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Saverio Fragapane (1871-1957)
Dates:1.1.2050-1.1.2999
From the beginning of the twentieth century to the twenties is active in Caltagirone architect Xavier Fragapane, a student of Ernesto Basile and leading figure of Art Nouveau and Art Deco in eastern Sicily. To him we owe the development plans and the most important projects of public utility buildings and various types of urban homes and stately villas and economic promoted during the period when he was mayor of the city pro Don Luigi Sturzo. The author, on the basis of unpublished material - documents, sketches and drawings, photographs - gives a complete reconstruction of the personality of Fragapane. In the first part of the book into several chapters, it circumscribes the cultural formation and style, from Art Nouveau to Art Deco and epilogue rationalist, with reference to problems and specificities of the territory and the cultural intricacies that determine its own conception of a 'modern architecture, made ​​for man. The second part examines all projects, the proposed zoning, buildings executed. The volume is therefore as a monographic study exhaustive, for the novelty of the news and the wealth of illustrations, and is also a useful contribution to broaden and deepen their knowledge of local issues and influences of Art Nouveau and Secession architecture liberty which is developed by the school of Basile. Anna Maria Damigella, Saverio Fragapane (1871-1957). Dallo storicismo romantico al liberty, Lecce, Edizioni del Grifo, 2000, pp. 258, € 25,00. Distribuzione a Mineo: l.venticinque@inwind.it
Forlì Forlì-Cesena
Liberty. Uno stile per l’Italia moderna
Dates:1.1.2050-1.1.2999
This volume is aimed at all those who wish to know and understand the Italian Liberty, which was not only an artistic style, but a multi-faceted cultural climate, addressed here for the first time in a unified manner. Through the works submitted and accepted papers, the book tells what Liberty has meaning in painting, sculpture and decorative arts - from the windows to wrought iron, from furniture to decorative objects, from textiles to jewelry - emphasizing relationships with literature, D'Annunzio, Pascoli and Gozzano, and with the music of Puccini, Mascagni and Ponchielli. Of that "magnificent floral revolution" that accompanied the entry of Italy into the modern age, are far retraced models - the Renaissance and Botticelli in the first place - the themes and formal solutions, showing in many cases the proximity Symbolism . But above all the Italian Liberty is inserted between the major European movements of the time, especially the Viennese Secession, through the comparison unavoidable with authors such as Klimt, Moser, Klinger, Bocklin, Morris, just to name a few. A volume of great rigor and completeness, which counts among the works presented, those of Previati Nomellini, Grubicy de Dragon, Segantini, Pellizza Volpedo, Longoni, De Carolis, Laurenti, Marussig, Chini, Casorati, Balla, Bucci, Boccioni, Dudreville, Viani, Bistolfi, Ximenes, Andreotti, Wildt, Martini, Dudovich, Hohenstein, Terzi, Mazzucotelli. Questo volume è rivolto a tutti coloro che desiderano conoscere e capire il Liberty italiano, che non fu solo uno stile artistico, ma una temperie culturale dalle molteplici sfaccettature, qui affrontate per la prima volta in modo unitario. Attraverso le opere presentate e i saggi accolti, il volume racconta ciò che il Liberty ha significato in pittura, in scultura e nelle arti decorative – dalle vetrate ai ferri battuti, dai mobili agli oggetti d’arredo, dai tessuti ai gioielli – sottolineandone i rapporti con la letteratura, di D’Annunzio, Pascoli e Gozzano, e con la musica di Puccini, Mascagni e Ponchielli. Di quella “magnifica rivoluzione floreale” che ha accompagnato l’ingresso dell’Italia nell’età moderna, vengono ripercorsi i modelli lontani – il Rinascimento e Botticelli in primis – i temi e le soluzioni formali, mostrando in molti casi la vicinanza con il Simbolismo. Ma soprattutto il Liberty italiano è inserito tra i grandi movimenti europei del momento, in particolare la Secessione viennese, attraverso il confronto imprescindibile con autori come Klimt, Moser, Klinger, Boecklin, Morris, solo per citarne alcuni. Un volume di grande rigore e completezza, che annovera fra le opere presentate, quelle di Previati, Nomellini, Grubicy de Dragon, Segantini, Pellizza da Volpedo, Longoni, De Carolis, Laurenti, Marussig, Chini, Casorati, Balla, Bucci, Boccioni, Dudreville, Viani, Bistolfi, Ximenes, Andreotti, Wildt, Martini, Dudovich, Hohenstein, Terzi, Mazzucotelli. LIBERTY Uno stile per l’Italia moderna Curatore: Fernando Mazzocca Formato: 23 x 28 Pagine: 408 N. illustrazioni: 200 a colori Rilegatura: Brossura con alette ISBN/EAN:9788836627851 Prezzo: 34,00 Euro
 
Il Novecento di Matteo Focaccia Eclettico architetto tra Liberty e Razionalismo
Dates:1.1.2050-1.1.2999
