City of Turin

Contact

Rosanna Purchia – Deputy Mayor for Culture of the City of Turin

City of Turin – Department for Cultural Policies, Museums and Libraries, Cultural Activities and Events, Historical Archives of the City of Turin
Square Palazzo di Città 1, 10122 Turin

phone +39 011 01124700

mail
assessora.purchia@comune.torino.it

Between spring and autumn 1902, Turin hosted the First International Exhibition of Modern Decorative Arts (Prima Esposizione di Arte Decorativa Moderna), which was held in the park of the Valentino Castle, Italy’s first public park, overlooking the banks of the Po and already the site of previous national and international exhibitions. A major event, just two years after the magnificent Exposition Universelle de Paris with over 50 million visitors. The Turin Exhibition, firmly pursued by a group of local artists, intellectuals and professionals, redeemed the “mediocrissima figura” of Italy at Paris Exposition Universelle of two years before and shaped a new city.

Major artists

Pencil portrait of Attilio Mussino
Attilio Mussino
Graphic designer and illustrator
Giuseppe Eugenio Chiorino – Gech
Graphic designer and illustrator
Self-portrait painting by Giovanni Battista Carpanetto
Giovanni Battista Carpanetto
Painter and advertiser
Pencil portrait of Maria Calvi Rigotti
Maria Calvi Rigotti
Artist
Black and white portrait of Domenico Buratti
Domenico Buratti
Painter and illustrator
Black and white portrait of Edoardo Rubino
Edoardo Rubino
Sculptor
Giulio Casanova
Architect
Black and white portrait of Pietro Canonica
Pietro Canonica
Sculptor
Silver portrait of Davide Calandra
Davide Calandra
Sculptor
Black and white portrait of Leonardo Bistolfi
Leonardo Bistolfi
Sculptor
Black and white portrait of Ernesto Bazzaro
Ernesto Bazzaro
Sculptor
Ermanno Vivarelli
Engineer
Giuseppe Velati Bellini
Engineer and architect
Antonio Vandone di Cortemiglia
Engineer
Carlo Sgarbi
Engineer
Black and white portrait of Annibale Rigotti
Annibale Rigotti
Architect
pencil portrait of Giovanni Angelo Reycend
Giovanni Angelo Reycend
Architect
Giuseppe Momo
Engineer
Black and white portrait of Eugenio Mollino
Eugenio Mollino
Engineer
Gottardo Gussoni
Architect
Giovanni Gribodo
Engineer
Ernesto Ghiotti
Engineer
Michele Frapolli
Engineer and Architect
Silver portrait of Pietro Fenoglio
Pietro Fenoglio 
Architect and engineer
Camillo Dolza 
Architect
Carlo Angelo Ceresa 
Engineer
Black and white portrait of Enrico Bonicelli
Enrico Bonicelli 
Engineer
Pietro Betta 
Architect
Giovanni Battista Benazzo
Engineer
Eugenio Ballatore Di Rosana
Architect

Continued text...

The specification “dell’Arte Nuova” is pervasive. It reconnects art to everyday life, materializing itself in the vision of a City that, at a time of great change, is capable of giving life to a unique model of urban civilization: a model which was expression of the knowing attitude of local administrators who acted in unison to promote the economic and social development of the territory. Infrastructures and services for the citizenry of high architectural quality and sophisticated construction execution are planned and realized. A new power station provides energy to be supplied to companies at cost, thus making them competitive and free to locate in the area. A tram network covers the entire city, serving all social classes. Excellent professionals in the Municipal Technical Office, with the collaboration of artists, design and build functional and beautiful architectures:

  • Schools and Technical Institutes to meet the needs of the labor market: and it2must be emphasized that Turin at the time enjoyed the highest tuition rate inItaly (and education meant inclusion)
  • Public Baths in all districts, following the plan launched in 1901
  • Public Housing
  • Public Offices

At the same time private clients commissioned palaces, apartment blocks, factories, cafés, shops, monuments, churches. The Art Nouveau language molds also barracksand hospitals. And it is exactly the variety of building types that makes Art Nouveau Turin unique on the international scene. A rich heritage of excellent executive quality, unique, authentic and intact. A total work of art, from the house to the city, where the concept of beauty becomes, in fact, tangible. A bridge, between the physical world and the spiritual world, that makes man better: “For in beauty is Goodness; in beauty is Charity; in beauty is Love” as the Piedmontese sculptor Leonardo Bistolfi states (“L’Arte Decorativa Moderna”, I, no. 5,May 1902, p. 1529).