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Miami
Art and Design in the Modern Age: selections from the Wolfsonian Collection
Dates:01.01.2007-31.08.2020

Art and Design in the Modern Age provides an intriguing overview of The Wolfsonian's exceptional holdings and showcases the museum's collection, which spans the period 1885 to 1945. The nearly 300 works on display provide insight into the ways design has influenced and adapted to the modern world. The installation explores the many focal points of The Wolfsonian's collection, including design-reform movements, architecture, urbanism, industrial design, transportation, world's fairs, advertising, political propaganda, and labor iconography.
Inaugurated in November 1996, this ongoing exhibition is periodically updated.

New York
New Galleries for 19th- and Early 20th-Century European Paintings and Sculpture, including the Henry J. Heinz II Galleries
Dates:08.12.2007-31.12.2020

The New Galleries for 19th- and Early 20th-Century European Paintings and Sculpture are reopening with renovated rooms and 8,000 square feet of additional gallery space—the Henry J. Heinz II Galleries—to showcase works from 1800 through the early twentieth century. The renovated galleries feature all of the Museum's most loved nineteenth-century paintings, which have been on permanent display in the past, as well as works by Bonnard, Vuillard, Soutine, Matisse, Picasso, and other early modern artists. Among the many additions are a full-room assembly of "The Wisteria Dining Room," a French art nouveau interior designed by Lucien Levy Dhurmer shortly before World War I that is the only complete example of its kind in the United States; Henry Lerolle's enormous The Organ Rehearsal (a church interior of 1885); a group of newly accessioned nineteenth-century landscape oil sketches; and a selection of rarely exhibited paintings by an international group of artists.

Helsinki
DECADES OF FINNISH ARCHITECTURE 1900–1970
Dates:27.03.2010-31.12.2020
The exhibition explores the history of building in the 20th century against a background of Finnish society, taking into account economic, political and technological developments. These factors have always influenced not only the volume of building but also the architectural shapes. Phenomena connected with construction are viewed from a broad perspective, and from larger to smaller; from urban planning to façade materials and interior decoration.
Copenhagen
Danish and Nordic Art 1750-1900
Dates:28.05.2011-01.01.2035
From the birth of Danish painting through the famous Golden Age of Danish art to the dawn of Modernism. The major features of Danish and Nordic art over 150 years are unfolded in a display that features both an historic overview and special themes of immediate relevance to contempoary life, while also focusing on artists of particular importance. At the same time, this display casts light on some of the more overlooked chapters in the history of Danish art.
Winter Park, Florida
Secrets of Tiffany Glassmaking
Dates:04.09.2012-04.09.2020

Louis Comfort Tiffany (1848–1933) began his work in glass with the same tools and ingredients that had been used by artisans for thousands of years before him. Tiffany took the science of glassmaking, however, and elevated it to an art form of new brilliance and beauty. Under his watch, teams of talented designers and craftspeople translated Tiffany’s all-encompassing vision into some of the most memorable glass creations of our time. Tiffany’s studio system was not a simple enterprise; he needed specialized employees—a hierarchy of artists and artisans—to accomplish his goals. This exhibition, updated and reinstalled on September 4, 2012, addresses the processes that Tiffany’s many companies used to produce everything from glass mosaics and molded buttons to leaded-glass lamps and windows.

