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Exposicions, visites i altres esdeveniments en curs o pròxims

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Rörstrand Jugendstil-Porzellan aus Schweden / Art Nouveau Porcelain from Sweden
Dates:01/09/2050-30/09/2050
Passionnés d'Art Nouveau, de Porcelaine ne manquez pas ce nouveau livre richement illustré (300 photos couleurs) sur la Manufacture suédoise Rörstrand. La production de la firme Rörstrand de Stockholm fut remarquée dès 1900 lors de l'Exposition Universelle de Paris. Couleurs, glaçure, palette, sensibilité du détail végétal sont mis en avant par le travail de modelage de l'artiste Alf Wallander. Chaque pièce produite durant cette période est entièrement faite à la main et est un modèle unique. La firme Rörstrand compta de nombreux artistes peintres de talent qui sont répertoriés dans cet ouvrage. L'auteur, Bengt Nyström fut non seulement directeur des musées de Stockholm mais est également un expert de l'Art Nouveau suédois notamment en ce qui concerne la production céramique de cette période. « Rörstrand Jugendstil-Porzellan aus Schweden / Art Nouveau Porcelain from Sweden » est la première publication sur ce thème. A travers cette publication, Bengt Nyström présente une sélection de 150 porcelaines Art Nouveau de très grande qualité esthétique et technique provenant de la firme Rörstrand. Chaque pièce est reproduite et étudiée. En introduction, Bengt Nyström retrace l'histoire et le parcours de la firme afin de bien ressituer les pièces dans leur contexte de création. « Rörstrand Jugendstil-Porzellan aus Schweden / Art Nouveau Porcelain from Sweden » accompagne une exposition itinérante consacrée à la présentation de la production de porcelaine Art Nouveau Rörstrand en Suède. En anglais et allemand. Source: http://atelierdalo.blogspot.com/2011/08/nouveaute-rorstrand-art-nouveau.html
Riccione
ROMAGNA LIBERTY Villas and works of art in Romagna Liberty nineteenth and twentieth centuries
Dates:05/04/2014-31/07/2014
opening Saturday, April 5 at 17:00 Download images for editorial : www.romagnaliberty.it / Immaginiromagnaliberty.zip The Foundation Onlus Pantaleoni Fontanesi Cicchetti presents the exhibition " ROMAGNA LIBERTY: Liberty Villas and works of art in Romagna between the nineteenth and twentieth centuries " to count the year of Liberty rich in cultural events related to the theme . The exhibition, curated by Andrea Speziali, a scholar specializing in the art movement known as the " Art Nouveau" will develop in Riccione from April 5 to July 31, through a documentary exhibition of Art Nouveau architecture and works of art in Romagna, housed in the premises of Art Gallery Montparnasse building that recalls the theme of the exhibition, as characterized by an outer wall painted by four artists from Turin at the beginning of the twentieth century. The exhibition will be characterized by appointment riccionese public presentation of evocative period images, historical documents such as postcards, posters and leaflets original, mainly concerning the architecture of Romagna between the late 800 and early 900 in seaside resorts such as Catholic, Riccione, Rimini, Viserba, Cesenatico, Cervia, Milano Marittima and Comacchio to inland cities such as Cesena, Forlì and Faenza. The exhibition is spread over four paths divided by areas: Province of Rimini, Province of Forlì -Cesena, Ravenna Province and a section dedicated to the great masterpieces of Art Nouveau in Bologna and province, where Imola, which was part of the beginning of the Romagna 1900, has several buildings Liberty. Among the documents on display will indicate the projects of buildings designed by leading architects of the period, such as the Dalmatian, very active in Romagna, Mario Mirko Vucetich (1898-1975), Matthew Focaccia (1900-1975), Paolo and Alberto Sironi, brothers Somazzi who designed the Grand Hotel Rimini, Leonidas Emilio Rosetti, Arturo Meadows, Regimo Mirri, Joseph Palanti, Roberto Franzoni, Rutillio, Ceccolini, Francesco Matteucci, Domenico Baccarini, Achilles Calzi , Achille Casanova , Minardi Brothers , and other lesser known authors . It will be exhibited artwork of Gustav Klimt, one of the most famous artists of the Art Nouveau artistic movement. The work is an oil on canvas portrait of Johanna Staude 1916, exhibited in the exhibition to represent the Vienna Secession in relation to Liberty. The lack of attention of art historians has meant that the beautiful architecture of Liberty not conquered Romagna, in the history of the place they well