Agenda

Exposições sobre o movimento Arte Nova a decorrer, visitas e muito mais...

FilterType of Event by
Filter by Select date
   
Find it!
Records 1-15 of 476  
page1              
City
Image   
Name
Wien
Silver Age - Russian Art in Vienna around 1900
Dates:27-06-2014-28-09-2014

The Belvedere’s exhibition Silver Age - Russian Art in Vienna around 1900, scheduled for summer 2014, is devoted to Russian art and the cultural relations between Russia and Austria at the beginning of the twentieth century. The term Silver Age refers to the cultural bloom in Russian literature and the visual arts after 1900 and is considered an equivalent to the German expression Jugendstil or Art Nouveau.

The exhibition Silver Age - Russian Art in Vienna around 1900 presents works by such Russian artists as Michail Vrubel, Valentin Serov, Nicholas Roerich, and Boris Kustodiev, whose pictures were on display in Vienna more than one hundred years ago, and illustrates the mutual influences of this cultural exchange between Russian and Austrian art.

Winter Park, Florida
Selections from the Harry C. Sigman Collection of European and American Decorative Art
Dates:10-02-2015-10-02-2016

In this exhibit, the Museum debuts a selection from Harry C. Sigman’s 2014 gift of 86 objects to the Morse. Sigman, a Los Angeles attorney, began collecting European and American decorative art in 1969, and his gift dovetails with the late 19th- and early 20th-century styles represented in the Morse collection. The donation includes art glass, pottery, metalwork, and furniture. Though comprised mainly of Jeannette and Hugh McKean’s massive gift, the Morse collection has always been supported by generous individuals such as Harry Sigman whose contributions have helped it to grow in important ways. The finely crafted objects on view can be appreciated both individually and in the context of the Museum’s entire collection.

Winter Park, Florida
The Bride Elect—Gifts from the 1905 Wedding of Elizabeth Owens Morse
Dates:10-02-2015-10-02-2016

In 1905 Elizabeth Owens Morse, the daughter of Charles Hosmer Morse and Martha Owens Morse, married Richard Genius. The gift registry of this socially prominent Chicago bride—entitled “The Bride Elect”—survives in the Morse Museum’s archive, showing more than 250 gifts. Together these items provide a snapshot of the era, a glimpse into 1905 gift-giving traditions, and some insight into popular retail decisions made by wealthy consumers in the Chicago area. In this new exhibition, the Morse presents a representative group of the lovely gifts that survive from the Morse-Genius wedding, including Tiffany art glass, Rookwood pottery, and Gorham silver.

Winter Park, Florida
Revival and Reform—Eclecticism in the 19th-Century Environment
Dates:21-10-2014-21-10-2015

The Arts window by J. & R. Lamb Studios is the centerpiece of this major new exhibition that illustrates the rich diversity of styles that made up the aesthetic environment of the late 19th century in both Europe and America. Lamb Studios, a prominent American glasshouse of the era, exhibited the 1894 neoclassical window widely. In preparation for its debut at the Morse, the window, more than eight feet in diameter, underwent extensive conservation. The installation features 20 additional leaded-glass windows and selections of art glass, pottery, and furniture, a number of which also have never been exhibited. Other windows on view—some avant-garde, others reviving the past—include examples by Tiffany Studios, John LaFarge, Frank Lloyd Wright, Edward Burne-Jones, Donald MacDonald, and Heaton, Butler & Bayne.

Cumbria
Introduction to Glasgow Style
Dates:12-12-2014-12-12-2014

Born at the highly influential Glasgow School of and blending together the imagery of the Celtic Revival with influences from Art Nouveau and the Arts & Crafts Movement, the term ‘Glasgow Style’ was coined and came to represent a distinctive style developed in the west of Scotland. Join Curator, Beth Hughes, to find out more about the leading makers associated with the Glasgow Style in our latest exhibition Glasgow Style: Arts & Crafts 1890-1930.

Free with admission, no booking required

Cumbria
Stories of Blackwell
Dates:05-12-2014-05-12-2014

Find out more about the people who have called Blackwell home, including the wealthy Holt family, for whom it was designed, their staff and servants and evacuated school children during WW2.

Free with admission, no booking required

Cumbria
Introduction to Glasgow Style
Dates:17-10-2014-17-10-2014

Born at the highly influential Glasgow School of and blending together the imagery of the Celtic Revival with influences from Art Nouveau and the Arts & Crafts Movement, the term ‘Glasgow Style’ was coined and came to represent a distinctive style developed in the west of Scotland. Join Curator, Beth Hughes, to find out more about the leading makers associated with the Glasgow Style in our latest exhibition Glasgow Style: Arts & Crafts 1890-1930.

Free with admission, no booking required.

Cumbria
Stories of Blackwell
Dates:26-09-2014-26-09-2014

Find out more about the people who have called Blackwell home, including the wealthy Holt family, for whom it was designed, their staff and servants and evacuated school children during WW2.

Cumbria
Meet the Curator
Dates:19-09-2014-19-09-2014

Join Curator, Beth Hughes, to find out more about Blackwell, its fascinating history, beautiful architecture and more.

Venezia
Symposium - 2014 International Venice Architecture Biennale
Dates:18-10-2014-18-10-2014

Architectural experts are to meet in Venice to discuss the restoration of Glasgow School of Art's (GSA) Mackintosh library, which was destroyed in a fire in May.

The art school will host two meetings to explore key questions around the rebuilding of the unique library, one in the Italian city in October and the second in Glasgow next spring.