Catalog / monograph published by End papers in conjunction with the exhibition held in Cervia at the Salt Storage facility from 20 June to 8 July 2013. The Scientific and Technical Committee is composed of: Vittorio Sgarbi, Ulisse Tramonti, Andrea Speziali, Renato Lombardi, Richard Gresta, Maria Cristina hid Sandri, Giorgio Grasso, Paul Fontanesi, George of Genoa, Paolo Focaccia, Focaccia Romeo, Fabio Focaccia Focaccia and Cecilia.   Greetings from the President of the Province of Ravenna Through a painstaking job search and thanks to the passion of a young student of Liberty as Andrea Speziali, emerges from the mists of the past, another great man of genius who with his projects has helped to beautify the urban areas of many cities, particularly to Cervia: the architect Matteo Focaccia. This catalog contains all the material (construction projects, photographs, postcards and tools of the architect) exhibited in the exhibition'' The twentieth century by Matteo Focaccia: Eclectic architect between Liberty and Rationalism.'' It was organized by Liberty Romagna, Associazione Casa delle Aie .... werewr, curated by Andrea Speziali in collaboration with Renato Lombardi and proposal to the attention of the visitors from 20 June to 8 July 2013 at the Salt Warehouses in Cervia. This catalog and exhibition were born by the desire to make a kind of census of all projects and work carried out by the Focaccia in order not to lose its memory. This has been possible thanks to the contribution of the heirs Focaccia and many anonymous people who, having read the articles written by Andrea Speziali in the newspaper La Voce di Romagna, Italy supported the project'' Liberty'' providing valuable information for the development and the preservation of the architectural heritage primonovecentesco Liberty in Italy. The laudable passion for research nourished by Andrea Speziali bodes well for further study in the future as part of the art Nouveau. Catalogo/monografia edito da Risguardi in concomitanza con la mostra allestita a Cervia presso i Magazzin del Sale dal 20 giugno all’8 luglio 2013. Il comitato tecnico-scientifico è composto da: Vittorio Sgarbi, Ulisse Tramonti, Andrea Speziali, Renato Lombardi, Riccardo Gresta, Maria Cristina Nascosi Sandri, Giorgio Grasso, Paolo Fontanesi, Giorgio di Genova, Paolo Focaccia, Romeo Focaccia, Fabio Focaccia e Cecilia Focaccia. Il saluto del Presidente della Provincia di Ravenna Attraverso un certosino lavoro di ricerca e grazie alla passione di un giovane studioso del Liberty come Andrea Speziali, riemerge dalle nebbie del passato un altro grande uomo d’ingegno che con i suoi progetti ha contribuito ad abbellire gli spazi urbani di molte città, in particolare quella di Cervia: l’architetto Matteo Focaccia. Questo catalogo racchiude tutto il materiale (progetti edilizi, fotografie, cartoline e strumenti di lavoro dell’architetto) esposto nella mostra ‘’Il Novecento di Matteo Focaccia: Eclettico architetto tra Liberty e Razionalismo’’. Essa è stata organizzata da Romagna Liberty, Associazione Casa delle Aie ….werewr, curata da Andrea Speziali con la collaborazione di Renato Lombardi e proposta all’attenzione dei visitatori dal 20 giugno all’8 luglio 2013 presso i Magazzini del Sale di Cervia. Il presente catalogo e la mostra sono nati dall’intento di fare una sorta di censimento di tutti i progetti e le opere realizzate dall’architetto Focaccia nell’intento di non disperderne la memoria. Ciò è stato possibile anche grazie al contribuito degli eredi Focaccia e di molte persone anonime, che avendo letto gli articoli scritti da Andrea Speziali sul quotidiano La Voce di Romagna, hanno sostenuto il progetto ‘’Italia Liberty’’ fornendo preziose informazioni per la valorizzazione e la salvaguardia del patrimonio edilizio primonovecentesco Liberty in Italia. La lodevole passione per la ricerca nutrita da Andrea Speziali fa ben sperare per ulteriori approfondimenti in futuro nell’ambito dell’arte Liberty. Prezzo di copertina 20,00€ Copyright © 2013 Edizioni Risguardi ISBN 978-88-97287-32-2 Progetto grafi co CartaCanta Soc. Coop. Finito di stampare nel mese di giugno 2013 presso Grafi che MDM S.r.l. – Forlì (Forlì) invia una mail a info@romagnaliberty.it per acquistare il volume
 
Grafica liberty e decò a Firenze
Dates:1.1.2050-1.1.2999
The book offers the first systematic critical survey of graphic art and publishing, featuring Art Nouveau and Art Deco styles, produced in Florence area. The more than four hundred figures that accompany the book show drawings of famous artists such as Brunelleschi, Cambellotti, Chini, Nomellini, De Karolis, Sensani, Kienerk, Fluffy, Mussino, Ruby, Sgrilli, Angoletta, I, Bernardini, Yambo, Thayaht, and also allow the discovery of illustrators so far not sufficiently valued as Ezio Anichini, Maria De Matteis, Dino Tofani, Virgil Faini, Raul Ferenzona Dal Molin, Charles Casaltoli, Ottorino Andreini, Fabio Fabbi, Maria Augusta Cavalieri, Dario Betti, Gino Riccobaldi, Navy Battigelli, Joseph bark, Adele Ramorino CEAS. Il libro offre la prima sistematica ricognizione critica della grafica d'arte e per l'editoria, caratterizzata da stilemi liberty e déco, prodotta in ambito fiorentino. Le oltre quattrocento figure che corredano il libro mostrano disegni di artisti conosciuti quali Brunelleschi, Cambellotti, Chini, Nomellini, De Karolis, Sensani, Kienerk, Soffici, Mussino, Rubino, Sgrilli, Angoletta, Sto, Bernardini, Yambo, Thayaht, e permettono altresì la scoperta di illustratori finora non sufficientemente valorizzati come Ezio Anichini, Maria De Matteis, Dino Tofani, Virgilio Faini, Raul Dal Molin Ferenzona, Carlo Casaltoli, Ottorino Andreini, Fabio Fabbi, Maria Augusta Cavalieri, Dario Betti, Gino Riccobaldi, Marina Battigelli, Giuseppe Scortecci, Adele Ramorino Ceas. 176 p., ill., brossura € 24,22
 
Il Novecento di Matteo Focaccia. Eclettico architetto tra Liberty e Razionalismo