deserve. The aim of the exhibition is to analyze and document the story of Art Nouveau architecture and its protagonists to raise awareness towards the conservation, protection and enhancement of the evidence remained of this architectural style is in Romagna in Italy. The Italian project '' Liberty '' , which is part of the exhibition Romagna Liberty, aims to enhance the visual arts at the time of the Belle Époque. Purpose for which Andrea Speziali has created a gallery can be visited on the site www.italialiberty.it, for a census of all the individual buildings and to admire the wonders of the peninsula and see the routes along with the Liberty cultural news , news about exhibitions and publications on the topic. The exhibition Romagna ''Liberty'' is presented, then, like a trip back in time able to revive, through images and an important documentation , the golden age who transmitted his optimism even in architecture, which saw the birth of the tourism on the Riviera and it has left unmistakable elegance of the buildings in the city. During the exhibition there will be a series of conferences devoted to the subject in the evocative '' '' Ceccarini Terrace , a cultural meeting place "open" in the art gallery. In addition, you can participate route Romagna ''Liberty'' organized by the Cycling and Walking Cycling in Rimini, where with your bike, you can visit the interiors and exteriors of historic mansions in Romagna with the guidance of Andrea Apothecaries. More information: www.romagnaliberty.it Until 31 October 2014, you can attend, free of charge, the second annual Photo Contest ENGLISH LIBERTY with 30 photographs related to the theme of Art Nouveau (www.italialiberty.it/concorsofotografico). Romagna Liberty , under the auspices of the Savings Bank Foundation of Forli, is made in conjunction with the exhibition ''LIBERTY. A style for modern Italy'' (open at the Musei San Domenico Forlì until June 15, 2014) and with the State Archives Rimini (MiBACT) to expand the theme of Art Nouveau architecture in Romagna. Open to the public : Saturdays and Sundays (including holidays) from April to May : from 16:00 to 19:30 June and July every day from 20:00 to 00:00 Admission is free. Always open by appointment for schools and groups and guided tours sponsorships: State Archives Rimini - Ministry of Heritage and Culture and Tourism European project Partage Plus Emilia Romagna Region FAI , the Italian Environmental Fund ( Regional Directorate of Emilia -Romagna ) Savings Bank Foundation of Forlì Province of Rimini Province of Forlì -Cesena Province of Ravenna Municipality of Riccione Municipality of Rimini Municipality of Forlì partners : La Notte Rosa Consortium area of Riccione Viale Ceccarini Technical sponsor: MAG- JLT The Study Committee of the exhibition boasts the presence of important critics and art historians Renato Barilli, Maurizio Calvesi, Fabio Benzi, Beatrice Buscaroli, Giorgio Di Genova, Riccardo Gresta, Paolo Portoghesi, Vittorio Sgarbi, Ulisse Tramonti, Vincenzo Vandelli and Lara Vinca Masini. Artists : Gustav Klimt, Domenico Baccarini, Pietro Melandri, Alexander Mazzucotelli, Mirko Vucetich, Paul and Ezio Somazzi, Silvio Avondo , Achilles Calzi , Richard Ginori , Orsino Bongi, Paul and Alberto Sironi, Leonidas Emilio Rosetti, Arturo Meadows, Regimo Mirri, Joseph Palanti Roberto Franzoni, Rutillio Ceccolini, Francesco Matteucci, Minardi Brothers, M. Fracchia, Virgil Retrosi, Aldo Mazza, Hildebrand Capatti Carlo Parmeggiani, Pier Augustus Tagliaferri , Hippolytus Medini , Leopoldo Tassinari , Joseph Mazzei, Galileo Chini, Roberto Franzoni, Matthew Focaccia, Oreste Ruggeri, Giuseppe Brega, Molaroni, Arnaldo Giuliani, Nerio Fantini, Achille Casanova, Caesar Tamburini, Umberto Pagnoni, Francesco Matteucci, Castellani, John Guerrini.
Bruxelles
Rigas Jugendstils Interjers - Art Nouveau in Riga Interior
Dates:01/01/2050-01/01/2999
This book was created to resemble a walk through an Art Nouveau apartment where one can view carious interior styles and new technological innovations, as well as get a feeling of the typical changes affecting city life in the early 20th c. While reading, one can view the apartement as a work of art where every nuance reflects the era - furniture, dishes, and, of course, the many different colours reflected in the decorative pieces. The many illustrations conjure up a certain atmosphere that ruled the city's daily life, the changing teimes, and were reflected in the apartments of the residents of Riga. Bilingual edition Latvian-English. 2010. ISBN 978-9984-38-757-4.
