artist of Belle Époque Paris, Henri de Toulouse-Lautrec (1864–1901) brought the language of the late-19th-century avant-garde to a broad public through his famous posters, prints, and illustrations for journals and magazines. A cultural nexus, he connected artists, performers, authors, intellectuals, and society figures of his day, creating a bridge between the brothels and society salons of the moment. His work allows entry into many facets of Parisian life, from politics to visual culture and the rise of popular entertainment in the form of cabarets and café-concerts. This exhibition, drawn almost exclusively from The Museum of Modern Art’s stellar collection of posters, lithographs, printed ephemera, and illustrated books, is the first MoMA exhibition in 30 years dedicated solely to Lautrec, and features over 100 examples of the best-known works created during the apex of his career. Organized thematically, the exhibition explores five subjects that together create a portrait of Lautrec’s Paris. A section devoted to café-concerts and dance halls examines the rise of nightlife culture in France through the depiction of famous venues, including the celebrated Moulin Rouge. Another focuses on the actresses, singers, dancers, and performers who sparked the artist’s imagination and served as his muses, including Yvette Guilbert, acclaimed dancer Loie Fuller, and close friend Jane Avril. Lautrec’s sympathetic images of women are evident in a group of works that includes his landmark Elles portfolio, depicting prostitutes during nonworking hours, in quiet moments of introspection. Lautrec’s role in Paris’s artistic community is explored in a section devoted to his creative circle, highlighting designs for song sheets for the popular music that flooded Paris’s café-concerts, programs for the avant-garde theatrical productions that he attended, and his contributions to magazines and intellectual reviews. A final section looks at the pleasures of the capital, from horse racing at Longchamp and promenading on the Bois de Boulogne, to the new fad for ice skating and the enduring appeal of Paris’s culture of gastronomy. The accompanying publication highlights the Museum’s collection of prints and posters by Lautrec, with an introductory essay on the artist and five illustrated thematic sections that explore belle époque Paris as seen through Lautrec’s eyes, by Sarah Suzuki. Organized by Sarah Suzuki, Associate Curator, Department of Drawings and Prints, MoMA. The exhibition is supported by the MoMA Annual Exhibition Fund. Paint and wallpaper provided by Farrow & Ball.
 
Liberty album del nuovo stile
Dates:01/01/2050-01/01/2999
Un viaggio tra fine ‘800 e primi ‘900 per ‘’assaporare con gli occhi’’ attraverso 300 pagine di testo e foto uno degli stili più raffinati e decorativi del mondo dell’arte: Il Liberty. Questo movimento artistico è conosciuto con diversi termini: Art Nouveau o Scuola di Nancy (Francia), Stile LibertyArthur Lasenby Liberty, che vendevano oggetti esotici), Modernismo o Stile floreale in Italia, Modern Style in Gran Bretagna, Jugendstil (“Stile giovane”) in Germania, Nieuwe Kunst nei Paesi Bassi, Styl Młodej Polski (Stile di Giovane Polonia) in Polonia, Style sapin in Svizzera, Sezessionstil (Stile di secessione, vedi la secessione viennese) in Austria, Secesija in Serbia e Croazia, Modern in Russia e Arte Modernista o Modernismo in Spagna. A journey through the end of '800 and '900'' to savor with eyes'' through 300 pages of text and pictures one of the most refined and decorative styles of the art world: The Liberty. This art movement is known by several terms: Art Nouveau or the School of Nancy (France), Style LibertyArthur Lasenby Liberty, who sold exotic objects), or Modernism Style Floral Italian, Modern Style in Britain, Jugendstil ("youth style") in Germany, the Netherlands Nieuwe Kunst, Styl Młodej Polski (Style of Young Poland) in Poland, Style sapin in Switzerland, Sezessionstil (Style of secession, see the Vienna Secession) in Austria, Secesija in Serbia and Croatia, and Modern Russia Modernist art and Modernism in Spain. Anno: 2008 Pagine: 306 Prezzo: 65,00€
 
Sicilia Liberty
Dates:01/01/2050-01/01/2999
The authors Rizzo and Sirchia, again, with an annotated guide to the readers of Liberty Liberty siciliano.Il the Sicilian island has a character all its own aesthetic, which is difference from Art Nouveau in Emilia Romagna, but always remained a decoration'' coup d'whip,'' arzigogolata.Opera less enriched compared to the same publication twenty years ago, with more pictures, beautiful shots and new players that have made the text more fully, in order to illustrate the visitor a Sicily from the many interesting and artistic aspects . It 'sa book impressive and meticulous at the same time, which concentrates all the scientific treatment in the first 72 (of the 248), leaving room for the wonderful photographic documentation which makes it the absolute wealth. Gli autori Rizzo e Sirchia si ripropongono ai lettori con una guida ragionata del Liberty siciliano.Il Liberty nell’isola siciliana ha un carattere estetico tutto suo, che si differenza dallo stile Liberty in Emilia Romagna, conservando però sempre una decorazione a ‘’colpo di frusta’’, meno arzigogolata.Opera arricchita rispetto alla stessa pubblicazione di vent’anni fa, con più immagini, belle inquadrature e nuovi soggetti che hanno reso il testo più completo, al fine di illustrare al visitatore una Sicilia dai molti e interessanti risvolti artistici. E’ un libro imponente e meticoloso allo stesso tempo, che concentra tutta la trattazione scientifica nelle prime 72 (delle 248), lasciando spazio alla splendida documentazione fotografica che ne fa la ricchezza in assoluto.

With the support of the Culture Programme of the European Union

Responsible publisher: Arlette Verkruyssen, General Director,
Brussels Regional Public Service - Bruxelles Développement urbain (Brussels Urban Development),
CCN - Rue du Progrès 80, B. 1, 1035 Brussels - Belgium