Dates:1.1.2050-1.1.2999
Urbanism of Cervia and Milano Marittima stood out in the early twentieth century villas and cottages signed by an eclectic architect of the time: Cervia Matthew Focaccia. A character in the history of art and architecture, unfortunately forgotten, that deserves to be rediscovered. Bring to light these "famous" ghosts of the twentieth century can not but fascinate historians such as readers. The eclecticism is his predominant style and form of his art is well defined in the synthesis present in the title: "between liberty and rationalism." The catalog that accompanies the exhibition of the same name gives way to the reader to discover is a vast, diverse, articulated through projects and original sketches of the first of many prestigious hotels and villas Cervia after World War II until the '60s is in Cervia, both Ravenna in Romagna area. Nell'urbanistica di Cervia e Milano Marittima spiccavano nei primi del Novecento ville e villini firmati da un eclettico architetto dell'epoca: il cervese Matteo Focaccia. Un personaggio della storia dell'architettura e dell'arte, purtroppo dimenticato, che merita di essere riscoperto. Portare alla luce questi "illustri" fantasmi del Novecento non può che affascinare tanto gli storici quanto i lettori. L'eclettismo è il suo stile predominante e la forma della sua arte ben si definisce nella sintesi presente nel titolo: "tra liberty e razionalismo". Il catalogo che accompagna l'omonima mostra dà modo al lettore di riscoprire un'opera vasta, molteplice, articolata attraverso progetti e schizzi originali dei primi alberghi di prestigio e dei tanti villini cervesi dal secondo dopoguerra sino agli anni '60 sia a Cervia, sia a Ravenna in ambito romagnolo. 80 p. Formato: 21x28 € 17,00
 
Una Stagione del Liberty a Riccione
Dates:1.1.2050-1.1.2999
Since the late nineteenth century the villas vintage characterize the urban fabric of Riccione, tracing reflection of its history. The old fishing village, which has its hub in that stretch of the Via Flaminia Course renamed Fratelli Cervi, expands quickly up the dunes, lapped by the sea. So much so that in 1905 two hundred villas are surveyed. A heritage building that is the driving force in the wealthiest families in the Centre-North, attracted by the pleasantness of the pleasant seaside resort, its salubrious climate and the atmosphere lively, cheerful and hospitable. A process that, excluding the brackets of the sad events of the war continues for decades, recording a further development in the twenties and thirties. Period in which the Duce and his family spend their holidays in Riccione. "Ogni architettura è grande dopo il tramonto: forse l’architettura è veramente un’arte notturna, come quella dei fuochi artificiali." Gilbert Keith Chesterton Sin dalla fine dell’Ottocento i villini d’epoca caratterizzano il tessuto urbano di Riccione, tracciandone di riflesso la sua storia. Il vecchio borgo marinaro, che ha il suo fulcro in quel tratto della Flaminia rinominato Corso Fratelli Cervi, si espande in fretta sino alle dune, lambite dal mare. Tant’è che nel 1905 vengono censite duecento ville. Un patrimonio edilizio che trova la forza di propulsione nelle facoltose famiglie del Centro-Nord, attratte dalla gradevolezza della ridente località balneare, dal suo clima salubre e dalla sua atmosfera vivace, allegra e ospitale. Un processo che, escluse le parentesi dei tristi eventi bellici, prosegue nei decenni, registrando un ulteriore sviluppo negli anni Venti e Trenta. Periodo in cui il Duce con la sua famiglia trascorre le vacanze a Riccione. Avere una residenza estiva a pochi passi da quella di Donna Rachele Guidi e di Benito Mussolini, diventa appannaggio di gerarchi, imprenditori e professionisti. Riccione si arricchisce così di un considerevole patrimonio urbanistico, in buona parte cancellato nel tempo da quel processo d’innovazione che tuttora lo mette a repentaglio. Sono centinaia i villini demoliti nel dopoguerra per lasciare spazio a pensioni e alberghi che hanno segnato il boom del turismo popolare. In questo contesto s’inserisce la storia di Villa Antolini sulla quale il giovane autore Andrea Speziali ha svolto una certosina e meticolosa ricerca, che guida il lettore negli ambienti di quel "monumento" in stile Liberty, a Riccione davvero raro. Tra dettagli architettonici, interni ed esterni, attraverso una serie di rare immagini e una puntuale descrizione, turisti e residenti potranno così visitare idealmente le stanze di quel simbolo della Bella époque riccionese che resiste all’evoluzione urbanistica della città. Al nostro autore va dato merito di questo studio e soprattutto di aver scoperto che a firmare il progetto del fabbricato, autentico "gioiellino" incastonato tra il boulevard del Lungomare della Repubblica e Viale Milano, è stato Mario Mirko Vucetich, illustre architetto, nonché scrittore, scenografo e scultore di origine dalmata che operò soprattutto tra Friuli, Veneto, Emilia - Romagna e Lazio. Una scoperta di notevole rilevanza, destinata a traghettare il nome di Riccione oltre i confini nazionali. Questa pubblicazione, attraverso la parte monografica, dedicata al futurista che ebbe contatti con Carlo Emilio Gadda, diventa così occasione anche per conoscere e rivalutare il poliedrico artista, nel tempo abbandonato. (Tratto dalla Presentazione del libro di Nives Concolino) Andrea Speziali, nato il 28/09/1988 a Rimini e residente a Riccione, nella zona denominata Abissinia, a pochi passi da villa Antolini. Diplomato presso l’Istituto Statale d’Arte Federico Fellini, attualmente frequenta l’Accademia di Belle Arti a Rimini. Coltiva con passione l’interesse per l’arte e si dedica alla pittura, scultura e alla grafica, traendo spesso ispirazione dalla produzione di Mirko Vucetich, l’ecclettico architetto di Villa Antolini e dall’Art Nouveau, offrendone originali interpretazioni. Collana: I fuori collana Edizione: 1 Copyright: Maggio 2010 Tipo Prodotto: Volume Pagine: 166 Formato: 17x24
 