Riga
Rīgas jūgendstila ēkas. Ceļvedis pa jūgendstila metropoles arhitektūru / Art Nouveau Buildings in Riga. A Guide to Architecture of Art Nouveau Metropolis
Dates:01/01/2050-01/01/2999
A bilingual edition published in Latvian and Englis. 408 pages, illustrations. 49 Euros.
Bruxelles
Revers d'un chef-d'oeuvre ; La naissance du théâtre des Champs-Elysées 1910-1922
Dates:01/09/2050-01/01/2999
Sommaire: De l'Art nouveau au retour de l'ordre Naissance du projet: un musicien utopiste Un président homme d'affaires : le président - La Société du théâtre des Champs-Elysées - La concession des Champs-Elysées - Avantages et inconvénients de l'avenue Montaigne L'arrivée du sauveur: un architecte imaginatif Henry Van de Velde - Premiers contacts - La lune de miel Le directeur de l'exécution Une cohabitation difficile: MM Perret Frères Mise à l'écart de Van de Velde La poursuite des travaux L'inauguration et la chute L'ouverture du théâtre et la saison Astruc - Les échéances - L'activité théâtrale - L'agonie de la Société - L'accueil de la presse et du public - La Guerre Conclusion Annexe 1. Comité de patronage Annexe 2. Elements biographiques de quelques actionnaires Annexe 3. Liste des actionnaires possédant au moins dix actions de la Société immobilière du théâtre des Champs-Elysées au 21 mai 1921.
Bruxelles
René Lalique, correspondance d’un bijoutier Art nouveau, 1890-1908
Dates:01/01/2050-01/01/2999
What was René Lalique like in his daily life, he who was a sacred monster, a friend of Sarah Bernhardt's, the jeweller of the tzars ad of the Queen of England? A collection of letters helps give us an idea of the creator's exciting existence . They are dated between 1890 and 1908 – he was between 30 and 48 years old – and spend a good part of his existence traveling: to London (to see Garrard, the Crown's jeweller), to America (for the international exhibition at Saint-Louis in 1904), to Geneva, to Saint-Petersburg (we are treated to an amusing story of an ad venture at the customs, since the over-orderly Lalique had forgotten his passport). Young Alice – his second wife - regretted his absence. She champed at teh bit in Paris, tried to get distracted in Saint-Amand-les-Eaux, wondered if she would dare ride a bicycle. One can feel the drama before it arrives: worn out by depression, she committed suicide in 1909. We also discover all his artistic friendships, long term ones or for specific projects: Oriental artist Jean-Léon Gérôme, young Gallé or writer Jule s Claretie who ordered an ink well "with lots of ink"…
Bruxelles
Rene Binet: From Nature to Form
Dates:01/09/2050-01/01/2999
This book reproduces the plates of Rene Binet's 1902 "Esquisses decoratives" for the first time since its original publication. Two illustrated introductory essays by Dr Robert Proctor (Mackintosh School of Architecture, Glasgow School of Art) and Professor Olaf Breidbach (Haeckel Haus Museum, University of Jena) discuss Binet's interest in the biology, art and philosophy of Ernst Haeckel, and situate his work alongside French architecture and decorative arts at the turn of the century. It presents new research on this exceptional but little-known architect in an accessible way, and is beautifully illustrated throughout. The book is also available in German with the title "Rene Binet: Natur und Kunst".