Bruxelles
Bruxelles Patrimoines 006-007
Dates:01.01.2013-01.01.2999
La Direction des Monuments et Sites du Ministère de la Région Bruxelles-Capitale vient de publier un numéro spécial de la revue Bruxelles Patrimoines dédié aux journées du patrimoine 2013, sur le thème « Bruxelles, m’as-tu vu ? ».
Bruxelles
Métamorphoses Trois siècles de développement urbain à Schaerbeek
Dates:28.08.2014-31.08.2020
Exposition permanente dès le 28 aout – Galerie de l’Hôtel communal Le long mur au dessus de la salle des guichets va accueillir une exposition, conçue par l’Association pour l’étude du bâti, qui évoque comment Schaerbeek, petit village rural, est devenu la commune de 130.000 habitants que nous connaissons. En 1777 c’est la verte campagne, Schaerbeek compte 1138 habitants essentiellement autour de l’ancienne église St-Servais. On y cultive les légumes et la fameuse griotte. Vers 1850, la ville se déploie, le tracé royal se prolonge sur le territoire de Schaerbeek, on construit l’église Ste-Marie, la gare du Nord. Schaerbeek a désormais 11500 habitants. Dans la seconde moitié du XIXème Victor Besme et Octave Houssa sont les deux visionnaires du développement du grand Bruxelles pour le premier et de Schaerbeek pour le second. Schaerbeek, entre 1890 à 1914, passe de 50000 à 100000 habitants ! Pour cette nouvelle population, la commune s’équipe : un hôtel communal somptueux, des parcs, des écoles, des bâtiments publics et des équipements sportifs…. L’entre deux-guerres voit naitre le quartier Terdelt et celui des Fleurs. Les années 60-70 l’arrivée de la RTBF/VRT et la construction de la tour Brusilia…. Aujourd’hui la zone de la gare Josaphat et le site de la RTBF sont les nouveaux enjeux de la ville de demain. A côté de ces vastes projets, des aménagements locaux, au cœur des quartiers complètent le panorama d’une commune en changement. Une initiative de l’échevinat de l’urbanisme, du patrimoine et de la rénovation urbaine Avec le soutien du Collège des Bourgmestre et Echevins de la Commune de Schaerbeek Conception : L’Association pour l’Étude du Bâti - APEB Scénographie et graphisme : Juliette de Patoul Horaires d’ouverture de l’Hôtel communal Galerie du 1er étage – Accès libre
Baud
La femme dans l'Art Nouveau
Dates:01.01.2017-31.12.2017

Ce courant artistique né à la fin du 19e siècle, s'exprime dans tous les domaines des arts décoratifs. La "petite estampe", qu'est la carte postale, devient un lieu d'expression incontournable pour les grands illustrateurs tels Alfons Mucha ou Raphaël Kirchner.

Thème centrale, "la Femme" s'y décline à l'infini sensuelle et mystérieuse mais aussi moderne et moqueuse sous les traits de la parisienne dont la figure se construit à cette époque.

Baud
La Femme dans l’Art Nouveau
Dates:01.02.2017-30.12.2017

Ce courant artistique né à la fin du 19e siècle, s'exprime dans tous les domaines des arts décoratifs. La "petite estampe", qu'est la carte postale, devient un lieu d'expression incontournable pour les grands illustrateurs tels Alfons Mucha ou Raphaël Kirchner. Thème centrale, "la Femme" s'y décline à l'infini sensuelle et mystérieuse mais aussi moderne et moqueuse sous les traits de la parisienne dont la figure se construit à cette époque

Chicago
L’affichomania : the passion for french posters
Dates:11.02.2017-07.01.2018

L’Affichomania: The Passion for French Posters features approximately 50 posters by the five grand masters of the medium: Jules Chéret, Eugène Grasset, Théophile-Alexandre Steinlen, Henri de Toulouse-Lautrec, and Alphonse Mucha. The posters date from 1875 to 1910, the exuberant era in France known as the Belle Époque. These pioneering artists reigned in Paris during this period of artistic proliferation, defining a never-before-seen, and never forgotten, art form. Bright and bold and found everywhere along the boulevards of fin-de-siècle Paris, the color poster was a brilliant fusion of art and commerce. It advertised cigarette papers and milk, immortalized stage stars and bohemian cabarets, and won the adoration of passersby and art collectors. Subject as it was to wind, rain, and being covered up by posters from rival firms, the ephemeral poster nonetheless became the subject of passionate collecting in its own time. The poster craze, known as affichomanie, revolved around the acquisition of these posters, from buying and selling special editions to stealthy removals from walls and kiosks. Drawn from the Driehaus Collection of Fine and Decorative Arts, the posters on view feature such iconic images as Steinlen’s Le Chat Noir and Lautrec’s Moulin Rouge: La Goulue. Each of the five artists will be featured in one of the period galleries in the Museum, allowing guests to explore the artists’ individual style and compare them with their contemporaries.