Romagna Liberty
Dates:1.1.2050-1.1.2999
Young people always deserve to be helped and encouraged, but it is with great pleasure that I support a young talented as Andrea Speziali who is venturing into a meritorious work of research and development of Art Nouveau. The field of research Ŀ a definite contribution to the enhancement of buildings that are present on our territory and therefore can be an additional attraction for tourists flowing into our rivers. The interesting volume edited by Andrea Speziali riccionese young artist at the 54th International Art Exhibition of the Venice Biennale and art historian, examines in great detail and unpublished information, the historical period of inizio'900 he saw, for precisely, our rich Riviera seaside Liberty of the first buildings. An original trip in the early decades of the twentieth century where the garden as Riccione, Cervia citta celebrating the centenary of the 90's and were rich in small villas of unique elegance as the architectural masterpiece designed by Antolini in Riccione Dalmatian Mirko Vucetich native of Bologna. The work follows the exhibition "Romagna Liberty" that, just in Riccione, the Green Pearl of the Adriatic, had its natural place and that so successfully scored at international level. € 30,00 IVA assolta I giovani meritano sempre di essere aiutati e incoraggiati, ma è con vero piacere che do il mio sostegno a un giovane di talento come Andrea Speziali che si sta cimentando in un meritorio lavoro di ricerca e valorizzazione dello stile Liberty. Il campo delle ricerche Ŀ un indubbio contributo alla valorizzazione di edifici che sono presenti sul nostro territorio e quindi potranno costituire un ulteriore richiamo per i turisti che affluiscono le nostre riviere. L’interessante volume curato dal giovane riccionese Andrea Speziali, artista alla 54 ° Esposizione Internazionale d’Arte della Biennale di Venezia e storico dell’arte, analizza con dovizia di particolari e notizie inedite, il periodo storico di inizio‘900 che vide, per l’appunto, la nostra Riviera arricchirsi delle prime costruzioni balneari Liberty. Un originale viaggio nei primi decenni del Novecento dove le cittĦ giardino come Riccione e Cervia che celebrano il ’90 e Centenario erano ricche di villini di inconfondibile eleganza come il capolavoro architettonico Antolini a Riccione progettato dal dalmata Mirko Vucetich originario di Bologna. L’opera segue la mostra “Romagna Liberty” che, proprio a Riccione, la Perla Verde dell’Adriatico, ha avuto la sua sede naturale e che tanto successo ha ottenuto anche a livello internazionale. Vasco Errani Presidente della Regione Emilia-Romagna Andrea Speziali vive a Riccione, a pochi passi dalla villa Antolini oggetto principale dei suoi studi. Coltiva con passione l’interesse per l’arte e si dedica alla pittura, scultura, fotografia e grafica. Sta per specializzarsi presso l’Accademia di Belle Arti di Urbino. Si Ŀ cimentato in varie esperienze artistiche: nel 2011 ha ideato il progetto “Romagna Liberty”del quale ha curato la mostra e il catalogo; ha partecipato alla Affordable Art Fair di Amsterdam (27 - 31 ottobre 2010), alla collettiva della galleria Wikiarte di Bologna (5 - 31 marzo 2011), alla 14° Fiera Internazionale d’Arte Moderna e Contemporanea di Pechino (18 - 22 agosto 2011) nel complesso del World Trade Center e alla 54° Esposizione Internazionale d’Arte della Biennale di Venezia - Padiglione“Italia”- a cura di Vittorio Sgarbi. Per i tipi di Maggioli Editore ha pubblicato, nel 2010, “Una stagione del Liberty a Riccione”incentrata sulla figura e l’opera di Mario Mirko Vucetich, una tra le più poliedriche figure del‘900, sul quale sta preparando una mostra. www.andreaspeziali.it Collana: I fuori collana Edizione: 1 Copyright: Maggio 2012 Tipo Prodotto: Volume Pagine: 216 Formato: 21x28
 
ITALIAN LIBERTY. L’alba del Novecento
Dates:1.1.2050-1.1.2999
Il catalogo fotografico ”ITALIAN LIBERTY. L’alba del Novecento” contiene fotografie di alcuni concorrenti alla prima edizione del Concorso Fotografico Italian Liberty. Il contest è all’interno del progetto ITALIA LIBERTY, volto al censimento delle architetture Liberty in Italia. Il progetto si sviluppa con la collaborazione di enti, pubbliche amministrazioni, singoli cittadini interessati a sostenerlo assieme a Cultura Italia e il progetto europeo Partage Plus. Chiunque avesse informazioni, fotografie, cartoline, fonti su ville o altre tipologie di residenze storiche del fine ‘800 e primi ‘900 che si inseriscono nel periodo del Liberty, può contribuire al progetto, o meglio alla fase iniziale della ricerca. Grazie a questa iniziativa si può rivivere, assaporare, attraverso cartoline e foto d’epoca, il paesaggio urbano di fine ‘800 e primi ‘900. Le fotografie, i video dei gioielli architettonici