 
Rene Binet Art Nouveau Industrial and Architectural Designs - ebook
Dates:01/01/2050-01/01/2999
his first volume is dedicated to the 60 sketches of his industrial and architectural designs as found in the Esquisses décoratives. The sketches include a shelter, clips, rings, wardrobe, balcony, bench, jewelry, frame trim, electric buttons, decorative bricks, tiling, ceramic, capitals, keys, gates (wood and grilled), nails, corbels, towers, country decorations, industrial signs, finials, stairway, printed fabrics, ridgepole decorations, wrought iron, ironworks, fountain, frieze, weather vanes, door-knockers, lead inlay, gardens, lanters, chandeliers, showcases, stores, marquetry, embossed metal, mosaic, wallpaper, mast bases, hinges, ceilings, door plates, stencil, porch, door, rinceau, rosettes, sgraffito, seats, pedestals, carpet, needlepoint tapestry, trellis, tympanum, stained glass and arches and arcs. René Binet was born in Chaumont, Yonne [Burgundy region] on the 14th of October, 1866 to Savinien Joseph Binet, a railway tracklayer and Marie Grosset, a housekeeper. He attended the École Nationale Supérieure des Beaux-Arts (ENSBA), from 1886 until about 1892, and was a student of Victor Laloux. Binet was an architect, decorator, and painter. Perhaps his most culturally significant contribution was his design of the main entry for the Paris Exhibition of 1900, a commission that he won. He is considered an artist of La Belle Epoque, executing his designs in the style of Art Nouveau. Two Paris addresses are associated with the artist: 6 rue de l’Abbaye and 33 rue Bonaparte. According to the Musée d’Orsay, René Binet “discovered Italy after winning, in 1893, the Chaudesaigues prize, which enabled young architects to spend two years there”. Along with Italy, Binet also traveled to Sicily, Algeria and Spain. The museum also attributes these trips to his interest in watercolor painting. According to the museum, he traveled frequently which provided him some relief from his rheumatism. In 1903, an exhibition, at the Galerie Paul Durand-Ruel in Paris, featured his watercolor paintings. His work was also greatly influenced by the research and illustrations of Ernst Haeckel. Gustave Geffroy, in his forward to Esquisses décoratives, notes that Binet viewed the Clathrocanium reginae as the most beautiful and a perfect representation of the richness and logic of the Radiolaria family. Geffroy also points out that it is the Clathrocanium reginae that inspired the design of the Porte Monumentale [main entrance] of the Exposition Universelle of 1900. You can see illustrations of these geometric and microscopic sea creature skeletons in the next volume of Binet’s works or in the separate edition of Haeckel’s works from delsc. Binet died in 1911 in Ouchy, Switzerland. A second volume includes some of architectural projects such as the Porte Monumentale for the Exposition Universelle of 1900, the Printemps department store and his many watercolor paintings from Versailles and the Trianons.
 
Rene Binet Art Nouveau Architecture and Versailles Watercolors
Dates:01/01/2050-01/01/2999
This second volume includes some architectural projects such as the Porte Monumentale for the Exposition Universelle of 1900 and the Printemps department store. Also included are his watercolor paintings from "Versailles and the Trianons". See the first volume for a portfolio of his industrial and architectural designs. René Binet was born in Chaumont, Yonne [Burgundy region] on the 14th of October, 1866 to Savinien Joseph Binet, a railway tracklayer and Marie Grosset, a housekeeper. He attended the École Nationale Supérieure des Beaux-Arts (ENSBA), from 1886 until about 1892, and was a student of Victor Laloux. Binet was an architect, decorator, and painter. Perhaps his most culturally significant contribution was his design of the main entry for the Paris Exhibition of 1900, a commission that he won. He is considered an artist of La Belle Epoque, executing his designs in the style of Art Nouveau. Two Paris addresses are associated with the artist: 6 rue de l’Abbaye and 33 rue Bonaparte. According to the Musée d’Orsay, René Binet “discovered Italy after winning, in 1893, the Chaudesaigues prize, which enabled young architects to spend two years there”. Along with Italy, Binet also traveled to Sicily, Algeria and Spain. The museum also attributes these trips to his interest in watercolor painting. According to the museum, he traveled frequently which provided him some relief from his rheumatism. In 1903, an exhibition, at the Galerie Paul Durand-Ruel in Paris, featured his watercolor paintings. His work was also greatly influenced by the research and illustrations of Ernst Haeckel. Gustave Geffroy, in his forward to Esquisses décoratives, notes that Binet viewed the Clathrocanium reginae as the most beautiful and a perfect representation of the richness and logic of the Radiolaria family. Geffroy also points out that it is the Clathrocanium reginae that inspired the design of the Porte Monumentale [main entrance] of the Exposition Universelle of 1900. You can see illustrations of these geometric and microscopic sea creature skeletons in the upcoming pages and also in the separate editions of Haeckel’s works from delsc. Binet died in 1911 in Ouchy, Switzerland.
Barcelona
Release of the 22th issue of the coupDefouet magazine
Dates:01/01/2050-01/01/2999
CoupDefouet is published by the Urban Landscape Institute of the Barcelona City Council, which has the common commitment to find useful and efficient mechanisms for the protection and promotion of Europe's Art Nouveau heritage. This new release is especially interesting as it highlights the travelling exhibition “The Nature of Art Nouveau” organised by the RANN, which is actually simultaneously presented in Nancy (until 13. April 2014) and Helsinki (until 16 February 2014), with an article of the curator of the exhibition, Teresa M. Sala.
Barcelona
Release of the 19th issue of the coupDefouet magazine, Barcelona
Dates:01/01/2050-01/01/2999
CoupDefouet is published by the Urban Landscape Institute of the Barcelona City Council, which has the common commitment to find useful and efficient mechanisms for the protection and promotion of Europe's Art Nouveau heritage.
