Internationaal Symposium2010

Perception of Art Nouveau, Brussels, 4 and 5 December 2010
Programme and abstracts: French/English or French/Dutch

All contributions have been peer reviewed

Benoît PEETERS, écrivain et scénariste, Paris

      From Little Nemo to the Autrique House. Comic strips and Art Nouveau, back and forth

Werner ADRIAENSSENS, Conservateur de la section des Arts

      Vienna-Brussels: myth or reality. The Belgian Decorative Arts before the First World War

Philippe THIÉBAUT, Conservateur général du patrimoine, Chef du service de la conservation du Musée d'Orsay, Paris

      Neo Art Nouveau and advertising graphics in the 1960s

Rossend CASANOVA, Conservateur du Disseny Hub Barcelona, Barcelone

      Barcelona and the 2002 Gaudí International Year : a model for cultural management

Véronique BRUMMResponsable des collections, Musée Lalique, Wingen-sur-Moder

      Stakes of the Lalique Museum. From the project to the opening - more than fifteen years of preparation

Jean-Daniel JEANNERETArchitecte du patrimoine, Gestionnaire du site "La Chaux-de-Fonds / Le Locle, urbanisme horloger" inscrit sur la liste du patrimoine mondial de l'UNESCO

      Art nouveau, a tool for heritage discovery

Werner ADRIAENSSENS, Conservateur de la section des Arts décoratifs du XXe siècle, Musées Royaux d'Art et d'Histoire, Bruxelles

      The Modern Art register of the Royal Musems of Art and History. An acquisition policy (1893-2010)

Metta TIEMONVorsitzende, Jugendstilverein Bad Nauheim

      Reawakening Art Nouveau heritage through private initiative in Bad Nauheim

Breda MIHELIČ, Doc. dr., Assistant Professor History of Art, Urban Planning Institute of the Republic of Slovenia, Ljubljana

      The Rihard Jakopič pavilion: first art gallery and reception of modern art in the provincial milieu of Ljubljana in the early twentieth century

Ritva WÄREPh. D. Docent, University of Helsinki

      Changing interpretations of Art Nouveau architecture in Finland in the first years of the 20th century

Blandine OTTER, Assistante de conservation et documentaliste, Musée de l'Ecole de Nancy

      The perception of the Ecole de Nancy bookbindings at the 1893 National Society of Fine Arts Fair

Christina USLULAR-THIELE, Art Historian, Hochschule Darmstadt

      The "Darmstadt Style" - artistic provocation and signpost

Claudia CASTILLO, Architecte, Taller de Urbanismo de La Oficina del Historiador de la Ciudad

      La Habana, Typography and commercial advertising in Modernist Havana (1898-1925)

Roselyne BOUVIER, Professeur d'histoire de l'art, Ecole des Beaux-Arts d'Epinal

      The Furniture Industry Fairs in Paris between 1902 and 1911

Hélène GUÉNÉ, Professeur d'histoire de l'art contemporain à l'Université Lumière, Lyon 2

      Renewal of the decorative repertoire: grammar and syntax

Françoise AUBRY, Conservatrice du Musée Horta, Saint-Gilles, Bruxelles

      Fortunes and misfortunes of the work of Horta

Peter TROWLES, Mackintosh Curator, Archives and Collections Centre, The Glasgow School of Art, Glasgow and President of the Réseau Art Nouveau Network

      The Mackintosh Phenomenon - The rise of Charles Rennie Mackintosh as cultural icon, cultural superstar!

Paul GREENHALGH, Director of the Sainsbury Centre for the Visual Arts, at the University of East Anglia

      Life and afterlife: observations on the decline and resurrection of Art Nouveau

With the support of the Culture Programme of the European Union

Responsible publisher: Arlette Verkruyssen, General Director,
Ministry of the Brussels Capital Region Department of Spatial Planning and Housing,
Rue du Progrès 80 b 1, 1035 Brussels - Belgium