Liberty possono mostrarci quanto sia cambiato lo stile nel corso degli anni. Sulla sezione ‘’gallery’’ nel sito www.italialiberty.it è possibile consultare ville e palazzi Liberty sottoforma di un censimento digitale. PER ACQUISTARE IL VOLUME: Corso Diaz, 64 47121 Forlì (FC) Tel. +39 0543 541081 • Fax 39 0543 038726 Presso la mostra ”LIBERTY. Unos tile per l’Italia moderna” ai musei San Domenico fino al 15 giugno a Forlì (www.mostraliberty.it) oppure alla mostra ”Romagna Liberty” a Riccione (www.romagnaliberty.it) The photographic catalog "ITALIAN LIBERTY. The dawn of the twentieth century "contains photographs of some competitors in the first edition of the Italian Liberty Photo Contest. The contest is within the project ITALY LIBERTY, face to the census of Liberty architecture in Italy. The project is developed in collaboration with institutions, governments, individuals interested in Italian culture along with support from the European project Partage Plus Anyone with information, photographs, postcards, sources of villas or other types of historic residences of the late '800 and '900 that fit into the period at the Liberty, can contribute to the project, or rather to the initial phase of the research. Through this initiative, you can relive, savor, through postcards and vintage photos, the urban landscape of the end of '800 and '900. The photographs, videos of the architectural jewels Liberty can show us how the style changed over the years. On the section'' gallery'' www.italialiberty.it the site you can see the villas and palaces Liberty in the form of a digital census. 21×28 cm – 160 pp 25 € www.facebook.com/andreaspeziali.italianliberty.risguardi
IMOLA
ROMAGNA LIBERTY BIKE - Riding a bike to visit the Art Nouveau villas in Romagna
Dates:9.11.2014-9.11.2014
In the year of the Liberty Association Rimini Cycling and Walking ( fairy tales ) organized the itinerary ''Romagna Liberty bike'' on the project and guidance of Andrea Speziali to visit in and out of the masterpieces of Liberty to the Romagna region, from villas to finest palaces that at the beginning of the twentieth century represented the bourgeois elite in a period known as the Belle Epoque. It is a journey Liberty with the aim to bring even more young people to rediscover the Art Nouveau villas of Romagna with a project that combines culture and health consciousness . The tour started February 23 with a guided tour of the exhibition Forlì ''Liberty. A style for modern Italy'' and then a path to learn about the Art Nouveau buildings including forlivesi best known as the former pension Victoria Sardi cottage in Via Cairoli , the wrought iron gates of the palace Guarini Torelli 1912 Fabri and villas via Matteucci. He also participated in the national RAI-3 ''Bell'Italia''. The program includes trips scattered throughout the Romagna in cities like Santarcangelo with the villa Vincenzi and the theater where you can see the finest made ​​in wrought iron , rich in Riccione colony where there will be a guided tour of the exhibition'' Liberty '' staged in Romagna a historic villa in Ceccarini which houses the art gallery Montparnasse , Faenza , Ravenna with art Nouveau buildings with fine decorations in terracotta, Cervia Milano Marittima, where you can visit the homes designed by architects such as Matthew Focaccia, Pesaro with the cottage Ruggeri, Liberty pearl of the Adriatic, Cesena , Cesenatico with a visit to the villa in the elegant lounges Pompili known for its wrought iron gate , Nouveau masterpiece , Viserba with the Grand Hotel, one of the finest examples of Art Nouveau in the area, with Massa Lombarda Zaganelli cultural center to the city of Imola, which keeps several notable examples such as former kindergarten Romeo Galli. November 9 IMOLA Former kindergarten Romeo Galli , home Bertaccini , pharmacy Bortolotti , Agricultural Institute . The monograph ''Romagna Liberty'' by Andrea Speziali published by Maggioli as a sort of guide where to learn more about a style known as Art Nouveau . Anyone interested can join by contacting the association for the detailed program or visit www.romagnaliberty.it . All tours have a cost of 2 € for insurance, while those with pleasure can join the association with an annual card for € 16 which includes insurance RCT H24 for damage caused by bike outside of official trips . During the guided tours you can take photos for the second edition of the Photo Contest ENGLISH LIBERTY from March 3 to 31 October 2014. ( Www.italialiberty.it/concorsofotografico) For more information: www.romagnaliberty.it | info@pedalandoecamminando.it cell . 334 9516245 - Fax . 0541 56311
Massa Lombarda
ROMAGNA LIBERTY BIKE - Riding a bike to visit the Art Nouveau villas in Romagna
Dates:12.10.2014-12.10.2014