Andenne- Belgique
Rapports fusionnels. Etain & céramique
Dates:18/04/2014-09/11/2014
L’étain est un métal. Mais quel rapport avec la céramique nous direz-vous ? Le Musée de la céramique d’Andenne vous propose de le découvrir ! L’histoire commence en Perse lorsque des chimistes décident vers le 9ème siècle d’intégrer de l’étain à la couche protectrice qui recouvre la terre cuite. Cette couverte, l’émail, conférait aux objets blancheur, imperméabilité et hygiène. Elle devenait ainsi un espace privilégié de décoration. C’est une petite révolution qui aura une résonnance énorme en Europe ! Le Musée de la céramique d’Andenne retrace pour vous cette (r)évolution historique, esthétique et technique dans un voyage qui vous mènera du Proche-Orient à Andenne en passant par l’Espagne du 15ème siècle, l’Italie du 16ème siècle et encore la France, les Pays-Bas, l’Allemagne … Des œuvres régionales anciennes et contemporaines sont présentées pour mettre en perspective les particularités de villes comme Andenne et ses voisines, avec les potstainiers hutois, et le travail de nos artistes. Les Etains de Virginie, avec la complicité de Sonia Pignolet et de Monique Detry, toutes deux céramistes, et de Antonio Lapone, illustrateur de bande dessinée, ont accepté le défi de recréer aujourd’hui des décors en étain appliqués sur céramique, une méthode d’ornementation utilisée depuis le début du 20ème siècle avec l’Art nouveau. Des objets d’exception venant de grandes collections belges publiques et privées retracent cette utilisation de l’étain, un peu oubliée.
Bruxelles
Provenance, catalogue of the exhibition
Dates:01/02/2050-31/12/2099
Christian Witt-Dörring, Jean-Louis Gaillemin, 2006. Exhibition catalogue for "Provenance" at the Galerie Yves Macaux.
Bruxelles
Promenades Art Nouveau à Bruxelles
Dates:01/01/2050-01/01/2999
Bruxelles mérite sans conteste le titre de capitale de l'architecture Art nouveau. Entre l'hôtel Tassel, première maison Art nouveau construite par Victor Horta en 1893, et le palais Stoclet, chef-d'oeuvre de Joseph Hoffmann terminé peu avant le début de la Première Guerre mondiale, Bruxelles a vu s'ériger quelque 500 maisons ou façades Art nouveau actuellement cataloguées. Ce guide propose quatre circuits permettant de découvrir l'essentiel de ce patrimoine exceptionnel. Les trois premières promenades (le quartier Louise, les étangs d'Ixelles, le square Ambiorix et ses environs) peuvent se faire à pied en une demi-journée chacune. La quatrième promenade, couvrant plusieurs quartiers anciens, peut se faire en voiture ou être scindée en plusieurs visites à pied.
Bruxelles
Privat Livemont : entre tradition et modernité au coeur de l'Art Nouveau
Dates:01/09/2050-01/01/2999
Après des études à l'académie de dessin de Saint-Josse, aux côtés d'Adolphe Crespin, Paul Saintenoy et Léon Govaerts, Privat Livemont remporte une bourse qui lui permet d'approfondir sa formation de peintre-décorateur à Paris. Entre 1883 et 1889, il est associé à d'importants travaux, comme la décoration de l'hôtel de ville de Paris, l'inventaire dessiné du mobilier de la Comédie-Française ou encore les décors d'Hamlet pour l'opéra Garnier. Revenu à Schaerbeek, il fonde son studio de décoration et remporte par hasard, en 1890, le premier concours pour l'affiche annonçant l'exposition d'art du cercle artistique local. Gravant lui-même sur la pierre lithographique, il produit une quarantaine d'affiches qui rivalisent avec celles d'Alphonse Mucha, principalement entre 1896 et 1904, pour des firmes belges, hollandaises et parisiennes, qui sont exposées à Bruxelles, Paris, Londres, Saint-Pétersbourg, Haarlem, ... Parallèlement à ses activités d'affichiste, il réalise de grandes peintures décoratives, des panneaux de céramique ou des vitraux. Professeur de composition décorative et de peinture de fleurs à l'école industrielle de Schaerbeek, il réalise également de nombreux sgraffites sur des bâtiments bruxellois.

With the support of the Culture Programme of the European Union

With the support of the Culture Programme of the European Union

Responsible publisher: Arlette Verkruyssen, General Director,
Ministry of the Brussels Capital Region Department of Spatial Planning and Housing,
Rue du Progrès 80 b 1, 1035 Brussels - Belgium