The Venice symposium will feature keynote speakers, while figures from fields such as architecture and heritage will be invited to attend. The event, on October 18, is taking place in Querini Stampalia during the 2014 International Venice Architecture Biennale. Members of the public will also be able to attend.

It will be aligned with the Scotland + Venice programme presented by Reiach and Hall as part of a residency at the UK Pavilion during the biennale.

Bad Nauheim
Guided tours of the exhibition The Nature of Art Nouveau for children - Kinderführungen
Dates:22-10-2014-22-10-2014

Free guided tours - Kostenfreie Führungen

More information:
Bad Nauheim Stadtmarketing und Tourismus GmbH
In den Kolonnaden 1 · 61231 Bad Nauheim
Tel. +49 (6032) 92 992-0 · info@bad-nauheim.de
www.bad-nauheim.de

Bad Nauheim
Guided tours of the exhibition The Nature of Art Nouveau for children Kinderführungen
Dates:08-10-2014-08-10-2014

Free guided tours - Kostenfreie Führungen

More information:
Bad Nauheim Stadtmarketing und Tourismus GmbH
In den Kolonnaden 1 · 61231 Bad Nauheim
Tel. +49 (6032) 92 992-0 · info@bad-nauheim.de
www.bad-nauheim.de

Bad Nauheim
The Nature of Art Nouveau: Guided tours for children - Kinderführungen
Dates:24-09-2014-24-09-2014

Free guided tours - Kostenfreie Führungen

More information - Weitere Informationen:
Bad Nauheim Stadtmarketing und Tourismus GmbH
In den Kolonnaden 1 · 61231 Bad Nauheim
Tel. +49 (6032) 92 992-0 · info@bad-nauheim.de
www.bad-nauheim.de

Bruxelles
Charles Girault et le Petit Palais
Dates:11-03-2014-19-09-2014

L’exposition Paris 1900, la Ville spectacle est l’occasion pour le Petit Palais de rendre hommage à son architecte, Charles Girault (1851-1932). Si le Petit Palais, reconnu comme un des joyaux architecturaux de l’Exposition Universelle, demeure aujourd’hui une silhouette familière, à deux pas des Champs-Élysées, la personnalité de son concepteur est en revanche injustement méconnue. Charles Girault a pourtant mené une carrière exemplaire au tournant du dernier siècle, à Paris et à Bruxelles. Il peut d’autant mieux être mis à l’honneur que le Petit Palais a reçu, en 2012, une importante donation provenant des descendants de l’architecte. Une partie de la donation – dont L’Espérance, modèle de la superbe mosaïque du Tombeau de Pasteur- est présentée ici pour la première fois, au côté de dessins, de peintures, de sculptures et de médailles issues des collections du Petit Palais.

D’origines modestes, Charles Girault commence comme apprenti serrurier. Ses talents de dessinateur l’incitent à se présenter à l’École des Beaux-Arts où il est admis dans l’atelier d’Honoré Daumet. Prix de Rome en 1880, il entame une carrière parisienne à son retour de la Villa Médicis en 1884. Le tombeau de Pasteur, édifié en 1896, lui vaut son premier succès public. La même année, à quarante-quatre ans, Charles Girault est nommé, à l’issue d’un concours, architecte du Petit Palais. La responsabilité est de taille puisqu’il s’agit de réaliser l’un des deux seuls monuments pérennes de l’Exposition, avec le Grand Palais dont Girault coordonne également les travaux. Le Petit Palais s’inscrit au cœur d’une perspective prestigieuse, entre les Champs-Élysées, les Invalides et la place de la Concorde. L’enjeu pour l’architecte est double : il lui faut imaginer un projet en harmonie avec les monuments qui l’entourent. Mais il lui faut aussi inventer un édifice moderne, qui réponde à sa future affectation, être le « Palais des beaux-arts de la Ville de Paris ».

Charles Girault parvient à relever brillamment le défi : cet architecte au parcours académique sans faute, conçoit le Petit Palais comme un « musée modèle » qui associe avec élégance les références classiques, le style Art Nouveau et les innovations techniques, comme l’usage du béton armé. Depuis 1900, le Petit Palais suscite l’admiration des visiteurs, nombreux à s’émerveiller devant les morceaux de bravoure que constituent la grille d’entrée, dessinée par l’architecte, les mosaïques du vestibule, la colonnade et les fresques du jardin intérieur ou les rampes en fer forgé des escaliers d’angle.

NOUVEL ACCROCHAGE DANS LES COLLECTIONS

 
A Lovosice la reconstruction de la villa du style d’Art Nouveau bientôt achevée
Dates:14-08-2014-14-10-2014

A Lovosice (Bohême de l’Ouest), les travaux de reconstruction de la villa Pfannschmidt sont au point de s’achever. Entrepris en juillet 2013, les travaux ont coûté 55 millions de couronnes (2 millions d’euros). La villa du style d’Art Nouveau sera utilisée comme bibliothèque municipale et comme centre d’information. Le bâtiment a été construit par la famille allemande des fermiers Pfannschmidt, dont un membre était maire de Lovosice entre 1888 et 1891. La famille a été expulsée en Allemagne après la Seconde Guerre mondiale. La villa a été utilisée comme un centre médical jusqu’en 2009. Il s’agit d’un des rares bâtiments historiques conservés dans la ville de Lovosice.

With the support of the Culture Programme of the European Union

Responsible publisher: Arlette Verkruyssen, General Director,
Brussels Regional Public Service - Bruxelles Développement urbain (Brussels Urban Development),
CCN - Rue du Progrès 80, B. 1, 1035 Brussels - Belgium