In the year of the Liberty Association Rimini Cycling and Walking ( fairy tales ) organized the itinerary ''Romagna Liberty bike'' on the project and guidance of Andrea Speziali to visit in and out of the masterpieces of Liberty to the Romagna region, from villas to finest palaces that at the beginning of the twentieth century represented the bourgeois elite in a period known as the Belle Epoque. It is a journey Liberty with the aim to bring even more young people to rediscover the Art Nouveau villas of Romagna with a project that combines culture and health consciousness . The tour started February 23 with a guided tour of the exhibition Forlì ''Liberty. A style for modern Italy'' and then a path to learn about the Art Nouveau buildings including forlivesi best known as the former pension Victoria Sardi cottage in Via Cairoli , the wrought iron gates of the palace Guarini Torelli 1912 Fabri and villas via Matteucci. He also participated in the national RAI-3 ''Bell'Italia''. The program includes trips scattered throughout the Romagna in cities like Santarcangelo with the villa Vincenzi and the theater where you can see the finest made ​​in wrought iron , rich in Riccione colony where there will be a guided tour of the exhibition'' Liberty '' staged in Romagna a historic villa in Ceccarini which houses the art gallery Montparnasse , Faenza , Ravenna with art Nouveau buildings with fine decorations in terracotta, Cervia Milano Marittima, where you can visit the homes designed by architects such as Matthew Focaccia, Pesaro with the cottage Ruggeri, Liberty pearl of the Adriatic, Cesena , Cesenatico with a visit to the villa in the elegant lounges Pompili known for its wrought iron gate , Nouveau masterpiece , Viserba with the Grand Hotel, one of the finest examples of Art Nouveau in the area, with Massa Lombarda Zaganelli cultural center to the city of Imola, which keeps several notable examples such as former kindergarten Romeo Galli. October 12 EARTH LOMBARD Cottages in via Zaganelli and municipal Bibilioteca . November 9 IMOLA Former kindergarten Romeo Galli , home Bertaccini , pharmacy Bortolotti , Agricultural Institute . The monograph ''Romagna Liberty'' by Andrea Speziali published by Maggioli as a sort of guide where to learn more about a style known as Art Nouveau . Anyone interested can join by contacting the association for the detailed program or visit www.romagnaliberty.it . All tours have a cost of 2 € for insurance, while those with pleasure can join the association with an annual card for € 16 which includes insurance RCT H24 for damage caused by bike outside of official trips . During the guided tours you can take photos for the second edition of the Photo Contest ENGLISH LIBERTY from March 3 to 31 October 2014. ( Www.italialiberty.it/concorsofotografico) For more information: www.romagnaliberty.it | info@pedalandoecamminando.it cell . 334 9516245 - Fax . 0541 56311
Rimini
ROMAGNA LIBERTY BIKE - Riding a bike to visit the Art Nouveau villas in Romagna
Dates:21.9.2014-21.9.2014
In the year of the Liberty Association Rimini Cycling and Walking ( fairy tales ) organized the itinerary ''Romagna Liberty bike'' on the project and guidance of Andrea Speziali to visit in and out of the masterpieces of Liberty to the Romagna region, from villas to finest palaces that at the beginning of the twentieth century represented the bourgeois elite in a period known as the Belle Epoque. It is a journey Liberty with the aim to bring even more young people to rediscover the Art Nouveau villas of Romagna with a project that combines culture and health consciousness . The tour started February 23 with a guided tour of the exhibition Forlì ''Liberty. A style for modern Italy'' and then a path to learn about the Art Nouveau buildings including forlivesi best known as the former pension Victoria Sardi cottage in Via Cairoli , the wrought iron gates of the palace Guarini Torelli 1912 Fabri and villas via Matteucci. He also participated in the national RAI-3 ''Bell'Italia''. The program includes trips scattered throughout the Romagna in cities like Santarcangelo with the villa Vincenzi and the theater where you can see the finest made ​​in wrought iron , rich in Riccione colony where there will be a guided tour of the exhibition'' Liberty '' staged in Romagna a historic villa in Ceccarini which houses the art gallery Montparnasse , Faenza , Ravenna with art Nouveau buildings with fine decorations in terracotta, Cervia Milano Marittima, where you can visit the homes designed by architects such as Matthew Focaccia, Pesaro with the cottage Ruggeri, Liberty pearl of the Adriatic, Cesena , Cesenatico with a visit to the villa in the elegant lounges Pompili known for its wrought iron gate , Nouveau masterpiece , Viserba with the Grand Hotel, one of the finest examples of Art Nouveau in the area, with Massa Lombarda Zaganelli cultural center to the city of Imola, which keeps several notable examples such as former kindergarten Romeo Galli. September 21 RIMINI Grand Hotel designed by the Brothers Somazzi , Cacciaguerra villa , Villa Fiorita , villas Liberty Avenue Principe Amedeo. October 12 EARTH LOMBARD Cottages in via Zaganelli and municipal Bibilioteca . November 9 IMOLA Former kindergarten Romeo Galli , home Bertaccini , pharmacy Bortolotti , Agricultural Institute. The monograph ''Romagna Liberty'' by Andrea Speziali published by Maggioli as a sort of guide where to learn more about a style known as Art Nouveau. Anyone interested can join by contacting the association for the detailed program or visit www.romagnaliberty.it . All tours have a cost of 2 € for insurance, while those with pleasure can join the association with an annual card for € 16 which includes insurance RCT H24 for damage caused by bike outside of official trips. During the guided tours you can take photos for the second edition of the Photo Contest ENGLISH LIBERTY from March 3 to 31 October 2014. ( Www.italialiberty.it/concorsofotografico) For more information: www.romagnaliberty.it | info@pedalandoecamminando.it cell . 334 9516245 - Fax . 0541 56311