Baud
La femme dans l'Art Nouveau
Dates:28.03.2017-30.12.2017

Ce courant artistique né à la fin du 19e siècle, s'exprime dans tous les domaines des arts décoratifs. La "petite estampe", qu'est la carte postale, devient un lieu d'expression incontournable pour les grands illustrateurs tels Alfons Mucha ou Raphaël Kirchner. Thème centrale, "la Femme" s'y décline à l'infini sensuelle et mystérieuse mais aussi moderne et moqueuse sous les traits de la parisienne dont la figure se construit à cette époque.

Suwa, Nagano Prefecture
Japonisme in Emile Gallé’s Work
Dates:03.04.2017-31.03.2018

With the opening of Japan near the end of the Edo period, ukiyo-e, ceramics, and other Japanese art objects crossed the seas. They had a powerful impact on Europe, where a fashion for things Japanese sprang up in many countries. The elegant use of color and the bold compositions found in those works had a profound influence on the birth of Impressionism and Art Nouveau, a fin de siècle movement to reform the decorative arts. The phenomenon we now refer to as Japonisme is strongly evident in the work of Emile Gallé, a standard bearer for Art Nouveau and a glass artist born in the city of Nancy, in eastern France. The distinctive world of his works, with a profusion of many-colored flowers in bloom and grasshoppers and dragonflies soaring about, is modeled on the natural world and admiration for the beauty of the changing seasons. In the background to the birth of that highly original Gallé style we can see his passionate regard for Japanese art. In this exhibition, to celebrate the 35th anniversary of the opening of the Kitazawa Museum of Art, we present his works related to Japonisme and other masterpieces from our Gallé collection, one of the finest in the world.

Corning
Tiffany's Glass mosaics
Dates:20.05.2017-07.01.2018

Louis C. Tiffany’s innovative artistry forged a bold new aesthetic for glass mosaics and contributed a uniquely American character to the centuries-old art form. Discover and explore these breathtaking artworks as never before.

Through exquisite new photography, high-definition gallery projections, and interactive activities, Tiffany’s glass mosaics — and the creative process behind them — can be fully appreciated for the first time.

From design to installation, we invite you to lose yourself in the immersive world of Tiffany’s Glass Mosaics.

Los Angeles
Polished to Perfection: Japanese Cloisonné from the Collection of Donald K. Gerber and Sueann E. Sherry
Dates:28.05.2017-04.02.2018

The 1830s marked the beginning of a renaissance in Japanese cloisonné production. Though small objects incorporating enamels were produced in Japan prior to the 19th century, a new generation of artisans developed techniques that enabled the creation of three-dimensional vessels, greater flexibility in surface design, and a number of different enameling styles. During the “golden age” of Japanese cloisonné production (approximately 1880–1910), intricate decorations, sophisticated use of color, expanding varieties of form, and flawless surface finishes became the hallmarks of Japanese cloisonné wares. Polished to Perfection presents approximately 150 works from the collection of Donald K. Gerber and Sueann E. Sherry. Built over the course of more than four decades, the collection contains works crafted by the most accomplished Japanese cloisonné masters of the time including Namikawa Yasuyuki (1845–1927), Namikawa Sōsuke (1847–1919), Hayashi Kodenji (1831–1915), and Kawade Shibatarō (1856–1921). The artists represented in this exhibition raised the art of cloisonné enamel to a level of unparalleled technical and artistic perfection.

Vichy
L’Opéra de Vichy, 1898-1903, le souffle d’un art nouveau
Dates:21.06.2017-17.12.2017

L’Opéra de Vichy, ancien Théâtre du casino, mis en service en 1901 et classé monument historique moins d’un siècle plus tard, fut longtemps l’une des plus vastes salles de spectacle de province. C’est aujourd’hui encore l’une des plus belles, sinon la mieux connue. La qualité et la variété de ses ornements en font un véritable théâtre de décors. Dans les galeries du pourtour ou sous sa monumentale coupole lumineuse, ferronneries, mosaïques, stucs et pochoirs déclinent à profusion un répertoire de fleurs, de masques et d’instruments de musique, qui tient de l’Art nouveau, autant que du japonisme et du symbolisme. Pour éclairer cet ensemble exceptionnel, l’exposition réunit environ trois cents pièces, pour la plupart inédites et provenant de diverses collections publiques et particulières : dessins, plans, photographies anciennes, livres d’art, éléments de mobilier, objets divers, etc.