Berlin
Art and cookie jar - 125 years Bahlsen
Dates:17.7.2014-9.11.2014
The exhibition "Art and cookie jar" is dedicated to the groundbreaking and exquisite packaging cans of the Bahlsen company from Hannover. Since the company was founded 125 years ago Bahlsen relies on exceptionally elaborate packaging, building on collaborations with eminent artists. From Historicism and Art Nouveau, Constructivism, Informal Art, Op Art and Pop Art, many art movements of the 20th century are reflected in the design of the cans. The artistically designed packaging made ​​for a recognition effect, which is often made ​​even the mention of the company name redundant. In the exhibition, over 250 exhibits from a large private collection as well as from the corporate archive are shown. Media: Culture Radio RBB, [030] Magazin Berlin. Accompanying the exhibition Free public tours on every 3rd Sunday of the month (plus museum admission): Sunday, 20.07., 17.8., 21.9., 10.19.2014, every 16 clock Free public short tours every 1st Wednesday of the month: Wednesday, 06.08., 3.9., 1.10., 11.5.2014, both 17 clock Offer for schools: Workshop "Coloured tin". Information and booking information about the Museum Berlin, Tel: 030 / 24,749,888 Workshops for children and young people: "Tagtool meets Bahlsen meets Art Nouveau" and "porcelain painting: design language of the box turn of the century." Information and booking on youth at the Museum eV, Tel: 030/266 422 242
Budapest
The Bigot Pavilion – Art Nouveau Architectural Ceramics from Paris
Dates:26.5.2013-31.8.2014
This year, the Budapest the ensemble of Alexander Bigot’s monumental architectural ceramics can be seen for the first time since the Paris World's Fair of 1900. The ensemble was acquired with government funds by the director Jenő Radisics at the Paris Universal Exposition 1900 and has never been on display so far. Alexander Bigot’s pavilion constructed of Art Nouveau architectural sample pieces –wall revetments, fireplace frames, columns with plastic decorations, brackets, friezes- was bought entirely by the museum and was transported to Budapest after the exposition. The objects were deposited in the huge basement of the Museum of Applied Arts. The designers of the architectural ceramics were such outstanding French architects and sculptors of the period like Jules Lavirotte (1864-1924) or Paul Jouve (1878-1973). Similar pieces of architectural ceramics displayed at the exhibition can be found on facades of several Art Nouveau apartment buildings and palaces in Paris even today. The present exhibition hints at the future of the museum, expressing the desire that many hidden artworks in the collection, such as these, should be displayed – something which will only be possible after the reconstruction of the building designed by Ödön Lechner. The Ceramics Factory Alexandre Bigot (Mer, 1862 – Paris, 1927) established his ceramics manufactory at Mer in 1894, after his extensive studies of the natural sciences, chemistry and physics, and with enthusiasm for far-eastern as well as modern ceramic arts. His factory was producing stoneware fired at high temperatures and known as grès flammés. This material was most suitable for the decoration and panelling of the facades of modern ferro-concrete buildings, but the company also made various dishes and vases. The surface of the ceramics was usually covered with special glazes, including crystalline glazes, which often flowed down on the surface of the plastic forms. He also created special matte glazes, using acids to corrode the surface. At its heyday, the Bigot factory had about hundred and fifty workers. Products of Bigot The rich selection of products by the Bigot factory was listed in their catalogue, issued in second edition in 1902. They offered frost-resisting glazed and unglazed tiles for façade revetments, roof tiles, including ridge-tiles of various shapes, as well as large variety of architectural sculpture, such as columns, pillars, lunettes, lintels, banisters, arches, friezes and parapets. Ceramics for interior use were also quite varied. Flat tiles for floors and walls were often designed with multi-tile ornaments of various shapes. Their ceramics, which were suitable for decorating large surfaces, their fireplaces as well as ornamental vessels were made for the elegant urban interiors of the bourgeoisie. The Magic of Bigot The elegant and well-shaped objects by Bigot, decorated with varied figural and floral motifs and covered with colourful glazes of warm tone provide a unique aesthetic experience. Similar pieces to the ones shown in the present exhibition can be found on the facades of several Parisian apartment buildings and palaces. The architectural ceramics of Alexandre Bigot were made in various historical styles as well as in the style of Art Nouveau, but he never really constrained himself to one style. For him, the challenge was the material and the glazes. The magic of his ceramic objects lies in the glazes which cover his daring and exotic shapes, often flowing down or intentionally blotty, other times appearing in deep tones, or gleaming in thick layers. Most architectural elements used in the pavilion assembled for the Paris World’s Fair were designed for two buildings by Jules Aimé Lavirotte from Lyon (1864-1924), both still standing in the seventh district of Paris.
Budapest
Masters of Art Nouveau in the Collection of the Museum of Applied Arts
Dates:24.5.2013-31.8.2014
The exhibition of the Art Nouveau collection of the Museum of Applied Arts, which met with success in the Musei Capitolini in Rome this spring, is on display in Budapest from 24 May, 2013. The Museum of Applied Arts in Budapest, which came into being modelling the Victoria and Albert Museum, is one of the earliest and most significant institutions in Europe among such museums. Feeling enthusiastic about the success of the Paris Universal Exposition 1867 it was founded in 1872 as the second national museum of Hungary. Ödön Lechner’s architectural work the museum’s Art Nouveau palace, which dominates the townscape, was finished in 1896. The Museum’s Art Nouveau collection is of great importance. The planned acquisition already started on the occasion of the Paris Universal Exposition 1889 and reached its summit at the Paris Universal Exposition 1900. This work could be thanked to the director Jenő Radics who was even more provident than the model museum in London and recognised the aims of Secessionism. He primarily wanted to present the artistic results of England and France to the public, the countries seen as the cradle for modern art movements, as well as the modern artists of Germany and Scandinavia. Due to this effort, the museum obtained notable pieces, such as the glassware of the Tiffany company that is in a class of its own today, the most beautiful works of the German Jugendstil, the tapestries of the Scherrebek weaving school based on the designs of Otto Eckman as well as Danish and Swedish porcelains. The such acquired artefacts, which represented the contemporary tendencies, were presented to the Hungarian public through the museum’s own exhibitions inspiring the Hungarian designers and producers. This is how Louis Comfort Tiffany’s glassware made by lustre techniques, which were exhibited in Budapest, influenced the artistic work of the Hungarian Zsolnay ceramic-manufactory. Over and above universal masterpieces, the Museum of Applied Arts also purchased contemporary Hungarian artefacts year after year. The main emphasis of the programme 2013 of the Museum of Applied Arts is to display this internationally significant Art Nouveau collection both to the national and international public. Part of the Hungarian-Italian Cultural Year 2013 this spring the Museum of Applied Arts organised a large-scale exhibition displaying almost 100 objects in the Musei Capitolini in Rome, which exhibition can now be seen in the Üllői street building. It represents the technological and artistic innovations of the heyday of Secessionism with outstanding artefacts from the period between the Paris Universal Exposition 1889 and the Turin Universal Exposition of Decorative Art 1911 and shows the influences among the different artistic fields and among the artists from different nationalities. The glass and ceramic objects –masterworks of Louis Comfort Tiffany, Émile Gallé, the Daum brothers and the Zsolnay factory- which form the main part of the exhibition is enriched by jewels (René Lalique) and tapestries (József Rippl-Rónai, Otto Eckmann). Further relevance of the exhibition is given by the fact that Art Nouveau objects are continuously uploaded to the institution’s recently launched online collection database, in the course of the Partage Plus digitisation project which is sponsored by the European Union. The Museum of Applied Arts digitise more thousand pieces of its own European ranking Art Nouveau collection as well as outstanding Art Nouveau buildings of Hungary, which will be made available even through the Europeana cultural web database. Also in the framework of the Partage Plus project, a 360 degree virtual tour of the exhibition was also created, which can be accessed via this link.
 
John Ruskin | Artist and Observer
Dates:4.7.2014-28.9.2014
John Ruskin (1819-1900) is renowned as the greatest British art critic of the nineteenth century and the champion of Turner, but his role as an artist remains relatively little known. He was however an outstanding draughtsman and watercolour painter, who especially took inspiration from the natural world and architectural subjects. This exhibition will illustrate, with the finest examples, the range and quality of his drawn and painted work. Gothic palaces in Venice, wild and spectacular Scottish and Alpine landscapes, and minutely defined and brilliantly coloured birds and plants will all be highlights of the show. The loans will chiefly come from the key UK and US collections (both public and private), and the exhibition is a prestigious collaboration with the National Gallery of Canada in Ottawa. It is especially fitting that John Ruskin: Artist and Observer should be showcased in Edinburgh, as Ruskin came from a Scottish family, visited Scotland many times, and was a passionate advocate for the beauty of its landscapes and literary heritage. Key episodes in his public and private life were enacted here. A major, scholarly catalogue complementing the exhibition is to be published by the National Gallery of Canada.

 

With the support of the Culture Programme of the European Union